Where is stage designer Boris Krasnov now? Boris Krasnov, businessman - biography. Matryoshkas from the Flower City

Boris was born January 22, 1961. The child is long-awaited and his birth was a real miracle for parents.

His father worked all his life at a construction site, and his mother worked as a chief artist in a fabric factory.

Evgenia - wife, worked for many years as a model for famous fashion designers, today she is a housewife, she is engaged in education two wonderful children- Darina and Danila.

Evgenia is a real savior for her beloved husband, it was she who helped Krasnov cope with a terrible disease and get back on his feet.

Boris Krasnov is close to the phrase that he often applies to himself: "self made man". He independently built his career and achieved everything himself, no one helped him in this.

Despite the fact that he is quite young, but during this time he managed to achieve a lot in show business. His name is known in many countries: the Russian Federation, America, Greece, Finland, Japan.

In his school years, the young man was engaged in a circle of modeling and drawing, went to art school, theater circles.

His first job was theater costume designer.

The father never supported the choice of his son, and believed that he needed to choose a more masculine profession that would feed his family and bring good money. And the mother was glad that the child followed in her footsteps, and always supported him in all endeavors. Only after the first victories of his son did his father come to terms with his choice.

In 1987, Krasnov moved to the capital, where life begins with clean slate. He was sent to undergo an internship in Moscow, where he performed the duties of an artist on stage costumes. After the internship young specialist and left to work in Moscow.

Krasnov graduated from the faculty of artists of drama theaters. In 1990, he was already the acting chief artist of the capital's theater.

In 1992, Boris became the director of the company “Krasnov Design”. This company is one of the leading in the country. Boris does not have a minute of respite and rest in his work schedule. Operates 24 hours a day, 7 days a week. It happened that he worked until the morning, came home to change clothes and again into battle.

Not everyone can fully devote themselves to work, live in such a rhythm, manage a large team, complete tasks on time, and work simultaneously on several projects. Boris can do it all.

Krasnov is able to perform the duties of three people at once: an artist, a stage designer, and a director. Boris does not like “hack work” and does all his work with the highest quality. Able to find an approach to almost everyone.

In 1997 the artist was invited to Athens. He was assigned to complete an order to decorate the stadium for Olympic Games. He did a great job as a designer.

For 10 years Krasnov was awarded a huge number of titles, medals and awards.

Krasnov has the only hobby and this is his job. This is a person who has no free time at all. If he has a few hours of free time, he tries to devote them to sports.

Among his favorite sports games : football, basketball, volleyball, tennis, equestrian sports and much more. He enjoys collecting small parts. In his collection, he collected about a thousand copies collected from small particles.

Boris Krasnov is a member Union theatrical activities V Russian Federation.

Artist's personal life

At the moment, Boris continues to live in the capital. In his personal life for many years there has not been the slightest change.

Evgenia Krasnova - wife, previously worked as a model for famous fashion designers, such as Zaitsev and Yudashkin.

Evgenia gave her beloved husband two children, at the moment she is raising them.

Rumor has it that Krasnov became related to Alla Borisovna. These are just rumors. The daughter-in-law of Christina Orbakaite has nothing to do with Boris, they are just namesakes.

When Boris went to the hospital and was almost at death's door, wife was there every minute. It was she who helped her beloved husband cope with a serious illness.

How Boris Krasnov's family lives today

Boris was not seen in affairs with young girls, all his life he is faithful to his only and beloved Eugenia, who gave him a daughter and a son. This union can be considered exemplary.

Boris Krasnov can be very often found at secular parties. Now he is working on a major order from Philip Bedrosovich.

The artist continues to recover from a serious illness and hopes that he will soon be able to work at full capacity, as before. Boris has many ideas, which the young man wants to bring to life, so there is simply no time to get sick and lie down in bed.

• Silver prize for the Russian pavilion at the World Universal Exhibition EXPO-2010 in Shanghai (PRC, 2010)
• Grand Prix at the international investment exhibition "MIPIM-2011" in Cannes (France, 2011)
• National award "Ovation" (1994-1996)
• Moscow Prize in Literature and Art (1996)

Boris Arkadyevich Krasnov(surname at birth - Reuther; genus. January 22, Kyiv, Ukrainian SSR) - Russian stage designer, designer, producer. Honorary member of the Russian Academy of Arts, winner of the Grand Prix at the international investment exhibition MIPIM-2011, winner of the silver prize for the Russian pavilion at the World Universal Exhibition "EXPO-2010", winner of the Moscow Prize in Literature and Art (1996), eight-time winner National Prize"Ovation" (1994-1996), winner of the Grand Prix "Golden Astrolabe" of the festival television films(1989), member of the Union theatrical figures Russia and others.

Biography

Boris Arkadyevich Roiter was born on January 22, 1961 in Kyiv, in Pechersk. Father - Arkady Alexandrovich, head of the capital construction department of the Electronmash enterprise in Kyiv. Mother - Nata Borisovna is a member of the Union of Artists, she worked as the chief fashion designer at the Kiyanka knitwear factory. During the war years, parents were evacuated to Kazakhstan and Perm. His relatives who lived in Mogilev-Podolsky escaped, his grandfather died in Babi Yar during the occupation of Kyiv. Wife - Evgenia Krasnova, daughter Darina and son Daniil Krasnov.

1978

Graduated from the Republican Art high school them. Taras Shevchenko, after which he entered the theater and scenery department of the painting faculty of the Kyiv State Art Institute. Teacher - theater artist - Daniil Leader, People's Artist of the Ukrainian SSR, laureate of the State Prize of the USSR.

By the end of the institute, Boris Reuter had already 18 performances.

1980

Work on the first performance - "Romeo and Juliet" in the Kiev theater of pantomime. The play was a success and ran for 5 seasons.

After the release of Romeo and Juliet, he first took a pseudonym, and then officially changed his last name.

1985

The first joint performance with the legendary director of the State Academic Russian Drama Theater. L. Ukrainka B. Erin - V. Rozov's play "Forever Alive" (stage of the KITIS Institute).

Admission to the Theater. Lesia Ukrainka as Acting Chief and Costume Designer.

Work on the play by A. Dudarev "Private" (director - B. Erin, production designer - People's Artist USSR, I. Sumbatashvili).

1987

Receiving the State Prize of Ukraine named after T. G. Shevchenko for the design of the play “So we will win” by M. Shatrov at the Theater of Young Spectators of Zaporozhye.

1987-1989

Two-year internship at the Moscow Theater. Lenin Komsomol in the direction of the Ministry of Culture of Ukraine.

Education at the All-Union Institute for Advanced Studies of Cultural Workers of the USSR at the Faculty of Artists of Drama Theaters and Youth Theaters.

Boris Krasnov becomes the chief artist in the Lenkom Moscow theater and concert association created under the direction of Alexander Abdulov.

1989-1993

Design of the Moscow International Film Festival. Design of the first prize-giving ceremony of the Russian Film Academy "Nika". Design of the Mrs. America contest at the Moscow Art Theater, the Russian Music stand for a music seminar in New York and Valentin Yudashkin's fashion show. The beginning of cooperation with Alla Pugacheva (Christmas meetings).

1992

Establishment of Krasnov Design, the leading scenographic company in Russia.

1996-2004

Decoration of the First World Festival-Competition circus art"Golden Bear" on Red Square in Moscow. Design of the Opening Ceremony of the 6th World Championships in Athletics at the Central Stadium "Kolomarmaros" (Athens).

Since 2000, Boris Krasnov has been a production designer for the State Kremlin Palace.

In 2004, Boris Krasnov becomes artistic director the Hall of Celebrations "FORUM HALL" created in Moscow, a significant concert and presentation complex.

2007

The Russian Academy of Arts, on the basis of its Charter, by the decision of the Presidium of June 14, 2007, elected Boris Krasnov an Honorary Member of the Academy.

2010

Boris Krasnov is the artistic director, the author of the concept and the main idea for the design of the Russian pavilion at the World Universal Exhibition "EXPO-2010", which received a silver prize for the full disclosure of the EXPO theme: "Better city - better life." According to the results of the International Forum of Exhibition Designers in Shenzhen (14.05.2010), Boris Krasnov entered the list of the six best exhibition designers in the world.

Achievements

During his creative activity, Boris Krasnov has implemented more than 3,500 projects - concerts, television programs, prestigious competitions, festivals, presentations, ceremonies, and more.

Boris Krasnov collaborates with almost all leading artists Russian stage: Lyudmila Gurchenko, Alla Pugacheva, Valery Leontiev, Philip Kirkorov, Iosif Kobzon, Lev Leshchenko, Laima Vaikule, Larisa Dolina, Irina Allegrova, Alexander Malinin, Irina Shvedova, Igor Demarin, Valery Meladze, Alexander Rosenbaum and many others.

Among foreign stars-partners are such popular artists as: Elton John, Eros Ramazzotti, Sarah Brightman, Chris Norman, Gipsy King and Deep Purple, Modern Talking, Abba , "Albano", etc.

Boris Krasnov was engaged in the design of performances of the leading theaters in Russia, including: the Moscow Art Theater. A. P. Chekhov, Academic Theater "Moscow Operetta", cabaret theater "The Bat", " New Opera", Theater of Satire, Theater "School modern play" and etc.

Some projects

• 167 performances in leading theaters former USSR(1980 - the first performance of "Romeo and Juliet" in Kyiv).
• Film-concert by Lyudmila Gurchenko "I Love"
• "Christmas meetings of Alla Pugacheva" (1991, 1992, 1993, 1997, 2001, 2009).
• Music festival "Jurmala 92"
• Concert of Maya Plisetskaya and the "stars" of the Russian ballet "Straight from the Bolshoi", City Center. USA, New York, 1996.
• Super show Valery Leontiev "On the road to Hollywood." Moscow, State Central Concert Hall "Russia", March 1996
• Opening ceremony of the 6th World Championships in Athletics. Greece, Athens, 1997.
• "Living legend Ray Charles in Moscow”, anniversary concert in honor of the 70th anniversary. Russia, Moscow, 2000.
• Valery Leontiev's show "Nameless Planet". Moscow, State Central Concert Hall "Russia", April 2001
• Musical "42nd street", 2002.
• 1st International Auschwitz Memorial Forum "Let my people live" in Krakow (2005) and 2nd International Babi Iar Memorial Forum in Kyiv (2006).
• 10th St. Petersburg International Economic Forum, 2006.
• Presentation of the project "Sochi - 2014" within the framework of the 11th St. Petersburg International Economic Forum. St. Petersburg, London, Guatemala (2007).
• International sports show "Sochi - Time to win", 2007.
• 8th International music Festival"9 billion tons of oil". Russia, Khanty-Mansiysk, 2008.
• Solemn events dedicated to the 450th anniversary of Astrakhan. Russia, 2008.
• "Day of the city of Astana". Kazakhstan, 2009.
• Anniversary show of Alla Pugacheva "Dreams of Love". Russia, 2009.
• Solemn events dedicated to the 150th anniversary of Vladivostok. Russia, 2010.
• World Universal Exhibition "EXPO-2010" in Shanghai. China, 2010.
• Russian National Exhibition in Paris. France, 2010.
• KSK stand at the international investment exhibition "MIPIM-2011" in Cannes. THE GRAND PRIX. France, 2011.
• Gala evening dedicated to the 70th anniversary of the Babi Yar tragedy. Ukraine, Kyiv, 2011.
• Philip Kirkorov's super show "DruGoy" in the Kremlin Palace. Russia, 2011.
• Anniversary events dedicated to the 170th anniversary of Sberbank of Russia. Russia, Moscow, 2011.
• Gala evening in honor of the 20th anniversary of the Football Federation of Ukraine. Ukraine, Kyiv, 2011.

Prizes and awards

1. Winner of the Grand Prix at the international investment exhibition "MIPIM-2011" in Cannes. France, 2011.
2. Winner of the silver prize for the Russian pavilion at the World Universal Exhibition "EXPO-2010" in Shanghai. China, 2010.
3. Winner of the Grand Prix of the Golden Astrolabe television film festival for his work on the film Moscow Melodies (Montreux, Switzerland, 1989).
4. Eight-time laureate of the Russian national award "Ovation" in the field of entertainment and popular music in the nominations: (“Best production designer”; “ Best Show on concert venues countries"; "Best scenographic company of the year"; "Best Art Director" (for the artistic design of the First World Festival of Circus Arts "Golden Bear"); "Best Director-Scenographer").
5. Multiple winner of the "Person of the Year" award in the "Designer of the Year" nomination (1995, 1997, 2000).
6. Winner of the Russian competition "Manager of the Year" in the nomination "Culture" (1998).
7. Laureate of the Moscow Prize in the field of literature and art for the design of the play for children "Ali Baba and the Forty Thieves" at the State Academic Theater. E. Vakhtangov.
8. Winner of the " Business people" in the nomination "Show and Business" (2004).
9. Laureate of the National professional award in the field of show technologies "SHOWTEX AWARDS 2005".
10. Owner special prize SHOWTEX 2006.

Membership in professional communities

1. Member of the Higher Academic Commission of the National Prize "Ovation" in the field of entertainment and popular music.
2. Laureate of the international competition "Pilar" (2006).
3. Honorary Member of the Russian Academy of Arts (2007).
4. Member of the Union of Theater Workers of Russia (1979).
5. Member International Union stage performers.
6. Member of the Association of Theater Artists.
7. Member of the Union of Designers of Russia.

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Notes

Literature

• I. Timokhova / Boris Krasnov. - M.: - Ed. "Krasnov Design", 2002-280 p., 168 p. with illustrations.
• Boris Krasnov / "The Same Krasnov". - M.: - AST; St. Petersburg: Astrel-SPb, 2007. - 159 p., 32 p. ill.

Links

An excerpt characterizing Krasnov, Boris Arkadyevich

Suddenly everything stirred, the crowd began to talk, moved, parted again, and between the two parted rows, at the sound of music playing, the sovereign entered. Behind him were the owner and mistress. The emperor walked quickly, bowing to the right and left, as if trying to get rid of this first minute of the meeting as soon as possible. The musicians played Polish, known then for the words composed on it. These words began: “Alexander, Elizabeth, you delight us ...” The sovereign went into the living room, the crowd rushed to the doors; several faces with changed expressions hurried back and forth. The crowd again retreated from the doors of the drawing room, in which the sovereign appeared, talking with the hostess. Some young man with a confused look was advancing on the ladies, asking them to step aside. Some ladies with faces expressing complete forgetfulness of all the conditions of the world, spoiling their toilets, crowded forward. Men began to approach the ladies and line up in Polish pairs.
Everything parted, and the emperor, smiling and out of time leading the mistress of the house by the hand, went out of the doors of the drawing room. He was followed by the owner with M.A. Naryshkina, then envoys, ministers, various generals, whom Peronskaya called incessantly. More than half of the ladies had cavaliers and were walking or preparing to go to Polskaya. Natasha felt that she remained with her mother and Sonya among the smaller part of the ladies pushed back to the wall and not taken in Polskaya. She stood with her slender arms lowered, and with a measuredly rising, slightly defined chest, holding her breath, with shining, frightened eyes, she looked ahead of her, with an expression of readiness for the greatest joy and the greatest grief. She was not interested in either the sovereign or all the important persons that Peronskaya pointed out - she had one thought: “is it really that no one will come up to me, is it really that I will not dance between the first, is it possible that all these men who now, it seems that they don’t see me, but if they look at me, they look with such an expression, as if they say: Ah! it's not her, so there's nothing to see. No, it can't be!" she thought. “They must know how I want to dance, how well I dance, and how fun it will be for them to dance with me.”
The sounds of Polish, which had gone on for quite some time, were already beginning to sound sad, a memory in Natasha's ears. She wanted to cry. Peronskaya moved away from them. The count was at the other end of the hall, the countess, Sonya and she stood alone as if in a forest in this alien crowd, uninteresting and unnecessary to anyone. Prince Andrei walked past them with some lady, apparently not recognizing them. The handsome Anatole, smiling, said something to the lady he was leading, and looked at Natasha's face with the look with which they look at the walls. Boris walked past them twice and each time turned away. Berg and his wife, who were not dancing, approached them.
It seemed insulting to Natasha this family rapprochement here at the ball, as if there was no other place for family conversations except at the ball. She did not listen and did not look at Vera, who was saying something to her about her green dress.
Finally, the sovereign stopped beside his last lady (he was dancing with three), the music stopped; the preoccupied adjutant ran up to the Rostovs, asking them to move somewhere else, although they were standing against the wall, and the distinct, cautious and fascinatingly measured sounds of a waltz rang out from the choir. The emperor looked at the hall with a smile. A minute passed and no one started yet. The adjutant manager approached Countess Bezukhova and invited her. She raised her hand, smiling, and laid it, without looking at him, on the adjutant's shoulder. The adjutant steward, a master of his craft, confidently, slowly and measuredly, hugging his lady tightly, set off with her first on the glide path, along the edge of the circle, at the corner of the hall picked her up left hand, turned it, and because of the ever-accelerating sounds of music, only the measured clicks of the spurs of the adjutant's quick and dexterous legs were heard, and every three beats at the turn, the velvet dress of his lady flashed, as it were, fluttering. Natasha looked at them and was ready to cry that it was not she who was dancing this first round of the waltz.
Prince Andrei, in his colonel's white (for cavalry) uniform, in stockings and boots, lively and cheerful, stood in the forefront of the circle, not far from the Rostovs. Baron Firgof spoke to him about tomorrow, the proposed first meeting of the State Council. Prince Andrei, as a person close to Speransky and participating in the work of the legislative commission, could give correct information about the meeting of tomorrow, about which there were various rumors. But he did not listen to what Firgof told him, and looked first at the sovereign, then at the gentlemen who were about to dance, who did not dare to enter the circle.
Prince Andrei watched these cavaliers and ladies, timid in the presence of the sovereign, dying from the desire to be invited.
Pierre went up to Prince Andrei and grabbed his hand.
- You always dance. Here is my protegee [favorite], young Rostova, invite her, - he said.
- Where? Bolkonsky asked. “I’m sorry,” he said, turning to the baron, “we will finish this conversation in another place, but at the ball we have to dance.” - He stepped forward, in the direction that Pierre indicated to him. Natasha's desperate, fading face caught Prince Andrei's eyes. He recognized her, guessed her feelings, realized that she was a beginner, remembered her conversation at the window, and with a cheerful expression approached Countess Rostova.
“Let me introduce you to my daughter,” said the countess, blushing.
“I have the pleasure of being acquainted, if the countess remembers me,” said Prince Andrei with a courteous and low bow, completely contradicting Peronskaya’s remarks about his rudeness, going up to Natasha, and raising his hand to hug her waist even before he finished the invitation to dance. He suggested a waltz tour. That fading expression on Natasha's face, ready for despair and delight, suddenly lit up with a happy, grateful, childish smile.
“I have been waiting for you for a long time,” as if this frightened and happy girl said, with her smile that appeared from ready tears, raising her hand on Prince Andrei’s shoulder. They were the second couple to enter the circle. Prince Andrei was one of the best dancers of his time. Natasha danced superbly. Her feet in ballroom satin shoes quickly, easily and independently of her did their job, and her face shone with the delight of happiness. Her bare neck and arms were thin and ugly. Compared to Helen's shoulders, her shoulders were thin, her chest indefinite, her arms thin; but Helen already seemed to have varnish from all the thousands of glances that glided over her body, and Natasha seemed like a girl who was naked for the first time, and who would be very ashamed of it if she had not been assured that it was so necessary.
Prince Andrei loved to dance, and wanting to quickly get rid of the political and intelligent conversations with which everyone turned to him, and wanting to quickly break this annoying circle of embarrassment formed by the presence of the sovereign, he went to dance and chose Natasha, because Pierre pointed her out to him. and because she was the first of the pretty women that caught his eye; but as soon as he embraced this thin, mobile body, and she moved so close to him and smiled so close to him, the wine of her charms hit him in the head: he felt revived and rejuvenated when, catching his breath and leaving her, he stopped and began to look on the dancers.

Was born on January 22, 1961 in Kiev. Father - Reuter Arkady Alexandrovich (born in 1930), was a well-known builder in Kyiv. Mother - Reuter Nata Borisovna (born in 1931), was a member of the Union of Artists, worked as the chief fashion designer at the Kiyanka knitwear factory. Wife - Evgenia, worked for many years as a model for Vyacheslav Zaitsev, then for Valentin Yudashkin, is currently raising two children - Darina (born in 1992) and Daniel (born in 1995).

With regard to Boris Krasnov, the most fair statement is the well-known phrase "Self made man"-" a self-made man ". He is not yet 40, but he is already deservedly famous, his image as a leading stage designer in modern domestic show business is beyond doubt. The name of designer Krasnov is well known not only in Russia , but also in Greece, USA, Israel, Germany...

Until the 5th grade, Boris Krasnov studied at the modeling and drawing studio in the Kiev Palace of Pioneers. Then he graduated from the Republican Art School named after T.G. Shevchenko (Kyiv, 1971-1978), the theater and scenery department of the painting faculty of the Kyiv State Art Institute (1979-1985). He studied with the famous Soviet theater artist Daniil Leader.

He began his labor and creative activity at the Kiev State Academic Russian Drama Theater named after Lesya Ukrainka, where he was the acting chief artist and costume designer (1985-1987). It should be noted that Boris Krasnov's father was extremely skeptical of his professional choice, considering the profession of an artist to be an occupation not for a man, but for his mother, professional artist, always believed in the success of her son. The first successful theatrical productions of Krasnov allowed him to win the recognition of his father and mother as a fully accomplished person, and the work on the design of the play "So we will win" by M. Shatrov at the Theater of Young Spectators in Zaporozhye (1987) was awarded the State Prize of Ukraine named after T .G.Shevchenko.

In 1987, with the move to Moscow, a new and, perhaps, main stage in the life of Boris Krasnov. He came to the capital at the direction of the Ministry of Culture of Ukraine for a two-year internship. Here he became an artist-trainee of the Moscow Theater named after Lenin Komsomol (1987-1989), at the same time he graduated from the faculty of artists of drama theaters and Youth Theaters of the All-Union Institute for Advanced Training of Cultural Workers of the USSR Ministry of Culture. From 1989 to 1991 he worked as the chief artist of the Moscow theater and concert association "Lenkom" under the direction of Alexander Abdulov. In 1992, Boris Krasnov created the Krasnov Design firm and became its president and artistic director. Krasnov Design is now the leading scenographic company in Russia. His life becomes like a run - Full time job ahead of schedule. Days are scheduled by the minute, regardless of whether they are weekdays or weekends. He can arrive home after midnight, and early in the morning be already in full combat readiness. Far from everyone succeeds in maintaining such a rhythm - to be able to manage a large team of people, to clearly follow the work schedule, to keep in mind several absolute different projects and remain an artist at the same time.

Behind him is the design of the performances of the leading theaters in Russia, Azerbaijan, Belarus: the Kiev Theater of Pantomime (N. Bandello, "Romeo and Juliet", 1980, Kiev), the Drama and Comedy Theater (A. Stein, "Hotel" Astoria " , 1985, Kiev), Kiev State Academic Russian Theatre of Drama named after L. Ukrainka (V. Dozortsev, "Breakfast with the Unknown" and A. Pisemsky, "Predators", 1986), Sverdlovsk State Academic Drama Theater (D. Mamin-Sibiryak, "Gold Miners", 1987), Azerbaijan State Russian Drama Theater named after Samed Vurgun (T.Williams, "A tram" Desire", 1987, I.Babel, "Sunset", 1988, Baku), Chelyabinsk Academic Theater named after S. Zwilling ( G. Ibsen, "Ghosts", 1988), Gorky Academic Drama Theater named after M. Gorky (A. Dudarev, "And there was a day ..." ("Dump"), 1988), Kiev State Academic Ukrainian Theater Ivan Franko Drama Theater (V. Merezhko, "Women's table in the hunting hall", 1988), Belarusian Academic Theater named after Y. Kupala (G. Gorin, "Memorial prayer", 1989), Vitebsk Academic Theater named after Y. Kolos (E. Ozheshko, "Ham", 1990), Yaroslavl Academic Theater named after F.G. mouse" (G. Gurvich, "Reading new play", 1990, G. Gurvich, "I" step "in Moscow", 1992), Moscow municipal theater"New Opera" (V. Kolobov, "Oh Mozart, Mozart", 1993), Moscow Academic Theater of Satire (A. Buravsky, "Do you have another globe"; "Schizophrenia, or as it was said before" based on the novel M. Bulgakov "Master and Margarita", 1994), Moscow Art Theater named after Chekhov (S. Dovlatov, "The New American", 1994), State Academic Theater "Moscow Operetta" (V. Vzorov, "Siberian Yankees", 1995), State Academic Theater named after Evg. Vakhtangov (M. Vorontsov, V. Shalevich, "Ali Baba and 40 Thieves", 1995, Moscow), theater "School of Modern Play" (Yu. Volkov "Milady" (based on the novel by A. Dumas "Three Musketeers"), 1997) and many others.

The amazing capacity for work of Boris Krasnov is illustrated, for example, by the fact that during the period of his creative activity, from January 1980 to the present day, he has successfully completed more than 450, including unique, projects. Boris Krasnov performed his productions all over the country - about 80 performances in Chelyabinsk, Nizhny Novgorod, Moscow, Yekaterinburg, many other Russian cities, worked in the USA, Portugal, France, Greece...

Among the partners of the firm "Krasnov Design" are the superstars of the Russian stage. He was the author of the scenery for "Christmas Meetings" by A. Pugacheva (SC "Olympic", Moscow, 1991-1992, 1997), solo concerts by A. Pugacheva (GTSKZ "Russia", 1998), solo concerts by F. Kirkorov " Atlantis" (BKZ "October", St. Petersburg, 1992) and "The best, beloved, only for you" (Madison Square Garden, New York, 1997, Friedrichstadt Palace, Berlin, 1997), solo concert Samantha Fox (Izhevsk, 1991) , Zh. Aguzarova and the group "Bravo" "Bravo - 10 years" (GTSKZ "Russia", 1993), the group "Lesopoval" (GTSKZ "Russia", 1992), the cabaret duet "Academy" "Do you want, but you are silent" (GTsKZ "Russia", 1994) and "Wedding" (GTsKZ "Russia", 1997), L. Leshchenko "From Leshchenko to Leshchenko" (GTsKZ "Russia", 1994), A. Apina "Limita" (State Central Concert Hall "Russia", 1994), I. Shvedova and I. Demarin "Two people walk around the world" (State Central Concert Hall "Russia", 1994), A. Malinin "Alexander Malinin's Ball" (State Central Concert Hall "Russia", Moscow, 1995), L. Vaikule (GTSKZ "Russia", 1995), V. Syutkin "7 thousand above the ground" (GTSKZ "Russia", 1995), V. Leontiev "Po road to Hollywood" (GTsKZ "Rossiya", Moscow, Concert Hall "Oktyabrsky", St. Petersburg, 1996), L. Vaikule and R. Pauls "Laima congratulates the Maestro" (GTsKZ "Rossiya", 1997), V .Meladze "And spring again on earth" (SC "Olympic", 1997), A. Sviridova "Everything is different at night" (GCCZ " Russia", Moscow, Concert Hall "Oktyabrsky", St. Petersburg, 1997), I. Ponarovskaya "A Woman is Always Right" (GTsKZ "Russia", 1997), L. Dolina "I Give You Moscow" ( Manezhnaya Square, 1997), I. Allegrova (State Central Concert Hall "Russia", 1998), A. Tsoi "Flight to New Worlds" (Moscow Operetta Theatre, 1998), M. Shufutinsky "Once Upon a Time in America" ​​( State Central Concert Hall "Russia", 1998), A. Rosenbaum "Windows of the Soul" (State Central Concert Hall "Russia", Moscow, Concert Hall "Oktyabrsky", St. Petersburg, 1998), Shura (State Central Concert Hall "Russia", 25-27.12. 1998), as well as an evening dedicated to Charlie Chaplin (the residence of the US Ambassador "Spaso House", Moscow, 1989), an evening in memory of Arkady Raikin (Central House of Cinematographer, Moscow, 1991), a gala concert "Triumph of the Winners" (SC "Olympic", 1992), concert-action "International AIDS Day" (Moscow Palace of Youth, Moscow, 1993), concert, dedicated to the Day Independence of Israel (State Central Concert Hall "Russia", 1994, 1998), creative evenings of the composer I. Krutoy (Moscow, 1994, 1997, 1998), concert "Hit Parade "Arlekino" (State Central Concert Hall "Russia", 1994 Maya Plisetskaya and the stars of the Russian ballet "Straight from the Bolshoi" (City Center, New York, 1996), a gala concert dedicated to the 50th anniversary of the victory "Only you could, my Russia" (GKD, Moscow , 1995), a concert "Our Home is Russia" (GTSKZ "Russia", 1996), a concert dedicated to the 300th anniversary of the Russian Navy (GKD, Moscow, 1996), a series of concerts dedicated to the 25th anniversary of the State Central concert hall "Russia" (GTSKZ "Russia", 9-11.12.1996), concert "Surprise for Alla Borisovna" (SC "Olympic", Moscow, 04.1997), anniversary concert dedicated to the 50th anniversary of the creative activity of L. Zykina (GKD, Moscow, 04.1997), anniversary evening dedicated to the 90th anniversary People's Artist USSR T. Ustinova (Concert Hall named after P.I. Tchaikovsky, Moscow, 1998), a concert dedicated to the 50th anniversary of V. the anniversary of the two-time Olympic boxing champion B. Lagutin (Palace of the Wings of the Soviets, 1998), a concert dedicated to the 80th anniversary of the All-Union Leninist Young Communist League (GTSKZ "Russia", 1998), a concert "Militia Day" (GTSKZ "Russia", 1996- 1998), dozens of other events. February 7 - 8, 1998 in the State Central Concert Hall "Russia" were creative evenings and a benefit performance by Boris Krasnov himself.

Among creative works B. Krasnova - television programs, prestigious competitions, festivals, presentations, solemn ceremonies, etc. etc. Among them is the contest "Miss photo-89" (hotel "Eaglet", Moscow, 1989), international competition beauty "Mrs. America - Mrs. USSR" (Moscow Art Theater named after M. Gorky, Moscow, 1990), competition "Elite Red Stars" (Center international trade, Moscow, 06.1992), Music competition-festival"Jurmala-92" (Jurmala, 08.1992), competition of professional models "Elite Model Look-93" (GKD, Moscow, 1993), competition-TV show "Morning Star" (MDM, Moscow, 1994-1995). , 50 programs), competition-TV show "Song of the Year" (Ostankino, 1993, 1994), Moscow International Film Festival (1989, 1991), International Festival of Studio Theaters (Yaroslavl, 1989), Festival of Russian music in "Marki-Club" (New York, 1990), festival of arts "Stars of Free Russia" (Sports Palace "Zvezdny", Lipetsk, 1992), International Music Festival "Slavianski Bazaar" ( Vitebsk, Belarus, 1994), final International Festival creativity of disabled people "Together we can do more" (GTsKZ "Russia", 06/02/1998), 10 competitive programs and the final of the KVN-98 season, the 10th KVN-99 festival in Sochi, the opening of the KVN-99 season, the KVN competition "Moscow Cup" (1998), all the solemn ceremonies of presenting the annual prizes of the Russian Television Academy "TEFI" ( KZ "Pushkinsky", Moscow, since 1989), a ceremony dedicated to the 60th anniversary of Boris Lagutin (SC "Wings of the Soviets", 06.1998), as well as ceremonies: awarding the "Best Ballerina" award (1996) and honoring laureates International Prize"Divine" (Bolshoi Theater of Russia, 1997), seeing off the Russian national football team to the World Championship in the USA (GTSKZ "Russia", 1994), celebrating the 20th anniversary of the Alpha division (MDM, 07.1994), the opening of the International Tournament for the Spartak Cup (MDM, 09.1994), the opening of the International Chess Tournament "Kremlin Stars" (1994, 1995, 1996), the opening and closing of the International Tennis Tournament "Kremlin Cup" (1995, 1996). ), seeing off the Russian Olympic Team to Atlanta (Central House of Cinematographers, Moscow, 07.1996), presenting the Person of the Year award (Metropol Hotel, 12.1996), celebrating the 5th anniversary of Soyuzkontrakt and Lukoil ( 1996), design of studios for television programs "Station for a Dream" (ORT, 1992), "Night Astrolabe" (ORT, 1993), "Easier than Easy" (1993), " Russian loto"(RTR, 1994), "Seven Days of Sports" (ORT, 1994), "Mirror" (RTR, 1997), "Non-stop New Year"(TV studio for broadcast cycles, Ostankino shopping center, 1997), TV crossword" (1997), "About this" (NTV, 1997), "Segodnyachko" (NTV, 1997) , "Old TV" (NTV, 1997), "Navigator" (TV Center, 1998), programs "Montazh-1,2,3" (TsT, 1988-1989), programs "Music in on air" dedicated to the 125th anniversary of P.I. g.), presentations of the newspaper "Top Secret" (Central House of Cinematographer, 1991), the Yugoslav company "Pliva" (GKD, 1992), the spirits "Alla" (GTSKZ "Russia", 1992), " Nezavisimaya newspaper"(Central House of Cinematographer, 1992), International Union of Variety Workers "We are Variety" (GTsKZ "Russia", 1992), Russian edition "Penthouse" (World Trade Center, Moscow, 1993), MTV ( SC "Olympic", Moscow, 1993), the national television game "Russian Lotto" (hotel "Eaglet", Moscow, 1994), books by Yu.M. Luzhkov "We are your children, Moscow" (GTSKZ "Russia", 1996), the company "Peugeot" (Children's Musical Theatre Natalia Sats, Moscow, 1997), the project of the company "May Tea" - "Time - May" (Grand Club "Beijing", Moscow, 1998) and dozens of others.

In addition, B. Krasnov works in the field of interior design, industrial design, exhibition design and costume design. Among his clients are the restaurants "Metropol" (New York, 1991), "Ambassador" (1993), "Patron" (1994), "Under the piano" (1994), "Tropicana", " Mario", "Swan Lake", "Jamaica", "Tiflis" (1999), shopping centers and shops "Stolypin", "007" (1993), "Koti", "Milan", "Lindt" (1996), "Puma" (1996), "M1", boutique "Gianni Versace" (1994), clubs "Arlekino", "Jamaica" (1998), " Golden Apple"(1995, Alma-Ata), "Peter Assembly" (1995), "Monolith", entertainment center "Madame Sophie" (1995), press club of the publishing house "Moscow News" (1998 d.), firms "Intourtrans", "PEUGEOT", "Mersedes Benz", "Dovgan", "Rot Front", "May tea", BIZ Enterprises and many others. He designed stands at various international exhibitions, including the stand "Russian Music" at the "New Music Seminar" (New York, 1991), stands of the firms "Alla", "Soyuzteatr" at "MIDEM-91" (Cannes, 1991), as well as the firm "BIZ Enterprises" at "MIDEM-91,92,93" (Cannes, 1991-1993), the exhibition pavilion of the company "UKS" (London, 16.11.98-20.11.98). representative office of the company "Dovgan", designed by B. Krasnov in 1998

Successfully works in the field of concert and theatrical costume. For a number of years he has been collaborating with the Vali-Moda firm, making out its presentations in Moscow (1990), Paris (1990), Beverly Hills, Hilton, Los Angeles (1991) and Jerusalem.

Boris Krasnov combines three incarnations at once - an artist, set designer and director. The main thing in the work, at the same time, remains an unshakable credo - to do well. Hence the individual creativity to each person or project.

Boris Krasnov gained unique design experience street holidays And mass events. Among which stand out: the presentation of the Coat of arms of the city of Moscow (Noviy Arbat St., Moscow, 1994), "Holy Easter on Tverskaya" (Moscow, 1994), "Christmas on Tverskaya" (Moscow, 1995), " Day of Knowledge" (TsPKiO named after Gorky, Moscow, 1995), Day of Moscow (Vasilyevsky Spusk, 1995), solemn procession "There is a holiday on our street" (decoration of the passage of the column of demonstrators of the Eastern District at the celebration of the 850th anniversary of Moscow, the theme "Metro", Moscow, 1997), Holiday "Hanukkah" (Pushkinskaya Square, Moscow, 1997).

His milestone work was the design of the First World Festival-Competition of Circus Art "Golden Bear" on Red Square in Moscow (1996). The idea to build 13 circus arenas-pavilions (each 12 meters high, 25 wide) on the main square of the country - a crazy, daring, difficult idea - inspired the artist. Each of the constructed pavilions symbolized one of the geographical points where the foundations of the modern circus were born. There were also the pyramid of Cheops, where the public was shown numbers with trained pythons, the Greek Parthenon, the Roman Capitol, associated with gladiatorial spectacles. In a huge Russian tower, an artificial ice surface was installed, on which young artists from the "Circus on Ice" showed their skills. The delightful fantasy of Boris Krasnov shocked and stunned then not only the public, but also fellow specialists, and the circus pavilions built have already entered the history of modern art as "13 wonders of the world."

In 1997, after the resounding success of the First world festival-competition of circus arts, B. Krasnov was invited to Athens. Here he received an order from the Greek Government to decorate the Opening Ceremony of the 6th World Championships in Athletics at the Central Stadium "Kolomarmaros". The proposal was received in April, the stadium was inspected in May, on June 23 (!) all the scenery was ready for loading, and all the work was carried out in Moscow. For the sake of justice, it must be said that the idea of ​​the scenery belonged to the Greek architect Nikos Petropoulos, and Boris Krasnov acted as the designer. Among the design elements are two sculptures of Apollo 6.5 meters each, a 21-meter sculpture of the goddess of peace Irina, special podiums for the orchestra under the direction of the great Greek composer, multiple Oscar winner Vangelis and performances by Montserrat Caballe. The main element of the scenery was the triumphal arch in front of the entrance to the stadium, 100 meters wide, 24 meters high and 50 meters deep. Its upper part was decorated with bas-reliefs reproducing the metopes of the Parthenon temple. Inside the arch, lined with "marbled" plastic tiles, control panels for laser lighting installations were mounted - a whole computer center, an elevator to the eighth floor level, a spiral staircase, air conditioners, etc. The ceremony was watched by a television audience of approximately 2 billion people, and broadcast by more than 160 television companies around the world. The scenery stood until September 7, the date when the International Olympic Committee made its decision on the venue for the 2004 Olympics, and Triumphal Arch Krasnova has become in these days no less a landmark of Athens than the famous Acropolis.

On May 10, 11 and 12, 1996, concerts of Russian ballet stars and Maya Plisetskaya were held in New York. These concerts have become one of those events that are remembered by its creators, participants and spectators for a lifetime. Boris Krasnov had the high honor of being the designer of the gala performance of the brilliant Russian ballerina. Scenography reproducing the hall Bolshoi Theater, explains the name of the concert - "Straight from the Bolshoi". When, to the solemn sounds of the Polonaise from P.I. Tchaikovsky's opera "Eugene Onegin", a curtain rose over the stage of the New York City Center and the audience saw the colonnade of the Bolshoi, and the quadriga, and the lanterns, and the chandelier shining with lights, many literally had their hearts pinched and welled up tears in the eyes. And this mood did not leave the audience until the dazzling finale, when the glittering golden boxes of the Bolshoi Theater appeared before the shocked audience. Maya left the main, "royal" box and went to the proscenium, towards the hall, which had long since jumped to its feet and enthusiastically roared. The scenery changed seven times during the performance - four times in the first part, three times in the second. Against this nostalgic background, the final parade-alle of the participants took place under the "Italian Capriccio" by P.I. Tchaikovsky. Maya Plisetskaya concluded the parade along with all its participants in her regal dress from Cardin. It became a kind of world record among spectacles with the participation of Russian actors both in Russia and abroad.

For 10 years, Boris Arkadievich Krasnov has collected a collection of titles, titles, and awards that is unthinkable for show business. He is a laureate of the State Prize of Ukraine named after T.G. Shevchenko in the field of culture (1987) for scenography for the play by M. Shatrov "So we will win!", Zaporozhye Youth Theater, laureate of the competition "Slavic dramaturgy" (1989) for scenography for the play "Ham" based on the play by E. Ozheshko at the Vitebsk Theater named after Y. Kolosai, winner of the Grand Prix "Golden Astrolabe" of the festival of television films shot on high-definition equipment for work on the film "Moscow Melodies" (Montreux , Switzerland, 1989), six-time winner of the National music award"Ovation" - in the nominations: "Best Stage Designer" (1994), "Best Show at Concerts in the Country" (1994), "Best Stage Design Company of the Year" (1994), "Best Stage Design "(1995), "Best Stage Designer" for the decoration of the First World Festival of Circus Arts "Golden Bear" and Valery Leontiev's show "On the Road to Hollywood" (1996), "Best Director-Scenographer" for super- show "On the road to Hollywood" (1996); laureate of the "Person of the Year" award in the nomination "Designer of the Year" (1995 and 1996); laureate of Moscow in the field of literature and art for the design of the play for children "Ali Baba and the 40 Thieves" in the State academic theater named after Evg. Vakhtangov (1996); winner Russian competition"Manager of the Year" (1998) in the nomination "Culture", as well as many other prizes and awards, including international ones.

Boris Krasnov is a member of the Union of Theater Workers of Russia, the International Union of Variety Workers, the Association of Theater Artists, the Higher Academic Commission of the National Prize "Ovation" in the field of entertainment and popular music (1994). He is the author of the series of lectures "Management in show business" ( Russian Institute modern culture, 1993) and "The role of the artist in modern television" (Russian Television Academy, 1994-1995).

The main hobby is work. He has almost no free time. Rare moments of rest are almost always associated with physical activity, sports activities. I used to play a lot: water polo, football, volleyball, basketball, went in for sports badminton. B. Krasnov is fond of collecting white milkmen. They are brought to him and given from all over the world. There are more than a thousand items in this unique collection.

Lives and works in Moscow.

Boris Krasnov - a prime example versatility of talent. He is an acclaimed designer, theater artist and businessman. During his creative activity, Krasnov has collected an impressive collection of awards and titles. As a production designer, he became a laureate 8 times Russian Prize"Ovation". Thanks to his talent, the audience saw more than 3,500 colorful projects. These were festivals, fashion shows, concerts, presentations and television programs. Krasnov's design activity is noted not only in his homeland, his name is included in the list of the six best exhibition designers in the world.

Biography of Boris Krasnov

Boris Reuter was born on January 22, 1961 in Kiev, Ukraine. Subsequently, he took his mother's surname - Krasnov. The boy's father was in charge of the construction department of a large enterprise. Boris inherited his creative talent from his mother, a fashion designer. The boy made his choice early life path. Studied at art school, and then entered the Kiev State Art Institute. The young man chose a specialty theater decorator. During the period of study, he designed 18 performances.

The first significant award is the State Prize of Ukraine, the young decorator received it for the production of “So We Will Win”. The rise of the designer's career began with the move to Moscow (1987). He holds the position of chief artist of the Lenkom theater and concert association. By 1992, the decorator receives tremendous experience work and creates his own company "Krasnov Design". The talented designer's life was completely scheduled, he worked with the leading theaters of our country, near and far abroad.

Boris Arkadyevich is a fashionable concert decorator. Celebrities used his services Russian show business People: Valery Leontiev, Alla Pugacheva, Laima Vaikule, Philip Kirkorov, Larisa Dolina, Valery Syutkin. He is a permanent designer of Pugacheva's "Christmas Meetings". The talented set designer worked with Elton John, Chris Norman. Krasnov is entrusted with the most responsible positions - in 2004 he heads the FORUM HALL, where significant celebrations and presentations take place. Three years later, the decorator is elected an Honorary Member Russian Academy arts.

Personal life of Boris Krasnov

Designer and businessman Boris Krasnov was lucky in his personal life. He met his other half while decorating the hall to show Yudashkin's collection. Model Evgenia Gurini could not resist the charm of the artist. After the birth of children - the daughter of Daria and the son of Daniel, Evgenia left her modeling career. The couple is together, despite all the trials of fate.

A couple of years ago, the whole country knew the name of Boris Krasnov, because he was the decorator of many performances of stars, Russian prima donna Alla Borisovna Pugacheva especially liked Krasnov's backstages, they say that it was she who made Boris a star.

After all, there is great amount song groups and individual performers who give concerts throughout the country and abroad, and all of them need scenery design, but only Boris Krasnov today can boast of his status and fame, unlike thousands of other stage workers.

And recently, rumors have begun to circulate that Boris Krasnov has returned, now in Moscow he is preparing something grandiose, but so far well hidden. And this secret action does not have to be a concert performance at all, because Krasnov is a versatile person, he manages to take part in international exhibitions, manages own business and is a producer of emerging sculptors and painters. But all this was given to Boris Krasnov, as it seemed at first glance, without much difficulty only before the illness, after the illness, he undergoes a rehabilitation course and learns to do simple actions again.

Autumn 2011 for a successful artist and decorator was the beginning of disappointing events that changed the whole lifestyle Boris Krasnov. Trouble began due to a judicial investigation initiated by representatives of the Inconnect company, according to the corporation's human rights activists, Boris Krasnov and his colleagues extorted them to transfer a controlling stake, which, in fact, meant full ownership of Inconnect's affairs.

Krasnov Boris showed interest in this enterprise after the news that one of his subsidiaries received a state order for the design of the international exhibition of achievements "Expo 2012" in South Korea. Naturally, the opportunity to become the organizer of the Russian pavilion at Expo 2012 was very desirable for Boris Krasnov, because he had repeatedly prepared international exhibitions and even became a winner, but he could not even think about what would happen in just a few days.

While all his thoughts and actions were aimed at stopping the court case, and his relatives were trying to find a significant amount of money so that the eminent stage designer was released on bail, Boris Krasny's health failed under the weight of colossal stress, but at that moment these were subtle signs that which no one paid attention.

During the trial, neither Boris himself nor his relatives paid attention to the important symptoms of an approaching illness, a couple of days before hospitalization, as Boris later recalled, he began to notice slight numbness of the limbs and cloudiness in the eyes, but attributed it all to fatigue and stress .

September 22, 2011 Boris Krasnov was urgently hospitalized from his mansion to one of the Moscow clinics due to a suspected stroke and, as reported by representatives of the Krasnov Design company, owned by Krasnov and his wife, the condition of their head is moderate and he will soon recover. But all these statements did not have the slightest hint of what was really happening - in September 2012, Krasnov was in a coma and the chances of bringing him back to life were minimal. Only through the efforts of influential friends, he, who was then still under investigation, was taken to Germany for treatment in connection with a critical state of health, where doctors gave hope for life. Some time later, he went for treatment and rehabilitation to Switzerland in private clinic Montreux, where it took Boris Krasnov almost 3 years to restore his memory, learn the simplest everyday activities, walk and regain the ability to speak.

January 2015 was remembered by many stars of the domestic show business as a luxurious party in Krasnov's entertainment complex Forum Hall dedicated to the return of Boris Krasnov to Russia. The court case, by that time, was closed due to the lack of corpus delicti, so he had nothing to fear, and the artist and stage designer really wanted to go home. Among those present at the evening dedicated exclusively to Krasnov, there were such eminent guests as Alla Borisovna Pugacheva with her husband Maxim Galkin, singer Natalie and Angelica Agurbash, Andrey Malakhov and Iosif Kobzon.

The hero of the occasion himself was in an excellent mood, laughed and responded to the wishes of those present, although speech still did not fully return to Boris Krasnov, so in most cases he simply nodded, noisy dances are also not yet available to the decorator, because he moves very uncertainly and exclusively with the help of a cane. The party dragged on for a long time, but Krasnov himself left home relatively early - he must not violate the medication regimen, as well as mandatory training to strengthen muscles, in addition, he is very tired of the change of scenery, so he prefers home comfort and familiar atmosphere.

Despite the fact that after returning to Moscow, once famous Boris Krasnov is just learning to live fully again, he has not forgotten his gift - to create, as soon as his hands began to obey him, he immediately began to make simple sketches, which he supplemented with small details.

Now Boris Krasnov has almost completely abandoned social events, transferred ownership of the affairs to companions and devotes all his time to communication with relatives and rehabilitation. The list of daily activities includes special therapeutic exercises, training for the development of speech and memory, improving coordination.