Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatyana who appears before us as a symbol of the mysterious Russian soul.
From childhood, she was distinguished by her dissimilarity to others. Her originality, sometimes wildness, seems to some to be pride, affectation. But it's not. A meek disposition, but the strength of character is manifested and even more emphasized against the background of Olga's sister. It would seem that a young girl in a noble family can worry. Is it inherent in such a greenhouse environment deep thoughts, the ability to reason and analyze. Ease, carelessness should have become her companions, but everything turned out differently. The desire to study, self-development made the girls a strong character, deeply thinking, empathizing. Frequent solitude contributed to deep immersion in oneself and self-knowledge.
The first feeling that flooded over Tatiana completely swallowed her up. She was ready to meet love. Reading novels contributed to this. And so, the image of a person who corresponded to her fictional character appeared in reality.
Tatyana, a pure and open person, went towards the feeling. She accepted it and decided on a difficult but necessary step - recognition.
Busting girlish pride, I dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin to a provincial girl, a humane act of refusal. First love often breaks youthful hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only lurked somewhere in the depths of the soul. Nothing could stop her from loving Yevgeny, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You can’t love for something, you can love in spite of. Only then is it love.
Tatyana is a sensual but proud person. She did not humiliate herself and ask for Onegin's love. She tried to pull away and forget. Only she herself knows what was going on in the soul, what a struggle between the mind and the heart raged. The mind allowed the provincial savage girl to turn into a sedate lady, the hostess of the salon. An unloved husband, even for a second, cannot doubt the tenderness and fidelity of his wife.
The power of love, its beauty is most colorfully revealed in tragedy. Tatyana is not destined to be with Onegin. Love is alive in her heart, and perhaps only intensified over time. But, alas. A sacrifice of love for the sake of honor and the promised oath at the altar.
In Alexander Pushkin's novel "Eugene Onegin", of course, Tatyana Larina is the main female character. The love story of this girl was later sung by playwrights and composers. In our article, the characterization of Tatyana Larina is built from the point of view of her assessment by the author and in comparison with her sister Olga. Both of these characters in the work are shown as completely opposite natures. Of course, we must not forget about the love line of the novel. In relation to Onegin, the heroine also shows us certain aspects of her character. We will analyze all these aspects further so that the characterization of Tatyana Larina is the most complete. First, let's get to know her sister and herself.
You can talk about the main character of the novel for a very long time and a lot. But the image of her sister - Olga Larina - Pushkin showed quite succinctly. The poet considers modesty, obedience, innocence and gaiety to be her virtues. The author saw the same character traits in almost every village young lady, therefore he makes it clear to the reader that he is bored of describing her. Olga possesses a banal village girl. But the author presents the image of Tatyana Larina as more mysterious and complex. If we talk about Olga, then the main value for her is a cheerful carefree life. In her, of course, there is Lensky's love, but she does not understand his feelings. Here Pushkin is trying to show her pride, which is absent if we consider the character of Tatyana Larina. Olga, this simple-hearted girl, is unfamiliar with complex mental work, therefore she reacted lightly to the death of her fiancé, quickly replacing him with the “love flattery” of another man.
Comparative analysis of the image of Tatyana Larina
Against the backdrop of the rustic simplicity of her sister, Tatyana seems to us and the author to be a perfect woman. Pushkin declares this quite bluntly, calling the heroine of his work "a sweet ideal." A brief description of Tatyana Larina is inappropriate here. This is a multifaceted character, the girl understands the reasons for her feelings and actions, and even analyzes them. This once again proves that Tatyana and Olga Larina are absolute opposites, although they are sisters and were brought up in the same cultural environment.
Author's assessment of Tatyana's character
How does Pushkin present the main character to us? Tatyana is characterized by simplicity, slowness, thoughtfulness. The poet pays special attention to such a quality of her character as faith in mysticism. Signs, legends, changes in the phases of the moon - she notices and analyzes all this. The girl loves to guess, and also attaches great importance to dreams. Pushkin did not ignore Tatyana's love of reading. Brought up on typical women's fashionable novels, the heroine sees her love as if through a bookish prism, idealizing her. She loves winter with all its shortcomings: darkness, twilight, cold and snow. Pushkin also emphasizes that the heroine of the novel has a "Russian soul" - this is an important point in order for the characterization of Tatyana Larina to be the most complete and understandable to the reader.
The influence of village customs on the character of the heroine
Pay attention to the time in which the subject of our conversation lives. This is the first half of the 19th century, which means that Tatyana Larina's characterization is, in fact, a characterization of Pushkin's contemporaries. The character of the heroine is closed and modest, and reading her description given to us by the poet, it can be noted that we learn practically nothing about the girl's appearance. Thus, Pushkin makes it clear that it is not external beauty that is important, but internal character traits. Tatyana is young, but looks like an adult and established personality. She did not like children's amusements and playing with dolls, she was attracted by mysterious stories and love suffering. After all, the heroines of your favorite novels always go through a series of difficulties and suffer. The image of Tatyana Larina is harmonious, dim, but surprisingly sensual. Such people are often found in real life.
Tatyana Larina in a love relationship with Eugene Onegin
How do we see the main character when it comes to love? She meets Eugene Onegin, already being ready for a relationship internally. She is "waiting ... for someone," Alexander Pushkin carefully points out to us. But do not forget where Tatyana Larina lives. The characteristics of her love relationships also depend on strange village customs. This is manifested in the fact that Eugene Onegin visits the girl's family only once, but people around are already talking about engagement and marriage. In response to these rumors, Tatyana begins to consider the main character as the object of her sighs. From this we can conclude that Tatyana's experiences are far-fetched, artificial. She carries all her thoughts in herself, longing and sadness live in her loving soul.
The famous message of Tatyana, its motives and consequences
And the feelings turn out to be so strong that there is a need to express them, continuing the relationship with Eugene, but he no longer comes. It was impossible for a girl to take the first step according to the requirements of etiquette of those times, it was considered a frivolous and ugly act. But Tatyana finds a way out - she writes a love letter to Onegin. Reading it, we see that Tatyana is a very noble, pure person, high thoughts reign in her soul, she is strict with herself. Evgeny's refusal to accept her love for the girl, of course, discourages, but the feeling in his heart does not go out. She tries to understand his act, and she succeeds.
Tatyana after unsuccessful love
Realizing that Onegin prefers fast hobbies, Tatyana goes to Moscow. Here we already see a completely different person in her. She overcame a blind unrequited feeling.
But in Tatyana she feels like a stranger, she is far from his fuss, brilliance, gossip and attends dinners most often in the company of her mother. Unsuccessful made her indifferent to all subsequent hobbies of the opposite sex. That integral character, which we observed at the beginning of the novel "Eugene Onegin", by the end of the work is shown by Pushkin broken and destroyed. As a result, Tatyana Larina remained a “black sheep” in high society, but her inner purity and pride could help others see her as a true lady. Her detached behavior and at the same time an unmistakable knowledge of the rules of etiquette, politeness and hospitality attracted attention, but at the same time they forced her to remain at a distance, so Tatyana was above gossip.
The final choice of the heroine
At the end of the novel "Eugene Onegin", Pushkin, completing the plot, gives his "sweet ideal" a happy family life. Tatyana Larina has grown spiritually, but even in the last lines of the novel she confesses her love to Eugene Onegin. At the same time, this feeling no longer dominates her, she makes a conscious choice in favor of fidelity to her lawful husband and virtue.
Onegin also draws attention to the "new" for him Tatyana. He does not even suspect that she has not changed, she simply "outgrew" him and "got sick" with her former painful love. Therefore, she rejected his advances. This is how the main character of "Eugene Onegin" appears before us. Her main character traits are strong will, self-confidence, kind character. Unfortunately, Pushkin showed in his work how such people can be unhappy, because they see that the world is not at all the way they would like. Tatyana has a difficult fate, but her craving for personal happiness helps her overcome all adversity.
In his novel "Eugene Onegin" A.S. Pushkin recreated all the ideas about the ideal Russian girl, creating the image of Tatyana, who was his favorite heroine. He conveys the idea that a Russian girl should be sincere, with a rich spiritual world, selfless.
For the first time the reader meets Tatiana at her parents' estate. Since childhood, she was distinguished by calmness and thoughtfulness. By this, the girl was not like other children, and even with her sister they were not at all similar in character, children's pranks did not attract her, she preferred to be alone with herself. It is not for nothing that Pushkin compares Tatiana with a forest fallow deer, who is wary of everything and prefers to hide. She loved books, because from childhood the nanny read fairy tales and legends to her, and since her parents' estate was far from the bustle of the city, Tatyana loved nature very much.
Tatyana is noticeable not for her external beauty, but for the fact that she is very natural, thoughtful and dreamy. It is difficult for her to find a person who understands her inner world.
Having matured, Tatyana is very much looking forward to great love, therefore, having met Onegin, she immediately falls in love with him. He attracts her with his mysteriousness. Love absorbs Tatyana, she cannot find a place for herself, therefore, she decides to tell Evgeny about her feelings. Pushkin sheds tears along with Tatyana, because he knows that this story will end sadly.
Naive Tatyana sincerely hopes that her feelings are mutual, but Onegin rejects her feelings. Tatyana's letter touched him very much, but it did not arouse great feelings in him. He says that even if he falls in love with Tatyana, he will stop loving her, because he will quickly get used to the fact that she is around. And Tatyana continues to love him.
Later, Tatyana marries and becomes known in the world. She has ceased to be a naive girl, she has grown spiritually, but she has not lost the main thing. Although Tatyana's appearance has changed, inside she remains just as natural and simple. When she meets Onegin again, she betrays her feelings in no way. With him, she behaves with restraint and sternness, although she still loves him very much. She cries when she reads his letter, because happiness is so close, but now she has a husband to whom she will be faithful.
Essay about Tatyana Larina with quotes
“I am writing to you, what more ...” - every schoolboy probably knows these lines. But only a young girl will sigh languidly, remembering the heroine of the beloved novel. Tatyana Larina is the embodiment of simplicity and modesty.
How inconspicuously, but with taste, Alexander Sergeevich Pushkin compares two sisters: Tatyana and Olga.
Olga is open, coquettish, graceful and beautiful. It is worth noting that it is with this sister that the author begins his story. And only then, as if, by the way, she says: “her sister was called Tatyana.” Here, the creator, finally, draws attention to the young lady, who was not distinguished by beauty and freshness of her eyes.
It is interesting that Pushkin does not write a word about the appearance of Tatyana herself. The reader does not know how she is built, what color her eyes are. The reader only draws in his imagination a girl completely opposite to the beautiful Olga. But this is no worse, because at the very beginning of the novel, Olga does not give the impression of a well-mannered girl.
“She seemed like a stranger in her own family” - probably, it is after this phrase that the reader has a great disposition towards a girl who did not know happiness in her own family.
As you can see, another misfortune appears in the way of the girl. Eugene Onegin. The first naive real feelings make the girl, without thinking, write a letter to her chosen one. Oh, how wrong it was for a girl of that time. And yet, the letter captivates the reader with touching speeches, silent prayer, love that is read between the lines.
“I am writing to you ...” - the first line of the letter describes her seemingly humiliating position as accurately as possible. No wonder when reading it is worth putting a logical stress on the first word. It was she who dared to do this. Tatyana probably thought that this would quickly endear Evgeny to her. How did she miscalculate? Rejected by her lover, she was soon forced to marry another.
It is impossible to separate Tatyana and Evgeny in this work, since only after the passage of time he, perhaps, realized the whole irony of the situation that happened so long ago. And how the years change dear Tatyana. She carries herself gracefully and proudly in public. In her eyes she reads the femininity that has come to her over the years. There is still no coquetry, no affectation, no desire to please. However, Eugene no longer needs this. But rushing to Tatyana's feet, the hero hears the well-known phrase: “I love you. (Why be cunning?) But I am given to another; I will be faithful to him forever.
This is how the love story ended, which forever changed the Russian classics.
Option 3
A.S. Pushkin is an artist of female images in the literature of the 19th century. Portraits of contemporaries are found in almost every work of the writer. The search for a feminine ideal for Pushkin is one of the leading themes in his works.
One of the most beautiful Pushkin heroines is Tatyana Larina from the novel "Eugene Onegin". The true ideal of a girl was embodied in this image by the author. The beauty of the Russian soul, moral principles, the ability to love - all are intertwined with thin threads in the characterization of the girl.
In the most outward description of Tatyana, the Russian nationality is felt. Despite her noble origin, the rural way of life is close to her. No secular balls, the luxury of St. Petersburg will not replace for her the silence of the wilderness, the sunrise, harmony with nature. Larina herself is like a “fearful doe”, she is silent, wild, sad.
Growing up on the estate, she absorbed the national character from childhood through fairy tales, folk songs, traditions and beliefs. The proof is the belief of the heroine in dreams. Filipyevna is for Tatyana, as the nanny Arina Radionovna is for the poet, an inexhaustible source of folk wisdom. With her mother's milk, the heroine absorbed a sense of duty and decency; for her, the concept of good and evil is clearly distinguished.
Tatyana is far from stupid, the author endowed her with a bright personality. She is not like city noblewomen, there is no feigned coquetry, stupid affectation in her. Her love for Onegin is sincere and for life. She opens up to him in a purely feminine way through a letter. Only in it can she openly talk about her feelings. The touching nature of the confession once again emphasizes the sensitive nature of the heroine. Pushkin loves his heroine, he sheds tears with her, knowing about the participation prepared for her.
Rejected by Eugene, Tatyana finds the strength to live on. The author shows us another Larina. The girl got married, her intellectual development and strict upbringing easily allowed her to become a real secular lady. Having met Yevgeny, Tatyana high and arrogantly denies him love. The feeling is long higher than the love still remaining in the soul. Pushkin shows the growing up of the heroine, but in her heart this is all the same pure and sincere girl. The upper world did not spoil her individuality, she does not strive to seem better than she really is. Human values still remain the highest law for the heroine.
Having now received a letter from Onegin with a declaration of love for her, she does not condemn him. Love has not passed in her heart and happiness is close, but there is a sense of honor and duty. For Larina, it is more important than her own happiness.
More than one generation of young girls grew up on the image of Pushkin's Tatyana. Strong in spirit, faithful in heart - she has always served and serves as an example of the boundless purity of the fair sex of mankind.
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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.
Family and childhood memories
Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of a vast secular society - she always lived in the countryside and never aspired to an active city life.
Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."
The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.
Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.
An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows a lot of folk jokes and stories that so lure the inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.
Naming and prototypes
Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.
Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.
Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.
Opinions on this issue are divided. It is possible that several prototypes were used for this image.
One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.
The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.
The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.
Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.
An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”
Question about the age of the heroine
In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.
Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.
However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.
V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.
The appearance of Tatyana Larina
Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.
We offer you to get acquainted with the characteristics of the heroes of the poem by A. S. Pushkin "Eugene Onegin"
Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.
Leisure and attitude to needlework
It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).
Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.
Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.
Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.
However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: "consolations / In all sorrows she gives / And sleeps with her without a break."
Personality characteristic
Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. “Dika, sad, silent” is Tatyana’s classic behavior, especially in society.
Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.
In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.
Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.
Tatyana and Onegin
New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.
Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.
However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.
Onegin instantly becomes the hero of Tatyana's novel. She idealizes the young man, he seems to her to have descended from the pages of her love books:
Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.
Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.
The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:
Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.
On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:
That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.
However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.
Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.
This is where her unfulfilled romance with Onegin ends.
Tatyana's dream
Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.
Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.
At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.
The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.
A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:
… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!
The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.
Tatyana's marriage
A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.
Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.
Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."
The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.
Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.
The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.
Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.
Meeting with Onegin
Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:
"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"
Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”
Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:
The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.
Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.
Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.
Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.
Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.
But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.
I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.
Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.
However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but
Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "favored by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.
Tatyana Larina in the assessment of critics
Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.
- Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
- V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.” - D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
- F. Dostoevsky believes that Pushkin should have named his novel not by the name of Eugene, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
- V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.
Lonely, "seemed like a stranger girl", did not like children's games and silently could sit all day at the window, immersed in dreams. But outwardly motionless and cold, Tatyana lived a strong inner life. "Scary stories of the nanny" made her a dreamer, a child "not of this world."
Avoiding naive village entertainment, round dances and games, Tatyana, on the other hand, gave herself up to folk mysticism with all her heart, her inclination to fantasize directly attracted to this:
Tatyana believed the legends
Folk antiquity:
And dreams, and card fortune-telling,
And the predictions of the moon.
The omens worried her.
Mysteriously to her all objects
proclaimed something.
Premonitions pressed against my chest.
Suddenly seeing
Young two-horned face of the moon
In the sky on the left side
She trembled and turned pale.
Well? beauty found the secret
And in the most horror she:
This is how nature made you
Inclined to contradiction.
From fairy tales of the nanny Tatiana moved early to novels.
They replaced everything
She fell in love with novels
Both Richardson and Rousseau...
From a fantasy girl, Tatyana Larina became a "dreamy girl" who lived in her own special world: she surrounded herself with the heroes of her favorite novels and was alien to rural reality.
For a long time her imagination
Burning with grief and longing,
Alkalo fatal food.
Long hearted languor
Constricted her young breasts.
The soul was waiting for someone.
Tatyana Larina. Artist M. Klodt, 1886