Presentation of the golden age of Russian literature of the 19th century. Presentation on the topic "The Golden Age of Russian Literature." Denis Vasilievich Davydov

A.S. Pushkin D.V. Davydov A.A. Delvig K.N. Batyushkov K.F. Ryleev E.A. Baratynsky V.A. Zhukovsky

The great poet, speaking about himself, about his I, speaks about the general - about humanity, for in his nature lies everything that humanity lives by. And therefore, in his sadness everyone recognizes their own sadness, in his soul everyone recognizes their own and sees in him not only a poet, but also a person... V.G. Belinsky

K.N. Batyushkov is the immediate predecessor of A.S. Pushkin, a poet of early Russian romanticism (“pre-romanticist”). Combining the literary discoveries of classicism and sentimentalism, he was one of the founders of new, “modern” Russian poetry.

Batyushkov's poetry plunges us into the depths of individual consciousness. The subject of its depiction is the spiritual life of a person - not as a “small” part of the big world, but as the absolute value of external, universal life. Batyushkov, a poet of unique talent, created his own artistic world, in the center of which is the image of the AUTHOR with his romantic dream and striving for the ideal (“A dream in the world makes gold And from evil sadness Dream is a shield for us”) and the real world of earthly joys (“I know how to enjoy, Like a child, everyone plays and is happy”), with a world of bright feelings (“Only friendship promises Me a wreath of immortality”) and spiritual sorrow (“Sad experience has opened a new Desert for the eyes”). The life of a poet should not contradict the spirit of his poetry; life and creativity are inseparable: Live as you write, and write as you live... Happy is the one who writes because he feels...

K.N. Batyushkov was born on May 18 (29), 1787 in Vologda into an old noble family. Childhood years were spent on the family estate - the village of Danilovskoye, Tver province. From the age of 10 he studied in St. Petersburg in private foreign boarding schools and spoke many foreign languages. From 1802 he lived in St. Petersburg in the house of his uncle M.N. Muravyov, curator of Moscow University, writer and educator, who played a decisive role in shaping the poet’s personality and talent. Here Batyushkov studied philosophy, the literature of the French Enlightenment, ancient poetry, and the literature of the Italian Renaissance.

Since 1805, poems by K.N. Batyushkov have appeared in print: “Message to my poems”, “To Chloe”, “To Phyllis”, epigrams - he writes poems mainly of a satirical nature.

c In 1810 – 1812 “Dramatic Herald” actively cooperates with the magazine. He gets close to N.M. Karamzin, V.L. Pushkin, V.A. Zhukovsky, P.A. Vyazemsky and other writers. From that time on, I devoted myself entirely to literary creativity. dedicates

In the poems of the first period of K.N. Batyushkov’s literary activity, Anacreontic and Epicurean motifs predominate: the enjoyment of earthly life, the singing of love and friendship, simple human joys, ingenuous, deliberately naive human desires: ...I will give friendship one hour, Bacchus an hour and sleep another; I’ll share the rest half, my friend, with you! Batyushkov affirms the poet’s inner freedom, his creative independence (“My Penates”).

K.N. Batyushkov participated in the Russian campaign against Napoleon during the campaign in Prussia (1807) - he was seriously wounded near Heilsberg, evacuated to Riga, then to St. Petersburg; in the war with Sweden (1808); in 1813 – 1814 in the foreign campaign of the Russian army. Batyushkov is a witness to the terrible fire of Moscow in 1812.

In 1812, Batyushkov was retired, but decided to enlist in military service again: “I... firmly decided to go into the army, where duty calls, and reason, and heart, a heart deprived of peace by the terrible incidents of our time” (From a letter to P A. Vyazemsky) The theme of the Patriotic War is included in the poetry of K. N. Batyushkov as a living response to what he saw: My friend! I saw a sea of ​​evil And a sky of vengeful punishment: Furious enemies, War and disastrous fires... I wandered through devastated Moscow, Among the ruins and graves... “To Dashkov”

At a time of general national calamity, poetry cannot glorify the joys of life; its purpose is otherwise to speak about these disasters and suffering. The poet cannot remain aloof from events affecting the fate of the country: No, no! Perish my talent And the lyre, precious to friendship, When you will be forgotten by me, Moscow, the golden land of the fatherland! "To Dashkov"

The impressions of the war with Napoleon formed the content of many of K.N. Batyushkov’s poems: the message “To Dashkov”, “Prisoner”, “The Fate of Odysseus”, “Crossing the Rhine”, the elegy “Crossing of Russian troops across the Neman”, “Shadow of a Friend”, etc. K.N. Batyushkov created examples of civic poetry in which patriotism was combined with the deep individual experiences of the author:

...Until on the field of honor For the ancient city of my fathers I will not sacrifice revenge, And life and love for my homeland, Until with a wounded hero, Who knows the path to glory, Three times I will not put my chest Before the enemy in close formation - My friend, until then they will be mine All are alien to muses and harites, Wreaths, retinue with the hand of love, And noisy joy in wine! "To Dashkov"

In 1814 - 1817 Batyushkov travels a lot and rarely stops in one place for a long time. During these years, he experienced a severe spiritual crisis associated with disappointment in Enlightenment philosophy; failures at work, failures and disappointments in his personal life also affected. Religious and philosophical sentiments, motives of tragic love, and the eternal discord between the artist and reality appear in his work; poetry is painted in sad tones: “My genius”, “Separation”, “To a friend”, “Awakening”, “Tavrida”... Anna Fedorovna Furman

Tell me, young sage, what is solid on the earth? Where is life's constant happiness?... So everything here is vanity in the abode of vanities! Affection and friendship are fragile! But where, tell me, my friend, does the direct light shine? What is eternally pure, immaculate?... So my mind perished in the midst of doubts. All the charms in life were hidden: My genius extinguished the lamp in sorrow, And the bright muses disappeared... To the grave, my entire path is as if illuminated by the sun: I step with a reliable foot And, casting dust and decay from the robe of the wanderer, I fly into a better world in spirit. “To a Friend” The earthly world does not promise happiness, everything beautiful perishes in it: love, friendship...

The Golden Age of Russian Poetry At the beginning of the 19th century, both classicism and sentimentalism coexisted on equal terms in Russian poetry. But in the wake of the national-patriotic upsurge caused by the Patriotic War of 1812, Russian romanticism and then realism arose. romanticismrealism


Great start. V.A. stood at the origins of Russian romanticism. Zhukovsky. He wrote elegies, elegies, messages, songs, ballads. ballads. According to Belinsky, he “enriched Russian poetry with deeply moral, truly human content.” Pushkin Pushkin considered himself a student of Zhukovsky and highly valued “the captivating sweetness of his poems.”






Civic passion. VC. Kuchelbecker Russian Decembrist poet, critic, translator. He studied at the Tsarskoye Selo Lyceum, where his friendship with A.S. Pushkin and A.A. Delvig began. Kuchelbecker's romantic poetry glorified freedom. The poet was worried about the fate of the Fatherland.


K F. Ryleev K. F. Ryleev, the most prominent poet - K. F. Ryleev, the most prominent poet - Decembrist, wrote accusatory Decembrists, wrote accusatory and civil odes, political and civil odes, political elegies and messages, thoughts, poems. elegies and messages, thoughts, poems. He saw poetry as a means of fighting for political freedom. The Decembrists started talking about the national character of literature, put forward a demand for nationality, extending it to themes, genres, and language.




Stars of the Pleiades. A.A. Delvig The heroes of his songs are simple fellows and girls who suffer by choice and happy love. N. M. Yazykov Expressed the protest of his free youth in elegies, songs, and hymns. He glorified the heroic scope of strength, the enjoyment of youth and health.


P.A. Vyazemsky contributed to the fusion of civil and personal themes, explaining elegiac feelings by social reasons. E.A. Baratynsky is the largest poet of Russian romanticism, the author of elegies, messages, poems. Instead of illusions, he prefers calm and sober reflection. His poems are filled with philosophical meaning.


High Duma power M.Yu. Lermontov The poetic era, of which Lermontov became the spokesman, according to Belinsky, is distinguished by “lack of faith in human life and feelings, with thirst and excess of feelings.” The lyrical hero openly confronts the hostile outside world.




Gifts of Life After Pushkin and Lermontov, original talents appear in Russian poetry - A. Pleshcheev, N. Ogarev, Ap. Grigoriev, I Polonsky, A. Tolstoy, I. Turgenev, A Maikov, N. Nekrasov. With their poetry they made the transition to realism. Their poems are imbued with sympathy for the poor person. A lyrical hero often becomes a person from the nobility or commoners, who stood up in defense of the people and peasants.




Genres of Romanticism. Elegy is a poem of medium length, usually of sad content, imbued with sadness. Elegy BalladBallad is a poem, which is most often based on a historical event, a folk legend with an intense plot Fable Fable is a short moralizing poetic or prose story, to which there is an allegory, allegory.




Literature and history Minister of Education Sergei Semenovich Uvarov 1. Why do you think Count Uvarov hated Russian literature so much? 2.Illustrate these ideas with examples from the works of writers. “If I manage to strangle Russian literature, I will sleep peacefully.”








Literature and history E. Delacroix “Freedom leading the people” 1789 - The Great French Bourgeois Revolution New revolutionary mentalities led to the emergence in literature of interest in depicting the inner world of a person, his spiritual experiences. A new literary direction is emerging - sentimentalism.










Literature and history Fragment of the diorama “Defense of Sevastopol” – Crimean War For the first time in literature, human psychology in war is depicted, the realistic principle of reflecting life is further developed, and the theme of the people is developed.


Literature and history Manifesto published by Tsar Alexander II in 1861 - abolition of serfdom in Russia abolition of serfdom in Russia Literature is becoming more and more social in its issues, developing the theme of the “little man”.


Russian culture of the 19th century. science painting literature music theater journalism “It was an amazing time, a time when everyone wanted to think, read, study... The impulse was strong and the tasks were enormous... This tempting work attracted everyone... gifted and capable people and brought forward a lot of publicists, writers, scientists, artists, musicians..." N.G. Chernyshevsky



The conditions were difficult and cruel,
in which advanced
Russian literature.
Feudal system
left its mark on everything
areas of Russian life. Tsarskaya
censorship mercilessly suppressed
free speech. Greatest
figures of Russian literature
were persecuted
many of them finished their
life is tragic. Nevertheless
Russian literature has reached
XIX century amazingly bright
flourishing and took one of the first
places in Europe.
The 19th century is called the "Golden"
century" of Russian poetry and
century of Russian literature in
on a global scale.

The 19th century began with the heyday of sentimentalism and the emergence of romanticism.
These literary trends found expression primarily in
poetry. The poetic works of poets E.A. come to the fore.
Baratynsky, K.N. Batyushkova, V.A. Zhukovsky, A.A. Feta, D.V.
Davydova, N.M. Yazykova.
Baratynsky
Eugene
Abramovich
Batyushkov
Konstantin
Nikolaevich
Zhukovsky
Basil
Andreevich
Fet
Afanasy
Afanasievich
The creativity of F.I. Tyutchev "Golden Age"
Russian poetry was completed.
Davydov
Denis
Vasilevich
Languages
Nikolay
Mikhailovich
Tyutchev
Fedor
Ivanovich

The central figure of this time was
Alexander Sergeevich Pushkin.
A.S. Pushkin began his ascent to
literary Olympus from the poem “Ruslan and
Lyudmila" in 1920. And his novel is
poems "Eugene Onegin" was named
encyclopedia of Russian life.
Romantic poems by A.S. Pushkin
“The Bronze Horseman” (1833), “Bakhchisarai
fountain", "Gypsies" opened the era
Russian romanticism.

Pushkin was the central figure of Russian
literature of the first decades of the 19th century. Belinsky
directly names this period of Russian literature
"Pushkinsky". Not associated with the name of Pushkin
only the high flowering of Russian poetry, but also
formation of the Russian literary language.
Pushkin showed the spiritual beauty and power of the Russian
human, the beauty of native nature, folk
poetry - fairy tales, songs, legends. Its significance for
Russian literature is immeasurable. "He's the beginning for us
started everyone,” Gorky said about Pushkin.
"Ruslan and Ludmila"
"Dubrovsky"
"Eugene Onegin"
"The Story of Pugachev"
"History of the village of Goryukhina"
"Prisoner of the Caucasus"
"Robber Brothers"
"Bakhchisarai Fountain"
"Gypsies"
"Boris Godunov"
"Captain's daughter"
"Arap of Peter the Great"
"Bronze Horseman"
"Little Tragedies"
"Belkin's Tales"
"Poltava"
Fairy tales
Poems

Many poets and writers considered A. S. Pushkin
their teacher and continued the foundations laid down by him
traditions of creating literary works.
One of these poets was M.Yu. Lermontov.
Lermontov emerged as a poet in an era of timelessness,
when the Decembrist movement was already strangled, and
a new generation of advanced, thinking people have not yet
got stronger. This gave rise to motifs in his poetry
loneliness and bitter disappointment.
His romantic poem “Mtsyri” is well known.
poetic story “Demon”, set
romantic poems. In the center of the most
significant works of Lermontov are worth
image of a proud personality seeking strong sensations
in the fight. These are Arbenin (drama “Masquerade”,
1835--1836), Demon ("Demon", 1829--1841) and
Pechorin (“Hero of Our Time”, 1840).

Along with poetry, prose began to develop. Development of Russian prose of the 19th century
began with the prose works of A.S. Pushkin and N.V. Gogol. They
identified the main artistic types that will
developed by writers throughout the 19th century. This
artistic type of the “extra person” and the so-called type of “small
person."
Literature inherited its
journalistic and satirical character. IN
prose poem by N.V. Gogol's "Dead Souls"
writer in a sharp satirical manner
shows a scammer who is buying
dead souls, various types of landowners,
which are the embodiment of various
human vices. In the same regard
The comedy “The Inspector General” was sustained.

The tendency to depict vices and shortcomings
Russian society is a characteristic feature of the entire Russian
classical literature. It can be traced in
works of almost all writers of the 19th century. At
this is where many writers implement satirical
trend in a grotesque form. Examples of grotesque
satires are the works of N.V. Gogol “The Nose”,
M.E. Saltykov-Shchedrin “Lord Golovlevs”,
“The History of a City”, “Fairy Tales”.

Since the middle of the 19th century, the formation of Russian realistic literature has been taking place, which
is being created against the backdrop of the tense socio-political situation in Russia
during the reign of Nicholas I. A crisis of the feudal system is brewing, strong
contradictions between the authorities and the common people. There is a need to create
realistic literature, acutely reacting to the socio-political situation in
country. Literary critic V.G. Belinsky denotes a new realistic
direction in literature. His position is developed by N.A. Dobrolyubov, N.G. Chernyshevsky.
A dispute arises between Westerners and Slavophiles about the paths of historical development
Russia.
Belinsky
Vissarion
Grigorievich
Dobrolyubov
Nikolay
Aleksandrovich
Chernyshevsky
Nikolay
Gavrilovich

Writers address socio-political issues
Russian reality. The genre of the realistic novel is developing.
His works are created by I.S. Turgenev, F.M. Dostoevsky, L.N.
Tolstoy, I.A. Goncharov. The socio-political,
philosophical problems. Literature is distinguished by a special psychologism.
Ivan Sergeevich Turgenev (1818 - 1883) began his literary
activities in the 40s, when Russian public life was still
liberal and democratic have not completely separated
trends. In the essays that Turgenev published on the pages
"Contemporary" under the general title "Notes of a Hunter" (1847--1852
gg.), shows the inhuman oppression of peasants under serfdom. IN
in the novel “On the Eve” (1860) he showed the Bulgarian revolutionary
Insarova. But Turgenev was looking for a hero who had developed on Russian soil and
dedicated himself to serving Russia. He found such an image in the face
commoner Bazarov, depicted by him in the novel “Fathers and Sons” (1862).

An artist of enormous talent, Fedor Mikhailovich
Dostoevsky (1821 -1881) created unsurpassed in strength and
expressiveness of the picture of the suffering of people under oppression
capitalism, but rejected the revolutionary path and during
for many years he waged a fierce struggle against ideas
democratic camp.
Dostoevsky entered literature as a representative
"natural school", continuing the traditions of Pushkin and
Gogol. His first story is “Poor People” (1846). In it
Dostoevsky depicts suffering with deep compassion
“poor people” living in a big city are protected
the dignity of a common man, shows his superiority
over representatives of the aristocracy. But he doesn't see in
“little man” ability to protest and fight.
Dostoevsky's largest work is the novel
"Crime and Punishment" (1866). It contains
a person imbued with his consciousness
exclusivity, contempt for the masses and confidence
in their right to violate moral norms. Dostoevsky
debunks this individualist and reveals
the internal collapse of his aspirations.

Lev Nikolaevich Tolstoy (1828 - 1910) occupies a prominent position
place among the figures of world culture. Through all creativity
Tolstoy has the image of a man painfully searching for the truth,
who wants to understand what is happening (from autobiographical
the story “Childhood” to the novel “War and Peace”). In a number of works,
dedicated to the war in the Caucasus, and in their wonderful
“Sevastopol Stories” (1855-1856) Tolstoy drew
pictures of war, free from false battle heroics, and
depicted the greatness of a Russian soldier fulfilling his duty
simple and calm, loud phrases.
The novel "War and Peace" (1863-1869) is a grandiose epic of the people's war against
Napoleon, the greatest work of not only Russian, but also world literature. Tolstoy
showed here the entire Russian society, created a broad picture of Russian life. Tolstoy brought out
in his novel of numerous Russian people who courageously and modestly accomplish great things
feats.
Tolstoy is a genius
psychologist, master
folk images
life represents
is one of the peaks, up to
which rose
world literature.

Outstanding Russian novelist Ivan Aleksandrovich Goncharov
(1812 -1891) shared hostility towards Russian enlighteners
serfdom and the belief that its destruction would bring
prosperity of Russia. Goncharov’s novels “Ordinary”
history" (1847) and "Oblomov" (1859) appeared before 1861, i.e.
until the final demarcation of liberal and
democratic tendencies. In "Ordinary History" he
ridiculed noble romanticism, idleness and groundlessness
noble dreamers. Goncharov's best creation is
novel "Oblomov". In the images of Ilya Ilyich Oblomov and his servant
Zakhara he embodied the types of patriarchal master and servant
serf era. In the last novel "The Precipice" it affected
the writer's hostile attitude towards democracy.

The development of poetry subsides somewhat. It is worth noting the poetic
works of Nekrasov, who was the first to introduce social
problems. His poem “Who Lives Well in Rus'?” is well known, as well as
many poems that reflect on the hard and hopeless life
people.

The literary process of the late 19th century revealed the names of N.S. Leskov, A.N.
Ostrovsky, A.P. Chekhov.
The work of Nikolai Semenovich Leskov is one of the brightest and most original
phenomena in Russian literature of the 19th century. In his works Leskov reflected
contradictions of time, its rebellious spirit and tirelessness in search
truth. In his work the image of the righteous man of the Russian land appears.

Alexander Nikolaevich Ostrovsky (1823 - 1886) an exceptional figure against the backdrop of XIX literature
V. In the life of the merchants, dark and ignorant,
entangled in prejudices, prone to
tyranny, absurd and funny whims, he
found original material for my
stage works. Pictures of life
merchants gave Ostrovsky the opportunity
show an important side of Russian life in general,
"dark kingdom" of Russia. in the drama "The Thunderstorm" he brought
feminine character, full of moral strength and
honesty, incapable of reconciliation with slavery,
protesting against him. In the plays "The Last
victim", "Dowry", "Talents and
fans" Ostrovsky showed a tragic
the fate of a woman in the world of rich and poor, masters and
slaves

Chekhov proved himself to be a master of small literary
genre - short story, and also an excellent playwright.
He is the founder of the “new drama”.
It was in it that Chekhov's
the concept of life, its special feeling and understanding.
All of Chekhov's work is a call to the spiritual
human emancipation.

The end of the 19th century took place under the sign of the formation of pre-revolutionary
moods. The realistic tradition began to fade away. She will be replaced
so-called decadent literature came, with distinctive
whose features were mysticism, religiosity, as well as premonition
changes in the socio-political life of the country. Subsequently
decadence grew into symbolism. This opens a new page in
history of Russian literature.
"Golden age
literature
"Silver Age
literature

Golden Age of Russian Literature 9th grade Golden Age -

  • the first period of flourishing of Russian literature, which occurred at the beginning of the 19th century. During this period, Russian writers moved from classicism to romanticism. The language of Russian fiction, in particular poetry, also changed dramatically, with the appearance of such authors as Vasily Zhukovsky, Alexander Pushkin, Mikhail Lermontov.
By the golden age, M.A. Antonovich meant the literature of the Pushkin-Gogol period.
  • “Not long ago it seemed as if all the organs of literature were imbued with the same spirit and animated by the same aspirations; all of them, apparently, were moving towards the same goal and pursuing the same interests... Truly, this was the Golden Age of our literature,
  • the period of her innocence and bliss!..”
Conditions for the development of Russian literature
  • The serfdom system left its mark on all areas of Russian life.
  • The rise of Russian self-awareness.
  • Intense ideological struggle.
  • Literary movements in Russia in the 19th century existed simultaneously.
  • Noble literature.
Nikolai Mikhailovich Karamzin
  • Nikolai Mikhailovich Karamzin is a Russian historian-historiographer, writer, poet.
  • Honorary member of the Imperial Academy of Sciences (1818), full member of the Imperial Russian Academy (1818).
  • Creator of the “History of the Russian State” (volumes 1-12, 1803-1826) - one of the first generalizing works on the history of Russia.
  • Editor of the Moscow Journal (1791-1792) and Vestnik Evropy (1802-1803).
Vasily Andreevich Zhukovsky
  • Vasily Andreevich Zhukovsky is a Russian poet, one of the founders of romanticism in Russian poetry, translator, critic.
  • Full member of the Imperial Russian Academy (1818);
  • honorary member of the Imperial Academy of Sciences (1827-1841) and subsequently ordinary academician (1841) in the Department of Russian Language and Literature,
  • Privy Councilor (1841).
Konstantin Nikolaevich Batyushkov
  • Konstantin Nikolaevich Batyushkov is a Russian poet, predecessor of Pushkin.
Ivan Andreevich Krylov
  • Ivan Andreevich Krylov - Russian poet, fabulist, translator, employee of the Imperial Public Library,
  • State Councillor,
  • Full member of the Imperial Russian Academy (1811),
  • ordinary academician of the Imperial Academy of Sciences in the Department of Russian Language and Literature (1841).
Kondraty Fedorovich Ryleev
  • Kondraty Fedorovich Ryleev - Russian poet, public figure, Decembrist, one of the five executed leaders of the December uprising of 1825.
Alexander Sergeevich Griboyedov
  • Alexander Sergeevich Griboyedov - Russian diplomat, poet, playwright, pianist and composer, nobleman. State Councilor (1828).
Alexander Sergeevich Pushkin
  • Alexander Sergeevich Pushkin is a Russian poet, playwright and prose writer.
Fedor Ivanovich Tyutchev
  • Fyodor Ivanovich Tyutchev - Russian poet, diplomat, conservative publicist, corresponding member of the St. Petersburg Academy of Sciences since 1857.
Mikhail Yurjevich Lermontov
  • Mikhail Yurievich Lermontov - Russian poet, prose writer, playwright, artist, officer.
  • Nikolai Vasilievich Gogol - Russian prose writer, playwright, poet, critic, publicist, widely recognized as one of the classics of Russian literature
Vissarion Grigorievich Belinsky
  • Vissarion Grigorievich Belinsky is a Russian thinker, writer, literary critic, publicist, and Western philosopher.
Nikolai Alexandrovich Dobrolyubov
  • Nikolai Aleksandrovich Dobrolyubov - Russian literary critic of the turn of the 1850s and 1860s, publicist, revolutionary democrat.
Nikolai Gavrilovich Chernyshevsky
  • Nikolai Gavrilovich Chernyshevsky is a Russian utopian philosopher, democratic revolutionary, scientist, literary critic, publicist and writer.