Vasily Ivanovich Surikov: biography, career and personal life. See what “Surikov, Vasily Ivanovich” is in other dictionaries Vasily Surikov short biography for children

Vasily Surikov is a Russian artist, author of the paintings “Boyaryna Morozova”, “”, “Morning of the Streltsy Execution”. Russian artist Vasily Surikov was born in Krasnoyarsk. The man's relatives belonged to the Cossack class. One of them was listed as the ataman of the Yenisei Cossack regiment. Ivan Vasilyevich Surikov, the artist’s father, worked as a collegiate registrar. Praskovya Fedorovna Torgoshina, the mother, was known as a housewife.

When Surikov was 8 years old, the family moved to Sukhoi Buzim, Krasnoyarsk Territory. The guy was sent to the parish school at All Saints Church. Later, Vasily enters the district school, leaving his parents in the Krasnoyarsk Territory. A year later, my father died due to tuberculosis. The mother had no choice, so the woman collected the children and returned to Krasnoyarsk.

In those years the family owned a two-story house. Due to a lack of money, Praskovya Fedorovna decided to rent out the second floor to generate income. Surikov’s love for drawing manifested itself in early childhood. While still at the Krasnoyarsk district school, Vasily Ivanovich began taking lessons. Nikolai Vasilyevich Grebnev was invited as the first teacher.


Surikov painted his first conscious painting in 1862. It was a work created in watercolor. The teenager called the masterpiece “Rafts on the Yenisei.” Now the canvas is in the museum-estate of V.I. Surikov in Krasnoyarsk. After completing his training, the guy will serve in the provincial government. Vasily Ivanovich got the job of a scribe. Unfortunately, further studies turned out to be beyond the means of the Surikov family, who lived modestly after the death of their father.

Once the artist’s drawings were seen by the Yenisei governor P.N. Zamyatnin. Thanks to the efforts of the official, the talented author acquired a patron of the arts who paid for Surikov’s education at the Academy of Arts. The first attempt to enter an educational institution failed, but Vasily Ivanovich did not despair. He took a drawing course at the St. Petersburg school of the Society for the Encouragement of Artists.


In the fall, having passed the exams again at the Academy of Arts, he became a volunteer student. It took another year for the talented guy to be transferred to the main group. Surikov became a diligent student of P.P. Chistyakova. For 6 years of study, the young man was awarded medals and cash prizes. Vasily Ivanovich worked a lot on the composition. Because of this, students nicknamed Surikov the Composer.

Painting

The artist’s creative biography began with the work “View of the monument on Senate Square in St. Petersburg.” Surikov painted the painting in 1870, and then sold it to P.I. Kuznetsov. It is interesting that the first version of the canvas is now located in the Krasnoyarsk State Art Museum, which is named after Vasily Ivanovich.


After 4 years, Surikov goes to visit Kuznetsov, to the gold mines located in Khakassia. Thanks to the change of scenery, the painting “The Good Samaritan” was born. The work was a gift to the hospitable owner, but experts also noted the painting. Vasily Ivanovich was awarded the Small Gold Medal.

Portraits to order did not inspire the artist, so Surikov refused such work. But he regularly took such pictures as a basis. Among the works of Vasily Ivanovich are graphic portraits of the Moscow guitarist F.F. Peletsky.


One of the drawings is on public display in the Tretyakov Gallery. Surikov admitted that his passion for music, in particular opera, helped in his creativity. Moreover, the artist learned to play the guitar from Peletsky.

The time of famous paintings is coming. “The Morning of the Streltsy Execution” Vasily Ivanovich wrote over the course of 3 years. This painting became a passport to the world of great painting. The result of many years of work was the inclusion of traveling art exhibitions in the Partnership.


For the sake of further development, Surikov is going to go on a trip abroad. But the lack of money did not allow the artist to immediately hit the road. To solve financial problems, Vasily Ivanovich sold P.M. Tretyakov’s painting “Menshikov in Berezovo”. Thanks to this, the author of the painting visited Italy, Germany, France and Austria, and personally examined the paintings of recognized masters located in the Louvre and the Dresden Gallery.


In 1881, Surikov began working on the painting “Boyarina Morozova”. The love for composition led to the fact that each work began with a sketch. Sometimes it took Vasily Ivanovich several years to create the perfect sketch. Only after this the master transferred it to the canvas.

The identity of the noblewoman captured Surikov after the story of his aunt Olga Matveevna Durandina. But the work did not go well for a long time due to the lack of the required type. And now another aunt appears before Vasily Ivanovich - Avdotya Vasilievna Torgoshina.


The first to see “Boyaryna Morozova” were the visitors of the XV Traveling Exhibition, which took place in 1887. Immediately after this, Surikov moved to Krasnoyarsk for the summer. The artist finds inspiration in the solar eclipse that occurred on August 8th. Now you can look at the sketch in the Tver Art Gallery.

Portraits did not captivate Surikov, but in 1887 a revolution occurred in the mind of the creator. The man captured his mother on the canvas, and later “My Brother” appeared. After the death of his wife, in 1888, Vasily Ivanovich and his children moved to his native Krasnoyarsk for several months, where he began creating the painting “The Capture of the Snowy Town.” The author completed the work two years later.


Surikov transferred incidents from life to canvases. That's what happened with this work. The picture shows the game of the same name. The idea of ​​creation belongs to the younger brother, whom Vasily Ivanovich depicted standing in the koshev. Later, experts appreciated Surikov’s work and awarded the painting a personalized medal. This event took place at an international exhibition in Paris.

Vasily Ivanovich went to Siberia, where he became acquainted with the life of the Voguls, Khakassians, and Ostyaks. The study of the life of peoples led to the creation of the painting “The Conquest of Siberia by Ermak Timofeevich.” The work was painstaking and completed in 1895. Thus, Surikov worked on the canvas in Siberia, on the Ob River, on the Don.


Upon returning to Krasnoyarsk, the artist came up with the idea of ​​writing “Crossing the Alps.” Vasily Ivanovich based the image of the military leader on retired Cossack officer F.F. Spiridonova. The man was working on the pedigree of the Surikov family. Three years later, the sketch was born, but many saw in it not Spiridonov, but the gymnasium teacher Grigory Nikolaevich Smirnov. Later, Surikov goes to Switzerland to write sketches.

For the centennial anniversary of Suvorov’s Italian campaign, Vasily Ivanovich presents a completed picture. The canvas was shown in Moscow and St. Petersburg, and then it went to the imperial collection.


Two versions of Vasily Surikov’s painting “Suvorov’s Crossing of the Alps”

Surikov’s painting “Winter in Moscow” was created over three years. The work was officially completed in 1887, shortly before Vasily Ivanovich had the idea of ​​​​creating the canvas “Stepan Razin”. For almost 3 years the artist wrote sketches in Siberia and the Don, looking for a prototype.

At this time, Surikov had several more paintings in his work. In 1901, the master became acquainted with the Krasnoyarsk riot, in which Vasily Ivanovich’s ancestors took part. Inspired by this period, the artist created the painting “Krasnoyarsk Riot of 1865”. In 1907, Surikov was included in the Union of Russian Artists, but at the same time Vasily Ivanovich left the Association of Itinerants.


A man listens to opera and reads books. After getting acquainted with the “Home Life of Russian Queens of the 16th-17th Centuries” by Zabelin, Surikov got the idea of ​​​​creating the painting “A Princess’s Visit to a Convent.” Vasily Ivanovich was inspired for this by the images of his granddaughters.

A trip to Lake Shira prompted Surikov to paint the painting “Princess Olga meets the body of Prince Igor, killed by the Drevlyans.” Unfortunately, this work remained only the author's idea.


In academic circles, Vasily Ivanovich’s work evoked sharp criticism. The masters did not understand the “crowding” of the composition, the smeared faces on the canvases. But among the experts there were people who appreciated Surikov’s artistic ideas. Modern creators can study Vasily Ivanovich’s paintings from photos and originals.

Personal life

For a long time, Vasily Surikov looked closely at the granddaughter of the Decembrist Svistunov. The beautiful girl with big dark eyes was called Elizaveta Augustovna Share. The artist could not resist the beauty of the lady, so on January 25, 1878, the young people got married. In the same year, the couple had a daughter, Olga, and two years later, Elena. A talented artist and his muse lived in a small apartment located on Zubovsky Boulevard.


The happiness was short-lived. Ten years later, Elizaveta Augustovna died suddenly. The grief-stricken husband constantly visited his wife at the cemetery and abandoned creativity. Surikov lost his desire to work. But at some point the paintings brought Vasily Ivanovich back to life.


Daughter Olga gave her father a granddaughter. In turn, the girl gave birth to two famous people in modern Russia - a film director and a screenwriter and director.

Death

The health of Vasily Ivanovich Surikov at the end of his life left much to be desired. Despite this, the artist goes with P.P. Konchalovsky to Spain to seek creative inspiration. At the same time, a drawing school opened its doors in Krasnoyarsk. Surikov's condition remained poor, but the artist left for his homeland to create landscapes.


A year later, due to deterioration, Vasily Ivanovich was forced to go to Crimea for treatment. In March 1916, terrible news spread through artistic circles - coronary heart disease killed the talented Surikov. The grave of the Russian artist is located next to the burial place of his wife, at the Vagankovskoye cemetery. In memory of Vasily Surikov, a historical and biographical film was made in 1959.

Works

  • 1876 ​​– “View of the Kremlin”
  • 1881 – “Morning of the Streltsy Execution”
  • 1884 – “Venice. St. Mark's Cathedral"
  • 1887 – “Boyarina Morozova”
  • 1891 – “Taking the Snowy Town”
  • 1895 – “Conquest of Siberia by Ermak”
  • 1899 – “Suvorov’s Crossing of the Alps”
  • 1900 – “Stepan Razin”
  • 1908 – “Crimea. Ai-Petri"
  • 1910 – “Girl with Braids”
  • 1910 – “Seville. Alcazar"

Vasily Surikov is an artist, an outstanding master in Russian fine art of the 19th century and the beginning of the 20th century. Surikov’s work is closely connected with the bright periods of Russian history; in his large-scale works, the artist truthfully conveyed the characteristic features of the Russian people, their identity and vital essence.

Vasily Surikov came from a poor Cossack family and was close to his people from early childhood. The paintings of the artist Surikov are very remarkable for their magnificent coloristic interpretation of writing, where there is a clear innovation of the artist in creating colorful canvases, the colorful composition of which is still studied by modern artists today.

Surikov Vasily Ivanovich brief biography and creativity. . The artist was born in the city of Krasnoyarsk into a Cossack family. From early childhood, the artist showed the beginnings of a talent for drawing. At the age of eight, the boy was accepted to study at the Krasnoyarsk parish school, where his ability to draw was discovered by his teacher N.V. Grebnev, who helped the young artist work with paints, separately studying with him, he told and showed many of the subtleties of pictorial literacy and about the great masters of painting art. This was a good springboard for Surikov's future development.

But not everything was smooth in Surikov’s life; at the age of 11, his father died of illness, and the family found itself in a difficult financial situation. Nevertheless, after finishing his studies at the school, he is given a job in the office, in parallel with this, the boy persistently studies drawings, writes watercolors and develops himself as an artist, hoping in the future to definitely enroll to study as an artist. And by chance, the governor liked the watercolors, to whose family Surikov later even gave lessons.

In the governor's family, a frequent guest was the local gold miner P. I. Kuznetsov. Having seen the remarkable talent of the young master, he decided to financially support the young man's desire to go to study at the Academy of Arts in St. Petersburg, where he did not enter immediately, having failed the exam in drawing from plaster, this, of course, was the first failure. Therefore, he decides to enter the drawing school of the Union for the Encouragement of Artists, where he works intensively on himself in drawing and other areas; after three months of study, he again tries to pass the exam at the academy and successfully passes during the years of study from 1869 to 1875.

He successfully catches up with what he dreamed of, deservedly receiving various awards for his work. Studying ancient ancient art, he masterfully creates a drawing of Belshazzar's Feast, where his work is noted in a magazine called World Illustrations.

Finally, it would seem that he deserves a big gold medal with a retirement trip abroad for the painting Apostle Paul, but some leading figures at the academy decided to deny the award. Nevertheless, during his studies at the academy, Vasily Surikov received several silver medals, with a material bonus.

Of course, looking at this situation, the artist did not like the principles of studying at the academy, despite this, the artist worked a lot in 1870, creating the painting View of the monument to Peter 1 on Senate Square.

Having moved to Moscow, he will be entrusted with painting frescoes in the Cathedral of Christ the Savior. Surikov creates the first large-scale work, The Morning of the Streltsy Execution, in which the artist vividly describes the tragic moments after the Streltsy riot under Peter the Great.

The painting was painted in 1881, the year of joining the Wanderers Association, where Surikov exhibited his works to the general public.

Charged with the desire to paint pictures about Russian history, the artist creates the next masterpieces of the Menshikov in Berezovo and the painting of Boyarin Morozov, which was demonstrated at the 15th exhibition of the Peredvizhniki artists.

In 1887, in 1888, his wife died, having difficulty surviving these times, later he and his daughters went to their homeland in Krasnoyarsk, being there in some despondency, in order to cheer up by remembering the games of their childhood.

He decides to write a more cheerful and cheerful work, the picture The Capture of a Snowy Town; local peasants were involved in the character scene, and the peasants built the snowy town itself right in the yard of his house.

The painting was enthusiastically received by the public and was even sent to an exhibition in France, where it was shown in Paris in 1890, and was awarded a personalized medal.

In 1891, Vasily Surikov again turned to Russian history, planning to paint the painting The Conquest of Siberia by Ermak, working for several years on a historical work, in different places in Russia the artist created sketches and sketches for the painting.

On the canvas, Surikov vividly reflected the characteristic images of the heroes, showing the bold impulse of the Cossacks ready for battle, colorfully depicting the warring parties to death. The painting was painted entirely in 1895.

Another work with a similar historical theme, Vasily Surikov creates the painting Suvorov’s Crossing the Alps, starting to work in Krasnoyarsk, he also travels abroad to Switzerland, where he studies the mountainous terrain and chooses a place to paint sketches, the painting was exhibited in St. Petersburg and Moscow and was bought by himself Tsar.

The next stage is also a historical painting of Stepan Razin with the Cossacks sailing on a large boat. The artist also turns to the life of the royal family and in 1912 creates a painting of the princess’s visit to a convent; the artist expressively describes the princess’s presence in the church among the humble nuns.

The artist Vasily Surikov was very devoted to his status as a free artist, being all about creating his historical paintings, he never wanted to be distracted from his chosen path.

He was often offered a job as a teacher at art schools and at the Academy of Arts, which he always refused; in this field, he even quarreled somewhat with Repin, who also persuaded him to teach at the Academy.

The artist’s character was more towards solitude; he did not like various social gatherings.

It was also rare that anyone could come to his workshop, where the master created historical images. Essentially, he was a somewhat reserved person and he had few friends, however, he was very kind and touching in his family, he was always on good terms. relations with his relatives, he often wrote letters to his mother and brother in Krasnoyarsk.

Towards the end of his busy creative life, Vasily often visits his homeland, paints a number of landscapes, watercolor sketches, and sometimes paints portraits.

By 1915, Surikov felt his health deteriorating and went to Crimea for treatment, but due to a bad heart, he died in 1916 and was buried in Moscow at the Vagankovskoye cemetery.

Surikov’s creativity is highly valued in Russian fine art; his historical works truthfully reflect difficult periods in the life of the Russian people in the history of Russia.

- (1848 1916), Russian painter. He studied at the St. Petersburg Academy of Arts (1869 75) with P. P. Chistyakov. Member of the TPHV (since 1881; see Peredvizhniki), the Union of Russian Artists. Already during his years of study, turning to historical painting, Surikov sought to overcome... ... Art encyclopedia

- (1848 1916), Russian. artist. Having received an invitation to participate in illustrating the Collection. op. L. (1891, Kushnerev), S. chose “Song about... the merchant Kalashnikov” and completed the illustration. “Executioner” (Italian pencil, charcoal; State Russian Museum); the artist departed from tradition. Images… … Lermontov Encyclopedia

Russian historical painter. Born into a Cossack family. He studied at the St. Petersburg Academy of Arts (1869 75) with P. P. Chistyakov. Full member of the St. Petersburg Academy of Arts (1893). Already during the years of study, turning to... ... Great Soviet Encyclopedia

- (1848 1916) Russian painter. Wanderer. In monumental paintings dedicated to turning points and intense conflicts of Russian history, the main character showed the masses, rich in bright personalities, full of strong... ... Big Encyclopedic Dictionary

Surikov (Vasily Ivanovich) historical painter and genre painter, born in 1848, from 1858 to 1861 he studied at the Krasnoyarsk district school, and then served as a clerical worker in one of the government institutions, amateurishly practicing drawing and painting... Biographical Dictionary

- (1848 1916), painter. Member of the Association of Itinerants. In monumental canvases dedicated to turning points and intense conflicts of Russian history, the main character showed the masses, rich in bright personalities, filled with... ... encyclopedic Dictionary

Surikov, Vasily Ivanovich- IN AND. Surikov. Boyarina Morozova. 1887. Tretyakov Gallery. SURIKOV Vasily Ivanovich (1848 1916), Russian painter. Wanderer. In monumental canvases dedicated to turning points, intense conflicts of Russian history, the main... ... Illustrated Encyclopedic Dictionary

V. I. Surikov. Boyarina Morozova. Surikov Vasily Ivanovich (1848, Krasnoyarsk 1916, Moscow), painter. He studied at the St. Petersburg Academy of Arts (186975) with P.P. Chistyakova; full member of the Academy of Arts (1893). Since 1877 in... ... Moscow (encyclopedia)

Historical painter and genre painter; genus. in 1848; from 1858 to 1861 he studied at the Krasnoyarsk district school, and then served as a clerical worker in one of the government institutions, amateurishly practicing drawing and painting. In 1870 he became an apprentice... ... Large biographical encyclopedia

Historical painter and genre painter, b. in 1848, from 1858 to 1861 he studied in the Krasnoyarsk district. school, and then served as a clerk in one of the government institutions, amateurishly practicing drawing and painting. In 1870 he became an apprentice... ... Encyclopedic Dictionary F.A. Brockhaus and I.A. Efron

Books

  • Surikov, T.V. Postnikova. Vasily Ivanovich Surikov is one of the greatest painters in the world, an artist-thinker endowed with powerful talent. In his creations he showed the history of Russia in its turning points and tragic...
  • Russian masters of painting. Vasily Ivanovich Surikov, . Richly illustrated edition! Moscow, 1955. State publishing house of fine arts. Original cover. The condition is good. The publication is…


The personal life of outstanding people always attracts the attention of readers, especially if it is full of piquant details, incredible stories, secrets and riddles. But today we will talk about personal life artist Vasily Surikov, about which not much is known. But his amazing love story will not leave anyone indifferent.


A little from the biography

The artist Vasily Ivanovich Surikov comes from Krasnoyarsk, his ancestors were from the Don Cossacks who conquered Siberia with Ermak, after whose death they walked up the Yenisei and founded the Krasnoyarsk forts. The artist was born in 1848 in the family of a clerical employee, who came from an old Yenisei Cossack family. And needless to say that the character of the future painter, formed in the harsh environment of the Siberian region, was just as strong and unshakable. Years later, this power was embodied in the heroic images of his paintings.

Little Vasily became interested in creativity early on, and he often received punishment from his mother for painting furniture. He received his first painting lessons at the district school. Later, the talented young man was noticed by the governor and decided to send him to study at the Academy of Arts in the capital itself.


However, 20-year-old Vasily Surikov, who came from Krasnoyarsk to St. Petersburg to enter the Academy, failed the exams miserably. One of the members of the selection committee, seeing Surikov’s work, said: “You should be banned from even walking past the Academy for such drawings!” Vasily did not walk past the Academy for long - only one year, and then he successfully passed the entrance exams and became one of the best students. In 1875, after receiving the certificate, the council of the Academy of Arts awarded Surikov the title of artist of the first class, and later for his creative works he was awarded a gold medal and the Order of St. Anne, III degree.

The love of an artist's life

One day, when Vasily once again went to the Catholic church to listen to the sound of the organ, he met his first and only love in his life - Elizaveta Share. The girl was from a French-Russian family. Her father, Auguste Charest, in his youth, having fallen in love with a Russian girl Maria Svistunova, moved from Paris to Russia, converted to Orthodoxy and got married. Their marriage produced five children: a son and four daughters, who were raised in the French manner.


Therefore, Lilya (as the young lady’s relatives called her) spoke Russian with a slight accent. She, like Vasily, was interested in music and painting. The girl was then nineteen years old, and Surikov was twenty-nine. And despite the fact that the young artist was ten years older, during their meetings he blushed and was embarrassed like a youth.

After graduating from the Academy of Arts, the aspiring painter received an order for four paintings for the Cathedral of Christ the Savior. For some time, preparing sketches, Surikov worked in St. Petersburg, and then he had to go to Moscow. The lovers faced a long separation. However, on weekends Vasily flew on the wings of love to St. Petersburg and, after spending several hours with his beloved, returned back.

The days passed painfully in separation, and to the artist, crowded Moscow seemed deserted without his beloved girl. Therefore, having finished work in the temple and received a fee, Vasily decides to immediately get married. He proposes and he and Lilya get married. The painter decided not to notify his mother about his marriage, since he probably knew that the stern Siberian Cossack woman would not like her sophisticated French daughter-in-law.

https://static.kulturologia.ru/files/u21941/219410210.jpg" alt=""Menshikov in Berezovo."

Having barely recovered, the artist got to work. He painted many female images from his wife, calling her"идеальной моделью". Создал он несколько и её портретов. Но всё же основным творением можно считать полотно «Меншиков в Берёзове», где он изобразил свою жену в образе старшей дочери Меншикова, которая по замыслу сюжета была больна и умирала от оспы. В то время и у самой Елизаветы Августовны был тяжелейший приступ, и художник, глядя на измождённую жену, увидел в ней дочь Меншикова. Тогда его вдруг пронзило предчувствие: его Лиля смертельно больна. Но в тот момент эта мысль показалась ему такой страшной, что Суриков напрочь отогнал её от себя. Это было за пять лет до смерти Елизаветы Августовны.!}

https://static.kulturologia.ru/files/u21941/1-9.jpg" alt=" Self-portrait of Vasily Surikov." title="Self-portrait of Vasily Surikov." border="0" vspace="5">!}


Then the Surikovs decided to visit Krasnoyarsk. Vasily really missed his native Siberia, and he also wanted his mother to meet her daughter-in-law and granddaughters. However, moving on horseback across the country lasted a month and a half in one direction only. And despite the fact that they traveled in the summer, the harsh Siberian climate affected Elizaveta Augustovna’s health in the most unfavorable way.


And in his parents’ house something happened that the artist was so afraid of. Praskovya Fedorovna disliked her daughter-in-law from the first day. But Lilya, afraid of upsetting her beloved, did not complain to him about her mother-in-law’s complaints. The psychological atmosphere in the house also aggravated her condition, and she became seriously ill after returning to Moscow. Now the artist did not leave his wife’s bedside, who was being treated by the best doctors. But every day brought her closer to the end, she became worse. The death of his wife was a terrible shock for Surikov. She was only 30 years old. Subsequently, he strongly blamed himself for the rash step when he decided to take his family to Siberia.

https://static.kulturologia.ru/files/u21941/219411601.jpg" alt=" Vasily Ivanovich Surikov with his daughters Olga (right) and Elena and brother, Alexander, before leaving for Siberia. Summer 1889." title="Vasily Ivanovich Surikov with his daughters Olga (right) and Elena and brother, Alexander, before leaving for Siberia. Summer 1889." border="0" vspace="5">!}


Widowed at the age of forty, the artist never married again. He gave all his unspent love to his daughters, for whom he completely replaced his mother. He could not trust any other woman to raise his and Lilya’s daughters. When their mother died, the girls were nine and seven years old.

https://static.kulturologia.ru/files/u21941/219418424.jpg" alt=" The artist’s daughter Elena." title="The artist's daughter Elena." border="0" vspace="5">!}


Surikov’s mental pain and longing for his beloved wife subsided over the years, but a quiet sadness remained. The artist lived with her for 28 years. He wrote a lot, losing himself in his work, and created many portraits of women. And in each of them the artist’s brush involuntarily brought out Lily’s unforgettable features.


And it is probably unnecessary to say that the artist bequeathed to bury him next to his wife. He found his final resting place at the Vagankovskoye cemetery.

Afterword

Top row from left to right: Ekaterina Semenova (daughter of Natalya Petrovna Konchalovskaya from her first marriage), Natalya Petrovna Konchalovskaya (daughter of the artist), son of Mikhail Petrovich Konchalovsky from his first marriage Alexey, Esperanza (wife of Mikhail Petrovich Konchalovsky), Mikhail Petrovich Konchalovsky (son of the artist), Andron Konchalovsky. Bottom row from left to right: Margot (Mikhail Petrovich’s daughter from his second marriage), Olga Vasilyevna Konchalovskaya-Surikova (the artist’s wife and daughter of Vasily Surikov), Pyotr Petrovich Konchalovsky, Lavrenty (Mikhail Petrovich’s son from his second marriage), Nikita Mikhalkov, Sergei Vladimirovich Mikhalkov.

You can read about the fate of the artist’s daughter Olga, who married the famous artist Pyotr Konchalovsky


Continuing the theme about the families of artists in which love and harmony reigned, read:

On January 24, 1848, in the family of the collegiate registrar Ivan Vasilyevich Surikov, a boy was born in the city of Krasnoyarsk, who was named Vasily.

Providence itself wished that the future great titan and genius of Russian painting would be born into a family belonging to an ancient Cossack family.

The ancestors of the great artist Vasily Ivanovich were Don Cossacks; eternal adventurers, they, like hundreds of other Donets, came to Siberia along with the legendary Ermak.

In the middle of the 17th century, newly arrived Cossacks in the wide expanses of Siberia set up a town on the Yenisei, called Krasnoyarsk forts, and here the Surikov Cossacks settled down to live.

The artist’s ancestors served honestly; for impeccable and dedicated service, starting from the 18th century, the Cossacks of the Surikovs began to be promoted to officer ranks.

According to the laws of the Russian Empire, for distinctions in service, a Cossack promoted to officer was awarded a noble title. The right to nobility extended to all heirs, so Vasily Surikov was born a nobleman.

From a young age, Vasily Surikov was obsessed with painting; at the age of twenty he moved to St. Petersburg, where from 1869 to 1875 he studied at the St. Petersburg Academy of Arts. During his studies, teachers mark him as the best student and foretell a great future for him.

Two years after graduating from the academy, Surikov moved to Moscow, where he created the bulk of his great works. From 1881 to 1887, he created such masterpieces of monumental historical painting as “The Morning of the Streltsy Execution” and “Boyaryna Morozova”.

In 1888, Vasily Ivanovich suffered great grief - the death of his wife, whom he dearly loved. The artist falls into a deep depression; he writes nothing for almost two years.

Enlightenment comes after a trip to his native Siberia (1889 - 1890); in 1891, his painting “The Capture of a Snowy Town” was published, personifying the daring and broad soul of the Russian people.

Next, Surikov again creates canvases dedicated to the history of Russia; the enlightened world is amazed by his canvases “The Defeat of Siberia by Ermak”, “Suvorov’s Crossing of the Alps”, “Stepan Razin”. Some critics note that the works created by the artist after 1890 are lower in quality of perfection than the works written in the 80s.

The great artist died on March 19, 1916, and while dying he uttered a simple phrase: “I am disappearing.” But the brilliant legacy he left will live forever. Surikov’s paintings are very close in spirit to every Russian person, because most of them are dedicated to the Russian people and their history.

In conclusion, one cannot fail to note a very interesting fact. The daughter of Vasily Ivanovich Surikov, Olga, married the Russian artist Pyotr Konchalovsky.

A girl, Natalya, was born into the Konchalovsky family; in the future, she was destined to become the wife of the writer and poet Sergei Vladimirovich Mikhalkov, author of the Anthems of the Russian Federation and the Soviet Union. So, famous directors Nikita Mikhalkov and Andrei Konchalovsky are the great-grandsons of Vasily Ivanovich Surikov.