The painting "Goalkeeper" shows the audience a football match of schoolchildren, which they staged after school. Warm autumn weather is depicted on the street; yellow leaves are visible on the ground, which have fallen from the trees and bushes. The sky in the picture is light gray, from the smoke of smoldering fires in the distance. In the background of the picture, on a hill, there is a city and many tall buildings can be seen.
In the central plan of the picture the goalkeeper himself and the spectators are depicted. The goalkeeper guards his goal, which the boys built from their briefcases. He stands right in the center of his goal in the goalkeeper's stance. This stance looks like this: the boy’s hands rest on his knees and his body is slightly bent, his gaze is directed at the ball in front of him and at the one who will kick him. The artist did not depict the kicking player in the picture and this makes it even more intense. The goalkeeper is dressed in a black long-sleeved jacket, blue shorts, sneakers and, of course, goalkeeper gloves. It is clear from the boy that he is a fairly experienced and dexterous goalkeeper. Behind the goalkeeper stands a short boy in a red suit. You can see from his height that he is younger than the players, and perhaps the guys don’t take him to play with them, so he stands nearby, watching and bringing the ball. And most likely he stood behind the goal so that if the ball flew far away, he could bring it to the players. And behind this boy you can see the corner of a large building, probably this is the same school where young football players study.
In this picture, the spectators of the ongoing match also play a big role. They are sitting on a stack of folded boards, among them there are children and an adult respectable man in a hat. Boys aged 7-8 years old watch the game with great interest, and two very young boys who look about 4 years old are also interested. If this match interested the kids so much, then what can we say about the adult guy. Most likely, he was just passing by, but this tense match interested him, and his love of football overcame the importance of his business, and he joined the spectators. Next to the spectators, a white dog is curled up on the ground, and she is the only one who feels indifference to the football match.
This picture perfectly combines everything, the tension of the game and the autumn weather. The main goal of this picture is to show that football is a very exciting sport, it unites viewers of different ages with one common feeling of tension and concern for their favorite team.
Description 2
You can see images of children on the canvases of many artists. The world of childhood, filled with light and sincere joy, attracts painters with its bright emotions and spontaneity.
One of these artists who dedicated more than one work to the theme of childhood was Sergei Alekseevich Grigoriev. In 1949, he painted the painting “Goalkeeper”, which even now, many decades later, attracts viewers with the emotionality of the depicted moment in life, with vivid feelings.
In the foreground of the picture is a tanned, thin boy of about twelve years old, standing in a tense, expectant pose. We find ourselves at a street football match, and the central person is the goalkeeper of one of the teams. He is wearing a dark brown sweater, short shorts, his socks are pulled down, and he has galoshes tied with a ribbon on his feet. Apparently, the boy is trying to be a real goalkeeper, because he has large leather gloves on his hands, like the players of adult teams. His gaze is directed to where the intense struggle for the ball is now unfolding. He stands slightly bent, with his hands on his knees. At any moment, the goalkeeper is ready to defend his team's goal. He probably fell more than once during football battles; his knee was bandaged, perhaps it was injured.
Behind the goalkeeper is another little boy, younger. Perhaps he serves balls that have rolled out of bounds. He is not as tense and focused as a goalkeeper. A boy in a red suit stands with his hands behind his back and his stomach stuck out.
The game is closely watched by several fans located on the uneven bars. These are children dressed in warm jackets and sweatshirts, who came here with their younger brothers, sisters and even a dog. Among them, the figure of an adult man in a dark blue suit and hat stands out. He is wearing an elegant embroidered shirt and holding a folder for papers in his hand. It is clear that he most likely ended up at this match by accident; he could not indifferently pass by the guys excitedly kicking the ball. He is very excited about what is happening on the field, he is about to rush into battle. When we look at the picture, it seems that we can hear the screams of fans cheering on their teams.
In the background of the picture are silhouettes of city buildings, low bushes that have retained their last golden leaves, and a forest blue on the horizon.
The entire canvas is made in soft, calm colors. The picture captures the viewer's attention for a long time. Someone will remember their childhood, someone will involuntarily ask the question: “How did this match end?”, someone will admire the children’s passion for football. But no one will remain indifferent.
Essay 3
Grigoriev painted a large number of different paintings that have become popular today. This is the picture of the Goalkeeper. Here the main characters are ordinary guys who like playing football more than anything else in the world. In the very middle of the picture there is one boy. He's a goalkeeper. He appears to be about twelve or thirteen years old. The boy is tall and has blond hair. He stands in a tense position and waits for his opponents to bring the ball to his goal and he will do everything to prevent this ball from hitting the goal. The boy is dressed in a comfortable uniform and a warm jumper. From under the jumper you can see a clean and white shirt, and on your feet are brown socks and sneakers.
Behind the goal there is another little boy who also really likes the game and in the future he also wants to become a goalkeeper and play football. But for now they only take him to cheer and watch the game from the sidelines. The boy appears to be only eight or nine years old. He cheers very hard for his team and puts his hands on his hips.
Next to the players there are long benches, on which fans of one and the other team are seated. Among the young and small children there is one adult man in a blue suit. It seems that when he looks at these guys, he remembers the time when he also played football and also stood on the goal. In his hands he holds a large folder with papers. From all this we can conclude that he was going on business, but seeing how the guys were playing football cheerfully and brightly, he decided to stop and see how this game would end.
In addition to the boys, there are also girls who don’t really like the game, but are still interested in how it will end. The short boy can’t see the game very well, so he leans over and looks at it sideways. And next to him, the guy craned his neck and carefully monitors the game so as not to miss anything. They even come here with their brother, so a small boy sits on a bench, and next to him sits a boy even smaller than this one. From this it immediately becomes clear that this is his brother, and he is happy and hugs him very tightly. A dog sits next to them and also cheers for his team.
Behind the boys is a girl who had just left school and was about to go home, but when she saw the game, she also decided to watch the boys.
The entire game takes place in a special vacant lot, where the guys are playing not for the first time.
Not far from the vacant lot there is a large and very beautiful church. The time of year is now autumn.
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The page provides a description of the painting Goalkeeper. Grigoriev Sergei Alekseevich wrote this funny story in the post-war period in 1949, where he depicted children playing football and the main character in which is a boy goalkeeper against the backdrop of gathered fans. The autumn weather outside is not clear; Moscow's Stalinist buildings can be seen far away in the haze.
The theme of this painting, Goalkeeper, corresponds to the atmosphere of that time; football is probably the most favorite game of children in the post-war period, since, apart from school homework, children had nothing special to do; at that time they did not have computers or modern smartphones. In addition to playing war games, children played football in courtyards, in parks and, as in this story, in a vacant lot.
In the film Goalkeeper Grigoriev, in addition to the fans watching the match, he mainly shows us one player defending the goal, the boy goalkeeper, all the other football players were behind the scenes.
Our hero, prepared to throw for the ball, looks like he is ten to twelve years old, and has probably already gained experience in several similar matches. Wearing boots tied with ropes, he leaned forward in readiness, resting his gloved hands on his knees and fixed his gaze in the direction of the ball.
The bandaged knee tells the viewer that he has already had a bad fall and scratched his leg. In this position, the boy expresses the complete seriousness of his intentions to protect his gate, consisting of two abandoned school bags. The result of a given match and, of course, his authority among his other peers may depend on his boyish agility and quick reaction.
The children's game of football attracted many fans, their eyes fixed on the moving ball, which the boys were not quite skillfully kicking. The bulk of the fans are local children of different ages, girls and boys, who were also joined by an adult guy in a hat, perhaps he was walking along the street and accidentally wandered into this vacant lot, seeing an interesting game of youngsters, sat down next to the children on a pile of roughly folded boards prepared for construction barns or housing destroyed after the war. By his appearance, one can determine a rather attentive interest in the result of what is most likely the most interesting stage of the game, possibly a penalty.
To the left of the goalkeeper, a young boy in red pants and a shirt is modestly watching the game; in his gaze one can feel the desire to join the game, but his older comrades do not yet trust him with the role of a player and he looks sadly, standing with his hands behind his back. Next to the children you can see a yard dog curled up in a ball, which is not interested in football and does not pay any attention to the children’s play.
As we already know, the author of the picture loved children very much, given the fruitful creative biography of the artist Sergei Grigoriev, he created many similar paintings about children and school. Among his notable works about children are the following: “Discussion of the deuce”, “Admission to the Komsomol”, “Young Naturalists”, “Pioneer Tie” and many many others.
Today Grigoriev’s painting Goalkeeper is in the Tretyakov Gallery in Moscow
The painting “Goalkeeper” by Grigoriev was painted back in 1949. But it’s still interesting to look at it now, because it’s dedicated to a game that never goes out of date—football.
The painting depicts a match and spectators watching it. The picture attracts attention with its ease. It seems like the kids just ran from school to a vacant lot, made a goal out of their briefcases and started the game. A curious feature of the picture is that there are no field players depicted in it. We only see one of them, the goalkeeper. It is with his description, as I think, that one should begin the description of the painting “Goalkeeper” by Grigoriev.
This is a boy of twelve or thirteen years old. He stands half-bent, waiting for the ball. His face expresses seriousness, he is very passionate about the game. It is clear that the boy is an experienced goalkeeper. He has a confident posture and strong, sinewy legs. Even with his clothes he wants to look like real football players. He is wearing shorts (and judging by the clothes of the spectators, it is already cool autumn outside), and he has gloves on his hands. They help the goalkeeper in the game. He has a bandage on his leg - he was probably unlucky in one of the previous matches.
What is happening on the field is not visible to the viewer, and because of this, I personally find the picture even more interesting. One can only guess where the ball is now, when it will fly into the goal and whether the goalkeeper will be lucky. But judging by the faces of those watching the match, the game is in full swing. And if you look closely at the goalkeeper’s concentrated face, you can confidently say that he won’t miss the ball!
The painted spectators in the film play no less a role than the figure of the main character. There are quite a lot of them. Basically, these are the same as the boy-goalkeeper, schoolchildren. But in the very corner of the picture one can see the figure of an adult man in a suit, wearing a hat and with a folder on his lap. It looks like he was going somewhere on business, but stopped, carried away by the battle. I really like his pose and face, because it is clear that he is truly interested in the game and does not consider it childish nonsense. If he could, he would have run to the field himself.
The little boy in the red tracksuit is no less captivated by the events. He was obviously not included in the game due to the fact that he is still small, but he desperately wants to be among the players. So he froze behind the goalkeeper, leaning back slightly, so that his whole figure was expressing protest. I think he is offended by the schoolchildren, but he cannot leave - everything that is happening is too interesting.
There are also girls among the spectators. One of them, with a bright red bow, is carefully watching the game. It is clear that she has a fighting character and that she could also act. The second, a very small spectator, sits on her brother’s lap. It is not known whether she understands anything, but she looks very carefully.
The canvas is in the collection of the State Tretyakov Gallery and has been exhibited many times at exhibitions in cities of the USSR and modern Russia, as well as in China and the USA.
Grigoriev said that his “searches in the field of genre painting remained empirical for a long time,” that at first he “wrote everything from life and pulled a lot of unnecessary things into the picture,” but then “moved on to the director’s decision.” Researchers of the artist’s work wrote that Grigoriev was truly the first to succeed in such a solution (to unite all the characters in a single action corresponding to the artist-director’s plan) precisely in the film “Goalkeeper”, which is so thought out and “directed” that it is perceived as a sketch of what was directly seen in life. This demonstrated the mature skill of the genre artist. Each detail of the canvas has its own symbolic meaning, and each of its characters is convincing and unique in its own way. However, despite the merits noted by critics, in Soviet times this painting was in the shadow of two other paintings by the artist - “Admission to the Komsomol” (also 1949) and “Discussion of the deuce” (1950).
The painting “Goalkeeper” was created in 1949. At this time, Grigoriev was already a professor, head of the drawing department. The artist’s turn to children’s themes was not accidental or his first (he first attracted attention to his works with the painting “Children on the Beach” in 1937). Grigoriev valued spontaneity, naturalness, and liveliness of reactions in children's images. The painting technique is oil painting on canvas. Size - 100 × 172 centimeters. At the bottom right is the author’s signature - “SA Grigoriev 1949”, another autograph is on the back of the canvas - “SA Grigoriev 1949 Kyiv”.
Painting by Sergei Grigoriev “Goalkeeper” in the exhibition of the New Tretyakov Gallery, 2017
The painting “Goalkeeper” (together with another painting by Grigoriev, “Admission to the Komsomol”, 1949) was awarded the Stalin Prize, II degree, for 1950. The canvas was acquired by the State Tretyakov Gallery at the All-Union Exhibition in 1950 from the author himself. It is still in the gallery's collection. Inventory number - 28043. The painting was presented at numerous exhibitions: in Moscow (1951), Leningrad (1953), at the Traveling Exhibition in Chinese cities from Beijing to Wuhan (1954-1956), in Moscow (1958 and 1971, 1979, 1986- 1987, 2001-2002, in the “New Manege” in 2002), in Kiev (1973, 1979), Kazan (1973-1974, 1977-1978), in US cities (1979-1980), at the anniversary exhibition dedicated to 225 anniversary of the USSR Academy of Arts, in Moscow (1983-1984).
V. A. Afanasyev reconstructed the events that preceded the scene captured in the painting by Sergei Grigoriev. A group of schoolchildren returning from classes staged an impromptu football match, constructing goals from briefcases, bags and berets. Outside the image in the picture, an exciting episode takes place, which attracted the attention of casual spectators located on a stack of fresh boards. The attention of the lanky, blond boy in a dark sweater, who occupies a place in the goal, is also drawn to the events on the field. A. M. Chlenov drew attention to the fact that the canvas depicts early autumn, when it is still warm, but “some cautious mothers” have already dressed their children in coats. He noted that the artist chose not the scene of the fight for the ball, which is currently taking place, in his estimation, in the center of the field, but the very edge of the football field.
The boy has a bandage on his right knee, and this, according to O’Mahoney, is a sign of dedication to his team, a willingness to sacrifice his health for it. Grigoriev relied on the “goalkeeper-border guard” metaphor, characteristic of the culture and ideology of the pre-war years, a valiant defender of the borders of the Motherland from insidious and cruel enemies (art critic Galina Karklin noted that the goalkeeper is much older than all the other children depicted on the canvas, and as a primary school student with proudly demonstrates his football skills to the little ones). However, the picture was painted in 1949, and the metaphor, from O’Mahoney’s point of view, acquires a number of additional meanings. A vacant lot is depicted on the outskirts of a city or village (both outside the city and in the immediate vicinity of it; such a “line of defense,” according to the British art critic, is a reference to both capitals, Moscow and Leningrad, at the very approaches to which the front line was located during the war ). The background of the picture tells about the restoration of the country - scaffolding is visible on two buildings; nearby, on the right, excavation work is underway; spectators are sitting on planks, which also serves as a hint that the match is taking place on a construction site.
Kiev Art Institute, in the garden of which, according to A. M. Chlenov, the action of the picture takes place
In her book about the work of the artist T. G. Guryeva concluded that the background of the scene depicted in the picture is a panorama of Kyiv: St. Andrew's Church over the Dnieper, construction sites, and an array of houses are visible. Art critic A. Chlenov believed that it was possible to accurately determine the very place where the match took place. This is the garden of the Kyiv Art Institute, where the artist worked at the drawing department at that time. It is from here, according to Chlenov, that the view depicted by Grigoriev of St. Andrew’s Cathedral and buildings above the steep slopes of the Dnieper, falling to Podol, the lower part of Kyiv, opens.
The audience, with one exception, is children. They look, like the goalkeeper, beyond the picture frame, at the opponent preparing to strike. Some children watching the match are wearing sportswear; one boy stands behind the goalkeeper and seems to be assisting him. “Gates” are school bags placed on the ground on either side of the goalkeeper. According to O'Mahoney, this indicates the impromptu rather than planned nature of the event itself. Among the children, according to O'Mahoney, Sergei Grigoriev portrayed two girls (in contrast to him, Afanasyev counts four girls, including the smallest child, as well as a character in a lilac bonnet coat; Guryeva considers three characters to be girls, including number of the character in the red hood). O'Mahoney claims that the girls play a secondary role in the painting. One of the girls (wearing sweatpants like the boys') is nursing a doll, which suggests she is more of a mother-to-be than an athlete; the second, dressed in a school uniform, stands behind the other children. T. G. Guryeva notes the diversity and persuasiveness of the psychological characteristics of children, as well as the artist’s humor. Unlike Karklin, she refers the older children in the picture to adolescence (pioneer) age. A boy in a red ski suit spread his legs wide apart and put his hands behind his back, sticking out his stomach; he is distinguished, in her opinion, by a calm, contemplative character (the “kid” is not accepted into the game, but he managed to join the competition by picking up balls that flew over the line gate). Chlenov noted that he was filled with a sense of his own importance, looked down on the players (despite his small stature), and did not care which team would win the match. Both more temperamental and quite calm fans sit on the boards. A baby in a gray hood reacts animatedly to the game. A girl with a doll and a schoolgirl with a red bow in her short-cropped hair are calmly watching the game. Bent down and resting her hands on her knees, a girl in a red hood is enthusiastically watching the match. V. A. Afanasyev sees an expression of complete indifference to the game only in the image of a “lop-eared little dog” and a “baby wrapped in a warm scarf.” A young guy (this is how Guryeva evaluates the adult character in the film)
sits next to the small fry of children the way they sit only at the stadium - ready to jump up at any moment, full of sports passion, encouraging the players with shouts and gestures. His hat is pushed back on his head, the collar of his embroidered Ukrainian shirt is open, his jacket is unbuttoned. His hand holds the folder with papers, but he no longer remembers them, just as he doesn’t remember the business with which he was going somewhere. Captivated by the game, he sat down “for a minute” and... forgot about everything, completely surrendering to the experience of the game
There is only one adult in the painting. O'Mahoney notes that the pose in which the man is depicted by the artist immediately attracts the viewer's attention: he sits with his left leg forward in the direction of an invisible opponent, placing his hand on his knee, repeating the position of the goalkeeper's hands. In turn, he is duplicated by the little boy sitting to the left of the man. Judging by his clothes, the man is not a trainer. The folder and documents in his right hand indicate that he is a senior official of some government agency. On the lapel of his jacket there are medal bars and ribbons, indicating that he took part in the last war. In the film, he plays, according to O’Mahoney, the role of a mentor, passing on the experience of his generation to children. A. M. Chlenov “recognized,” in his words, a student, a young artist, “making up for... his years at the front.” At the beginning of 1940, the artist himself was drafted into the Red Army. Until the end of 1945, when he returned to Kyiv, not a single work signed with his name appeared at art exhibitions. Grigoriev himself repeatedly proudly said that during his military service he did not work as an artist, but participated in hostilities as a political worker.
O’Mahoney considers it no coincidence that the Stalin Prize was awarded for this picture: Grigoriev emphasizes the importance of sport in the era of “restoration of the country and revival of the nation.” The role of the older generation is brought to the fore, and their knowledge and experience are conveyed by the artist “as vital for the transformation of Soviet youth into new defenders of the USSR.”
According to T. G. Guryeva, the landscape is written interestingly, subtly, but its drawback is the isolation of the foreground figures from the city landscape on the horizon, which creates a feeling of some artificiality, “as if the background for a live scene in the foreground is a theatrical backdrop.” Guryeva notes the artist’s skillful creation of a light, joyful coloring, which, according to her, conveys the artist’s love for life and his optimistic mood. G. N. Karklin notes “the rusty-golden color of a warm, clear day with individual decorative accents of red.” According to V. A. Afanasyev, the landscape, “full of thoughtful elegance,” does not play a dominant role in the picture; it is subordinated to the story of a breathtaking spectacle on an improvised football field. The autumn landscape, according to him, is painted “lightly and freely.” The art critic notes a soft, restrained color with a predominance of warm yellowish color. The tension of what is happening on the canvas is increased by the “abundance of tactfully scattered, tonally varied spots of red” (the baby’s clothes behind the main character’s back, the cap on the head of the “inflated girl”, embroidery on the shirt of an adult character, pants on a girl in a hood, bows on girls and pioneer ties on boys). A. M. Chlenov noted that these spots of red color are balanced by cold tones, to which he included briefcases, the clothes of the goalkeeper and an adult character, as well as the general yellowish color of the foliage.
According to Afanasyev, in “The Goalkeeper” Grigoriev, for the first time in his work, managed not only to unite a large number of characters with a single action, but also to “direct” the scene so that it is perceived by the viewer as a sketch directly seen in life. Each detail “has its place,” and each character is revealed “in its own convincing way.” Ukrainian art and literary critic Oleg Kilimnik (Ukrainian) noted that “every child’s image presented by the master enchants with its truthfulness, authenticity, and the power of childish spontaneity.”
Along with other paintings by Grigoriev, “The Goalkeeper” was criticized in modern Ukraine. V. A. Afanasyev and the Ukrainian art critic L. O. Lotish in their articles noted the tendency that had arisen among art critics to present the artist “as a cunning cynic who saddled the mare of socialist realism in Russian language lessons, and a detailed analysis of its use is given in the book of Doctor of Pedagogical Sciences L. A. Khodyakova, where the painting is proposed as an essay topic in a Russian language lesson
Look for synonyms on sinonim.org so that the essay does not coincide with what is on the Internet. Click 2 times on any word in the text.
Essay on the painting Goalkeeper
The painting was painted in 1949. She was very successful. For the films “Goalkeeper” and “Admission to the Komsomol” Grigoriev was awarded a state prize. The main idea of the picture is that football is an exciting spectacle that everyone likes.
Grigoriev’s painting depicts a warm autumn day, late September - early October. The wind, sweeping and twisting yellow leaves, leaves the trees and bushes almost naked. It’s still dry, but it’s no longer early autumn.
The sky seemed to be covered with a veil. In the background you can see the city in a slight haze. Landscape is the background on which children are depicted. It is written easily and freely.
The landscape is subordinated to the main story about children passionate about playing football.
The guys gathered after school to play football in a vacant lot. Their gates are made from briefcases, bags and berets. The artist did not depict the football competition itself, so the canvas became even more valuable. But there is a very acute situation where the goalkeeper and the spectators are looking, maybe in a few seconds the ball will approach the goal.
All spectators are dressed warmly, they sit in hats and coats. Only the goalkeeper in his shorts, as if it were summer.
He has gloves on his hands, which show that the boy is very experienced and has stood at the gate more than once. The brightest spot in the picture is the red tracksuit of the boy standing behind the goalkeeper.
The goalkeeper stands, slightly bent, covering the goal and quickly reacting to what is happening on the field of action.
As if on benches, fans sit on boards stacked at the edge of the house. Spectators of all ages: children, an uncle, and a small child. All of them, fascinated by the game, watch it closely and very enthusiastically.
The boy in the dark green suit is the most captivated by the match. The man is a passerby who became interested in the game and stayed to watch it. The girls are also very focused.
The only one indifferent to football is the white dog, dozing, curled up next to the kids.
The artist managed to unite the characters with a single action. Each detail has its place and, at the same time, each character is revealed convincingly; It is no coincidence that the film “Goalkeeper” is one of the best. It combines expressive details, successful composition, and soft coloring.
In S. Grigoriev’s painting “Goalkeeper” we see a football match, players and spectators located in a vacant lot.
Of the players, only the goalkeeper is depicted; the rest are not visible in the picture. The goalkeeper, judging by the gloves on his hands, his face expressing seriousness, and his sinewy legs, is very experienced and has stood in goal more than once. The goalkeeper, a boy of twelve or thirteen years old, stood waiting for an attack on his goal. He's right after school. This is clear from his briefcase lying instead of a barbell.
The goalkeeper, players and spectators are not on a football field, but on a vacant lot not intended for football.
In the background is a boy behind the gate and spectators. Probably the boy in the red suit plays well, but he was not taken because he is younger than the players. He looks only nine or ten years old, but by the expression on his face he really wants to play.
Spectators are of all ages: children, an uncle, and a small child. And everyone is very interested in the game. Only the dog, probably one of the spectators, is not watching the game.
The location of the film is Moscow. Stalin's buildings are visible in the background.
It's autumn outside. Late September – early October. The weather is wonderful, warm, because everyone is dressed lightly: in windbreakers, some - kids - in hats, the goalkeeper - in shorts.
I liked this picture because it is “alive”. I feel the emotions that the guys are filled with: both the players and the spectators.
https://uchim.org/sochineniya/po-kartine-vratar – uchim.org
3. Essay with description
I see S. Grigoriev’s painting “Goalkeeper”. This painting shows spectators and a goalkeeper during a football game.
In the foreground of this picture there is a boy, from his appearance it is clear that he is a goalkeeper. He has a very concentrated face, perhaps the ball is approaching the goal, or, most likely, he is about to receive a penalty. The goalkeeper's leg is bandaged, which shows that this boy plays football regularly.
He is twelve years old, I think he is an average student. Perhaps he will become a good football player in the future. Behind the goalkeeper is another, smaller boy. He is very sad that he was not included in the team. He stands with a pouty face. He is in approximately third grade. He's very confident.
After all, instead of sitting with other spectators, he stands on the field.
The boys are playing in a yard that is not intended for playing football. Instead of barbells, they have briefcases on their sides, indicating that they play football after school.
All the spectators are very enthusiastic and focused on the game, even the last boy's younger brother looks at what is happening with interest. It is possible that the dog lying next to the brothers belongs to them.
Buildings are shown in the background. I think the action of this picture takes place in a large city, probably in Moscow, somewhere in the golden autumn, around the time of Khrushchev, in the 50s and 60s. The sky seems cloudy to me, and it’s not that hot outside.
This picture symbolizes football. It depicts eleven people and a black and white dog. Eleven people symbolize the number of players on the team, and the black and white dog represents the soccer ball.
Overall, I liked the picture, but it would have been better if it had depicted the entire field and all the players.
4. Short essay
In the most difficult situations, a person knows how to find an outlet, some kind of activity for the soul. In Grigoriev’s painting “Goalkeeper,” the artist shows that a person knows how to adapt to the most unpredictable conditions.
In the center of the picture is a little boy who amazes with his seriousness and concentration. The outcome of the game depends on him, so everyone’s attention is focused on him. Not only children, but also adults watch the game with interest.
Simple clothes, a vacant lot that is used as a stadium, and dilapidated houses indicate that people live hard, that they lack the most necessary things.
The most amazing thing is the love for the game, which helps to distract from injustice and problems.
The boys are playing and their briefcases are lying nearby. It turns out that the game intercepted them on the way home. They are so passionate that they do not care about time, lessons and other delights of life.
At first glance, the picture seems a little sad, since all the characters and the objects around them are depicted in dark colors. True, the author gives us hope for a bright future that will certainly come. At the same time, the artist emphasizes that the optimism of the protagonist and his fans will help them survive any difficulties.
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Essay based on Grigoriev’s painting Goalkeeper. 1949
The page provides a description of the painting Goalkeeper. Grigoriev Sergei Alekseevich wrote this funny story in the post-war period in 1949, where he depicted children playing football and the main character in which is a boy goalkeeper against the backdrop of gathered fans. The autumn weather outside is not clear; Moscow's Stalinist buildings can be seen far away in the haze.
The theme of this painting, Goalkeeper, corresponds to the atmosphere of that time; football is probably the most favorite game of children in the post-war period, since, apart from school homework, children had nothing special to do; at that time they did not have computers or modern smartphones. In addition to playing war games, children played football in courtyards, in parks and, as in this story, in a vacant lot.
In the film Goalkeeper Grigoriev, in addition to the fans watching the match, he mainly shows us one player defending the goal, the boy goalkeeper, all the other football players were behind the scenes.
Our hero, prepared to throw for the ball, looks like he is ten to twelve years old, and has probably already gained experience in several similar matches. Wearing boots tied with ropes, he leaned forward in readiness, resting his gloved hands on his knees and fixed his gaze in the direction of the ball.
The bandaged knee tells the viewer that he has already had a bad fall and scratched his leg. In this position, the boy expresses the complete seriousness of his intentions to protect his gate, consisting of two abandoned school bags. The result of a given match and, of course, his authority among his other peers may depend on his boyish agility and quick reaction.
The children's game of football attracted many fans, their eyes fixed on the moving ball, which the boys were not quite skillfully kicking.
The bulk of the fans are local children of different ages, girls and boys, who were also joined by an adult guy in a hat, perhaps he was walking along the street and accidentally wandered into this vacant lot, seeing an interesting game of youngsters, sat down next to the children on a pile of roughly folded boards prepared for construction barns or housing destroyed after the war. By his appearance, one can determine a rather attentive interest in the result of what is most likely the most interesting stage of the game, possibly a penalty.
To the left of the goalkeeper, a young boy in red pants and a shirt is modestly watching the game; in his gaze one can feel the desire to join the game, but his older comrades do not yet trust him with the role of a player and he looks sadly, standing with his hands behind his back. Next to the children you can see a yard dog curled up in a ball, which is not interested in football and does not pay any attention to the children’s play.
As we already know, the author of the picture loved children very much, given the fruitful creative biography of the artist Sergei Grigoriev, he created many similar paintings about children and school. Among his notable works about children are the following: “Discussion of the deuce”, “Admission to the Komsomol”, “Young Naturalists”, “Pioneer Tie” and many many others.
Today Grigoriev’s painting Goalkeeper is in the Tretyakov Gallery in Moscow
Essay based on the painting: S. A. Grigorieva “Goalkeeper”
Your essay-description based on the painting by S.A. Grigoriev’s “Goalkeeper”, I would like to start by getting to know the author himself. This is a Ukrainian artist who in his works often depicted the younger generation in the post-war years.
The painter has many beautiful works and one of them is “Goalkeeper”, which was painted in 1949.
Very little time has passed since the war, but we see that children who saw all the horrors of the war years have not lost the ability to rejoice and they are happy to meet on an improvised field after school to play another match.
A short essay on the painting by S.A. Grigoriev’s “Goalkeeper” cannot be done fully without describing the central figure of the picture. It is the boy in a dark-colored jacket, from under which a snow-white collar peeks out, in shorts, school shoes and gloves, who is the main character of the picture.
He is concentrated, completely attentive in a slightly bent position. He is ready for any enemy attack and is ready to catch the ball at any moment so that the guys from the opposing team do not score a goal.
The field itself, like the other players, remained out of our field of vision, but judging by the look of the goalkeeper, as well as the looks of the fans directed at the field, we understand that there is a real fight for the ball on the field.
At any moment, the opponents can score a goal, so the goalkeeper bears all the responsibility and task - to prevent the ball from ending up in the goal at any cost. True, there are no gates as such. They are improvised, and their boundaries are marked by the boys' briefcases.
Among the fans we see boys and girls, as well as one adult.
Maybe it’s someone’s dad who came to watch his son’s game, or maybe a simple passer-by who became interested in the children’s game, but, be that as it may, the man is interested in the match and enjoys the game.
In the background we see high-rise buildings, a temple can be seen, which is shrouded in fog. In general, the author depicted the picture in soft colors, where there are gray colors. And the time of year is not warming, most likely it is autumn, since we see yellowed bushes and children in warm suits and coats.
The author managed to depict the excitement of the game, the emotions of the fans, and the picture itself is interesting, because it is a symbol of the game. If we look closely, we will see eleven people in the picture, and this is the number of players in a football team, while the black and white dog itself, curled up in a ball, can symbolize the ball.
Essay description based on the painting by S. Grigoriev “Goalkeeper”
In front of me is a painting by S. Grigoriev “Goalkeeper”. In this picture the main character is the goalkeeper.
In the foreground is a boy - a goalkeeper. He is standing at the gate. If you look at him, you can say that he takes his responsibilities professionally. The goalkeeper has a very serious look.
He has a bandage on his right leg, probably injured in previous games. He himself may be expecting a penalty. Behind him stands a boy in a red suit.
Apparently, he also wants to play football, but he is not allowed in because he is small compared to other players. The guys are after school and that’s why they have briefcases instead of weights.
The audience is shown in the background. They all watch the game with passion. Each of them is especially interesting, but I like the dog the most because she is the only one not watching the game.
The man sitting on the side watches what is happening with great enthusiasm. It's as if he's remembering the years when he was young and played football himself. He is dressed in a suit. He has a book in his hand.
This means that he is accidentally watching the game, because... he went out to read it, but could not resist and began to watch the match. Children are sitting next to him.
One girl is especially interesting to me because she has something incomprehensible in her hands: either a fish, or a doll, or a baby.
S. Grigoriev depicted the moment of playing football. The artist’s painting shows autumn, a cloudy day. The bushes and grass have already turned yellow. The guys gathered after school to play football. The observers were dressed lightly. The background of the painting depicts an ancient industrial city.
In the distance one could see a bluish government office with a red flag, damp residential areas, and new buildings. The domes of churches are visible in the ancient city. Ancient buildings are shrouded in fog. In an industrial city, the sky is yellow-gray. And in the old one - gray-blue. The guys are playing football in a vacant lot.
The makeshift football ground has been trampled down.
Spectators carefully watch the game. They are passionate about her. To the right of the goalkeeper are the ruins of a building. Two briefcases represented a gate. Pioneer ties and corners of books were visible from them. Next to the goalkeeper lay a white dog with a black ear. The goalkeeper was wearing blue football shorts and a black jacket.
His knee was bandaged and he had gloves on his hands. The boy looked twelve years old (there were wrinkles on his forehead). The “referee” stood next to the goalkeeper. The artist wanted to show the excitement of the game. The picture was painted in dim, muted colors in nineteen forty-nine.
Despite the fact that the war ended four years ago, everyone was addicted to the game.
Another girl in a red hat crouched down to better observe what was happening. Apparently, she’s not doing this very well, because the man is blocking the guys’ entire view.
A boy peeks out from behind the girl. He watches the game so closely that he’s even freaking out. Next to him stands a girl with a large bow, and below is a boy with his younger brother sitting on his lap, wrapped in whatever he wants - he’s probably hot.
Large houses are depicted in the background of the painting. So they are in Moscow. It's autumn in the picture.
The sun is already setting, because the sky is starting to turn red on the left side. It's time for the children to go home.
I didn't really like the picture because it's boring. And it's time for the children to go home and do their homework.
Essay based on the painting by S.A. Grigoriev “Goalkeeper”
The famous Ukrainian artist S.A. Grigoriev painted paintings in which children are the main characters. His most famous painting, painted in 1949, is “The Goalkeeper.”
The action takes place in the fall on a trampled wasteland of some big city - maybe Moscow, or maybe Kyiv. In the background you can see large “Stalinist” buildings, the construction of which was actively carried out in the post-war period.
The country that defeated fascism was recovering from devastation. And children engaged in yard games is one of the signs of that time.
Football was played in places not suitable for this. There were very few sports grounds and football fields. Sports uniforms, shoes, and even a real soccer ball were very rare. What can we say about the gates! The boundaries of the gate were marked by briefcases thrown on the ground. But how many spectators these backyard matches attracted!
The artist Grigoriev just depicted an episode of such a courtyard match. Here are briefcases instead of barbells, here are spectators sitting on fallen boards - mostly young children from nearby houses. Of the football players, we see only the goalkeeper of one of the teams, the rest of the players remained “behind the scenes”. But even just one goalkeeper shows the intensity of passions on the field.
A tall, fair-haired, short-haired boy of about twelve, standing on the gate, is the main character of the picture. He is wearing blue shorts, a blue sweater with his shirt collar visible, and the most important piece of goalkeeper equipment - leather gloves. The boy looks forward with concentration, bending slightly and placing his hands on his knees.
The right knee is bandaged - most likely the boy was injured during the game.
There is tension in the boy's pose. It looks like there is a tense moment on the field right now. Spectators follow the developments with interest. All their gazes are directed to the same point as the goalkeeper's gaze.
But most of all, the pose of an adult man in a hat, a formal suit and a shirt, who also sat down next to the children to watch the game, testifies to the poignancy of the moment: he leaned forward and, it seems, would run out onto the field himself if it were possible!
There are both boys and girls among the spectators. There are schoolchildren, and there are also children who do not yet go to school. Behind the goalkeeper stands a pink-cheeked boy in a tracksuit, who, apparently, was not taken into the game. There is a sense of resentment in the way he stands with his hands clasped behind him and his stomach stuck out. But his interest in the game does not allow him to leave here.
Only the white black-eared yard dog, curled up in the corner of the field, is not interested in what is happening on the field.
Essay based on the painting “Goalkeeper” by Grigoriev
The artist Sergei Grigoriev is known to viewers for many of his paintings, but one of them brought him popularity and fame. This is the subject painting “Goalkeeper”, which anyone can currently see in the Tretyakov Gallery.
The plot of this picture is very significant, as it takes the viewer back to the distant 1949, when the childhood of children born after the war and growing up at that time was not so happy.
Many children did not have parents, and in every family there was the grief of the loss and death of one of the family members, which is not forgotten for a long time.
It is known that the artist Sergei Alekseevich wrote his picture about the post-war childhood of children in 1949, when the country was only gradually returning to peaceful life, because not much time had passed - only four years.
Everywhere at that time devastation still reigned, the standard of living of people who had gone through such difficult trials during the war was low, but the main thing was that the entire people had great hope for a happy future life. This is what the plot of Sergei Grigoriev’s painting is about, only he makes children the main characters of his painting, who at that time often worked together with adults, helping them after the devastation.
Little by little, the country was recovering, and children began to have time to get together and spend this time enthusiastically and cheerfully.
And while the girls played with rag dolls, the boys returned with great pleasure to their favorite sport - football.
The artist tried in the picture to convey the general atmosphere of that time, when it seemed to be still difficult and difficult, but the children’s childhood again became happy and carefree.
The artist himself saw that in the post-war years everyone played football: children had no toys, but they could always find a ball. Therefore, children playing football cheerfully and enthusiastically could be found everywhere: in courtyards, at school, in parks, just on the streets, and even in a vacant lot. It was precisely such an abandoned wasteland on the outskirts of the city that the artist Sergei Alekseevich depicted on his canvas.
The central image of the painting “Goalkeeper” is a boy who defends the goal of his football team. And although he is not located in the center of the canvas itself, all attention is primarily directed to him, since he is the goalkeeper.
The boy's pose shows how tense he is, as he is waiting for a shot on his goal and does not want to let his team down and miss this decisive blow. Most likely, which team will win depends on how dexterous, savvy and efficient this goalkeeper is.
The boy is wearing a dark sweater and small sports shorts.
When he left for school, he specially put on sports sneakers to make it more comfortable to play football.
The child's right leg is bandaged; it is clear that he has fallen before, trying to catch the ball that was flying into the goal, so he decided to bandage his leg this time and soften the blow.
By the way the goalkeeper behaves, you can understand that he knows perfectly well everything he needs to do while defending the goal, and this is not the first time he has done this. Maybe he is a reliable goalkeeper that the whole team is proud of.
The kids don’t have real gates, so they use their school bags for their borders.
They are old and a little shabby, but they will perfectly fit textbooks and notebooks, so the children will need them for several more years to go to classes with them, and in the winter to ride on them like on a sled, and in the summer to use them as a football goal.
It can be seen that the children did not go home immediately after school, but went together to the vacant lot, which became their stadium for games. They must have been thinking about this decisive match all day.
In the foreground of the picturesque painting by Sergei Grigoriev, you can see that the surface of the field, where several halves are played, is uncomfortable and uneven. But this does not confuse the young football players at all. They don't pay any attention to it at all.
The author of the picture does not show the game itself, because the main thing for him was to depict those people who were participants or fans at that time. And so he chooses the peak of the game, when the decisive ball should be kicked, which will determine which team wins.
But judging by how serious the faces of the guys playing are, and how tense the fans are, it’s clear that the match was interesting and exciting all this time.
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Among the spectators there were children who were still very young and did not go to school. Therefore, they also cannot get into the football team yet, but they feel great as fans and worry about every moment of the game. To better watch the game, they sat down on a tree that had been knocked down by a strong wind.
Among the spectators there are not only children, but also an adult man. Most likely, he was passing by, but saw the game and became interested. So he sat down next to the fans and actively began to worry about the outcome of the game.
But the most passive fan is the dog, who rejoices that his little owners have stopped running and frolicking and now he has moments of rest and calm.
The most active fan is a boy in a light red suit. He is probably a junior high school student and has long dreamed of becoming a member of one of the teams participating in this game. He closely follows the entire course of the game, but most of all he is interested in the goalkeeper, whom he stood behind.
Maybe he also dreams of being a goalkeeper, but for now he’s just studying.
The artist Sergei Grigoriev creates a cheerful and optimistic mood with his painting, where the war is already behind us and, despite the destroyed houses and fallen trees, the children’s childhood again becomes peaceful, bright and happy.
Essay based on the painting “Goalkeeper” by S. Grigoriev
Description of actions. An essay based on the painting by S. A. Grigoriev “Goalkeeper”. Speech development lesson 7th grade
Lesson objectives: n prepare students to describe the actions of the people depicted in the picture; n consolidate the ability to use participles in your speech; n collect material for writing an essay on the painting; n give an idea of the composition of a painting as one of the means of expressing the artist’s intentions.
S. A. Grigoriev (1910 -1988) Sergei Alekseevich Grigoriev - People's Artist of Ukraine, was born in Lugansk (Donbass) in a large family of a railway worker. He became widely known as the author of works on family and school topics.
The artist's best paintings dedicated to children. Among them are the famous paintings: “Discussion of the deuce”, “Fisherman”, “First words”, “Young naturalists”. The painting “Goalkeeper” brought the artist well-deserved fame.
“Friends and Buddies” 1947 “Pioneer” 1951 “Sea Wolf” 1950
Goalkeeper. 1949.
What time of year and day is shown in the picture? How did you determine this? Where does the action depicted in the picture take place?
Who is the main character in the picture? How did the artist depict the goalkeeper? Describe his posture, figure, facial expression, clothing.
Describe the little boy who stands behind the goalie. What is his role in the film?
How did the artist show the audience's interest in playing football? Who is particularly passionate about what is happening? Describe them, choosing adverbial phrases. Who is indifferent to what is happening on the field?
Why is the picture called “Goalkeeper”? What do you think the artist wanted to say with his painting, what is its main idea?
– Let’s look at how the picture is constructed. Where - in the foreground or in the background - did S. A. Grigoriev depict the main character, the goalkeeper? – Who is depicted in the background of the picture? – What do you see in the background?
What colors and shades did the artist use to emphasize the cheerful nature of the event depicted in the picture? Do you like this picture?
Essay plan 1. The theme and main idea of the picture. 2. Description of the painting “Goalkeeper” by S. A. Grigoriev: a) in a vacant lot on a fine autumn day; b) fearless goalkeeper; c) a boy in a red suit; d) fans and spectators. 3. Features of the painting’s composition. 4. The role of details in the picture. 5. Color of the picture. 6. My attitude in the picture.
Essay plan 1) Behind school on a fine autumn day. 2) Fearless goalkeeper and his assistant. 3) Spectators “get sick” in different ways. 4) The artist’s skill: successful composition, expressive details, soft coloring of the picture.
Vocabulary work Exciting match, football competition, bend slightly, start the game, react quickly, take possession of the ball, attack the goal, cover the goal, fearless goalkeeper, without touching the ball with his hand, rubbing his bruised knee with his hand
Vocabulary and stylistic work Having captured the ball, throwing the ball, throwing the ball, scoring a goal, attacking the goal, attacking the goal, closing the goal, covering the goal, rushing to the goal, bending slightly, putting one leg back, rushing from a place, starting a long run, starting the game, reacting quickly, instantly slowing down
Vocabulary and stylistic work 1. The boy walked to the gate…. 2. No one could rush forward with such sharpness as the player and... brake just as unexpectedly. 3. He accelerated powerfully and... struck on the move.
sharply extended his hand forward, indicating where he would hit. For reference: n Two steps short of the ball, just before the strike; without losing the ball; slowing down and changing direction; without changing the rhythm of steps, without mincing
Vocabulary and stylistic work 1. The boy walked towards the gate, slowing down and changing direction. 2.
No one could rush forward with such sharpness as the player and, without losing the ball, brake just as unexpectedly. 3. He accelerated powerfully and, without changing the rhythm of his steps, without mincing, struck on the move. 4.
Before reaching the ball two steps, just before the strike, he sharply extended his hand forward, indicating where he would hit.
“Football is a fascinating spectacle.” “Football is a very interesting game.” “Football is interesting to everyone”
Samples of essays based on the painting by S. Grigoriev “Goalkeeper”.
n In front of me is a painting by S. Grigoriev “Goalkeeper”. In the foreground is a boy - a goalkeeper. The boy is approximately ten to eleven years old. He is completely focused on the game. He has gloves on his hands. I think he is a good goalkeeper and that he will become a professional goalkeeper in the future. A boy in a red uniform stands behind the goalkeeper.
This boy probably really wants to go out on the field and help the team he supports. The boys' goal posts are carelessly thrown briefcases. We can say that the children went out to play football after school. The middle ground shows makeshift stands. Spectators of an exciting football match sit on them.
We can say that the game is active and interesting and that the audience watches the game with interest. Everyone is watching, even the dog doesn’t close his eyes. On the left are two brothers, the older and the younger. They are watching the game. Behind them is a diligent girl, she was probably attracted by the game. Next are the boys.
Everyone is watching the game, everyone has interest on their faces, except one. He was apparently upset that his favorite team was losing. There is a vacant lot in the background. Behind him the artist depicted buildings. I think these are buildings from the fifties and sixties. There is probably some big and beautiful city in the picture, perhaps Moscow.
Overall, I really liked this picture because football is the number one sport in the world and because I love football.
n In front of me is a painting by S. Grigoriev “Goalkeeper”. In this picture the main character is the goalkeeper. In the foreground is a boy - a goalkeeper. He is standing at the gate. If you look at him, you can say that he takes his responsibilities professionally. The goalkeeper has a very serious look. He has a bandage on his right leg, probably injured in previous games.
He himself may be expecting a penalty. Behind him stands a boy in a red suit. Apparently, he also wants to play football, but he is not allowed in because he is small compared to other players. The guys are after school and that’s why they have briefcases instead of weights. The audience is shown in the background. They all watch the game with passion.
Each of them is especially interesting, but I like the dog the most because she is the only one not watching the game. The man sitting on the side watches what is happening with great enthusiasm. It's as if he's remembering the years when he was young and played football himself. He is dressed in a suit. He has a book in his hand. This means that he is accidentally watching the game, because...
he went out to read it, but could not resist and began to watch the match. Children are sitting next to him. One girl is especially interesting to me because it’s unclear what she’s holding in her hands, either a fish, a doll, or a baby. Another girl in a red hat crouched down to better observe what was happening. Apparently, she’s not doing this very well, because the man is blocking the guys’ entire view.
A boy peeks out from behind the girl. He watches the game so closely that he’s even freaking out. Next to him stands a girl with a large bow, and below is a boy with his younger brother sitting on his lap, wrapped in whatever he wants - he’s probably hot. Large houses are depicted in the background of the painting. So they are in Moscow. It's autumn in the picture.
The sun is already setting, because the sky is starting to turn red on the left side. It's time for the children to go home. I didn't really like the picture because it's boring. And it's time for the children to go home and do their homework.
n I see a painting by S. Grigoriev “Goalkeeper”. This painting shows spectators and a goalkeeper during a football game. In the foreground of this picture there is a boy, from his appearance it is clear that he is a goalkeeper. He has a very concentrated face, perhaps the ball is approaching the goal, or, most likely, he is about to receive a penalty.
The goalkeeper's leg is bandaged, which shows that this boy plays football regularly. He is twelve years old, I think he is an average student. Perhaps he will become a good football player in the future. Behind the goalkeeper is another, smaller boy. He is very sad that he was not included in the team. He stands with a pouty face. He is in approximately third grade.
He's very confident. After all, instead of sitting with other spectators, he stands on the field. The boys are playing in a yard that is not intended for playing football. Instead of barbells, they have briefcases on their sides, indicating that they play football after school.
In the middle ground, spectators are sitting on a bench, clearly engrossed in the game, except for the dog, who is thinking about something of his own, most likely about food. In addition to the children, an adult uncle is sitting on the bench, clearly extremely passionate about the game. He probably remembers himself during his school years. Two girls are sitting next to their uncle.
The first one - in a cloak with a hood - is also watching the game very closely, the second one is also no less interested in what is happening. It seems to me that the second girl is mandatory. She has a small child in her arms. Two boys are sitting next to her, clearly interested in the game. The first boy bent down to better see the game, and the second craned his neck because he couldn’t see anything behind his uncle.
Behind this boy is a girl. It seems to me that she is a good student. She is dressed in a school uniform and has a bow on her head. Nearby is a boy sitting with his little brother. I think that this boy is very responsible, he helps his mother all the time and takes care of his younger brother.
All the spectators are very enthusiastic and focused on the game, even the last boy's younger brother looks at what is happening with interest. It is possible that the dog lying next to the brothers belongs to them. Buildings are shown in the background.
I think the action of this picture takes place in a large city, probably in Moscow, somewhere in the golden autumn, around the time of Khrushchev, in the years 50 - 60. The sky seems cloudy to me, yes, and it’s not so hot outside. This picture symbolizes football. It depicts eleven people and a black and white dog. Eleven people symbolize the number of players on the team, and the black and white dog symbolizes the soccer ball. Overall, I liked the picture, but it would have been better if it had depicted the entire field and all the players.
Works based on the painting by S.A. Grigoriev "Goalkeeper"
. Works based on the painting by S.A. Grigoriev "Goalkeeper".
To learn how to write essays, you need to write them, write them as often as possible. The school program provides for systematic work on the development of students' speech. But the teacher will not be able to do anything if the students do not have the desire to think and hone their speech skills.
Of course, you need to remember what plan is used to write an essay on a painting.
A rough plan for an essay based on a painting.
2. Main part. What a picture. Her topic:
a) foreground;
b) background;
c) the color of the picture, its meaning;
d) the ideological content of the picture.
3. Features of the painting’s composition (if any).
4. Your attitude towards this work of art.
I offer the work of 7th grade students.
S.A. Grigoriev is a national artist, the author of many paintings: “At the meeting”, “Back”, “Goalkeeper”. He was awarded two Stalin Prizes, three orders and medals.
The most famous was his painting “Goalkeeper,” which depicts a game of football. We see the goalkeeper and several spectators of the match taking place somewhere outside the city, in a vacant lot.
Most likely, it is already mid-autumn, because yellow bushes can be seen in the distance, the sky is overcast, and the clothes of the characters in the picture are autumn: the audience is in raincoats, jackets, some of the guys are wearing hats.
The picture describes the moment of the game itself. We see that the fans' eyes are directed to that part of the field that is not depicted. The goalkeeper is standing in the foreground. With his knees slightly bent, he looks forward. He must be keeping a close eye on the ball.
His right knee is bandaged and may have been injured during the game. His hands are wearing gloves. The clothes are simple, comfortable for playing: sweater, shorts, boots. Behind him we see a younger boy who was not taken to play.
Spectators - fans, depicted in the background of the picture, show great interest in the game. The kids came straight after school, as evidenced by the school bags lying on the ground, marking the boundaries of the gate.
All the people depicted in the picture are enjoying the game, perhaps for the last time: after all, it is already late autumn, it will soon become very cold and snow will fall. But no one is discouraged, because in winter there are many other interesting activities.
The picture doesn’t evoke any special feelings in me, but looking at it, I can imagine what feelings each character depicted by the artist experiences: excitement, excitement, pleasure received from the game.
Olesya Naprienko
Sergei Alekseevich Grigoriev is a people's artist, the author of many paintings: “At the meeting”, “Admission to the Komsomol”, “Discussion of the deuce”, “Goalkeeper”, he was awarded two Stalin Prizes, three orders and medals.
I look at Grigoriev’s painting “Goalkeeper”. This painting depicts a football match taking place in a vacant lot. But only the goalkeeper is depicted among the players.
Judging by the gloves on his hands, by his face expressing seriousness, by his sinewy legs, the goalkeeper is a very experienced player and has stood on goal more than once.
He came to the vacant lot right after class, as evidenced by his briefcase lying instead of a barbell.
In the background is a boy behind the goal and fans who are closely watching the game. Probably, the boy in a red suit standing behind the goal plays football well, but he was not taken because he is younger than the players. The spectators are very interested in the game, only the dog is dozing at the feet of the owner, it is not interested in football.
The scene of the film is Moscow, with Stalinist buildings visible in the background. It's autumn, apparently the last warm days, because the guys are dressed quite lightly.
I liked this picture because it is alive. I feel the emotions of the audience with which all the characters in the film “Goalkeeper” are filled.
Elizaveta Sukhoterina
Grigoriev Sergei Aleksandrovich is the author of many paintings: “At the meeting”, “Returned”, “Admission to the Komsomol”, “Discussion of the deuce”, “Goalkeeper”. He has the title of People's Artist of the USSR. His work was awarded two Stalin Prizes, three orders and medals.
In front of me is Grigoriev’s painting “Goalkeeper”, it depicts a football match, but not the kind we are used to watching. The composition of the picture itself is interesting: we do not see the game, the ball - the goalkeeper and fans are presented to our attention. The author has set himself the task of showing what feelings overwhelm everyone who became a participant or spectator of this match.
The goalkeeper is depicted in the foreground of the canvas; he is the main character of the picture. After classes, the boy decided to play football in a vacant lot. Perhaps it was destined for him to be a goalkeeper; it seems to me that he really wants to be a player, fight for the ball, be in the center of the game and help his team.
In the background there is a boy who is not averse to playing, but he is still small. The painting also shows other fans closely following the progress of the game. Each of them is interested in what will happen next, who will win. Even a man passing by sat down on a bench and watched the game with boyish enthusiasm.
Ekaterina Trishina
Of course, the works are all different, but they also have something in common: the picture did not leave the guys indifferent, although this is a completely different era, people are completely different in their inner world.
The material was prepared by the teacher of Russian language and literature Pletneva L.G.
Essay based on the painting by S. Grigoriev “Goalkeeper”
Sergei Alekseevich Grigoriev was born in 1910. The theme of youth, physical and spiritual health of a person plays an important role in the artist’s work. Children's and school themes are especially frequent in Grigoriev's work.
The artist's best works are dedicated to children. The painting “Goalkeeper” brought Grigoriev well-deserved fame. For some works, including “Goalkeeper,” Grigoriev received the State Prize.
It is this picture that will be discussed in this work.
This picture is very dynamic. Its plot is as follows. Autumn reigns on the canvas, as evidenced by the dark cloudy sky, yellowing and falling leaves. The boys were returning from school and went into a vacant lot to play football.
The wasteland is located relatively close to the city, some buildings are visible on the horizon, you can even see the domes of the church. The kids made gates out of briefcases and school bags, simply throwing them on the ground, and an exciting game ensued.
The fact that the game is exciting is evidenced by the overt interest of the fans. Spectators sit on a stack of boards.
The central character of the picture is the boy goalkeeper. The goalkeeper stands bent over, his posture is tense, he is intently watching the game. Judging by his posture, it can be assumed that the ball is still far from the goal.
But at any moment the boy is ready to enter the game and defend his goal. The hero wants to be like a real goalkeeper. He has the pose of a professional football player, with gloves on his hands.
The bandaged knee indicates that this is not the first time that the goalkeeper has stood on the football field, and he has always defended the goal, even at the cost of his own knees.
One gets the feeling that the boy often watched football games and strives to imitate football players even in his clothes. The boy has pulled down stockings and galoshes tied with braid on his feet. It is clear that the goalkeeper is a brave, fearless boy, passionate about his work.
Behind the goalkeeper stands a little boy in a red suit with his hands behind his back. It seems that he also considers himself almost a professional football player; the child watches the game with the air of an expert. But he is not accepted into the team yet.
The eyes of all fans are directed to the right, to where there is an intense fight for the ball. The rest of the players with the ball are not depicted on the canvas, but the intense attention of the spectators indicates a heated battle. The man in the hat and jacket seems to be completely captivated by the spectacle of the game and as if he himself wants to take part in it.
In his pose, the artist was able to depict tension and readiness for impetuous movements. The man sits with his legs slightly apart, his palms on his knees and leaning forward and to the side, to where the players are fighting for the ball. The young man is probably good at football himself.
Or perhaps he remembered his own childhood and the same races with a ball in a vacant lot.
The boy in a ski suit and red tie is no less enthusiastic about the game. He looks with his head stretched forward and his mouth parted. A boy with a baby in his arms and a girl in a school uniform with a red bow in her hair are also carefully watching the game.
Other girls, sitting on the boards - with a doll, in a hood, in a red hat - are more relaxed about the game, but nevertheless watch it carefully. The calmest, even indifferent to the game, characters in the picture are a baby in a down scarf and a white shaggy dog with a black ear.
The child calmly leaned against his brother, and the dog curled up and dozed.
The painting is called “Goalkeeper”, and this name reflects the essence of the artist’s idea. Grigoriev sought to portray a boy standing guard at the gate.
Despite the fact that the audience does not see the actual football match, it is clear that Grigoriev depicted one of the most poignant moments of the game. This can be felt in the goalkeeper’s posture - tense, full of expectation, and in the obvious interest of the audience.
To reveal the concept, Grigoriev uses such means of painting as lighting, color, and composition. The construction of the picture is quite simple and reflects the author's intention as much as possible. As we have already said, the central place is occupied by the goalkeeper, the main character of the canvas.
The goalkeeper is depicted in the foreground, separate from the other team players. In the background you can see children and a young man. In the background of the picture one can discern a city, high-rise buildings, and residential buildings. Details play an important role in the perception of a painting.
Attention is drawn to the goals constructed from briefcases and bags and the goalkeeper's bandaged knee.
The picture is done in warm colors. The artist uses shades of yellow, light brown, and red. The ground in the picture is light brown, trampled, devoid of vegetation, and the viewer understands: this is not the first time a football game has been held in this wasteland.
You can see golden leaves on the bushes and the field; reddish-yellow boards act as benches for fans. The red tones were reflected in the little boy's suit, bow and girls' cap. Such colors help the artist convey the tension of the action, the match.
Grigoriev’s painting conveys a feeling of airiness and transparency of the autumn air.
The landscape in this work plays the role of a background; it is unobtrusive and executed in rather muted colors: like a foggy city in the background, dark and warm earth tones, light, dull bushes.
Everything in the picture is subordinated to the main intention of the artist and subtle psychologist: to most accurately portray a young goalkeeper who is completely passionate about the game and takes his role responsibly. Grigoriev's painting is a story about children playing football.
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