The Frenchman Albert Camus once noted that the words “I love you” are equivalent to the words “you will never die.” The ancients considered love to be an invaluable gift of the gods, a feeling sent down from above. The great creators of words dedicated beautiful lines to love. The line of love can also be traced in the novel by I.A. Goncharov "Oblomov".

“Love - it comes in different forms,

There is a reflection on the ice,

It can be a persistent pain,

There is an apple tree in bloom.

It happens like a whirlwind and a flight,

It can be a chain and a prison... - wrote Olga Vysotskaya in a famous poem about love. For some, love brings joy and peace, and for others, grief and disappointment. This feeling can help you start a new life, or it can ruin you.

Love comes to our hero too. But could his beloved help him change, revive him for a new life? Why couldn’t Oblomov share his happiness with Olga Ilyinskaya and “resurrect”? Let's try to answer this question.

Before meeting Olga, his life resembles a motionless surface of water with muddy, muddy water. There is nothing in it that would make Ilya Oblomov get up from the couch and take any action. In his youth, he dreamed of the good of Russia, of a full active life. He had abilities. But this was in his native Oblomovka, where everyone cared about him and his comfort. Left alone with life, Oblomov loses his youthful enthusiasm. He gets bored of going to work and sitting there all day; receptions and receptions also do not attract him. He closed himself off, taking a liking to the sofa and communicating only with his servant Zakhar and Stolz, who occasionally came to him.

It was Stolz who provoked the meeting between Oblomov and Olga Ilyinskaya when he took the latter to a reception at Ilyinskaya’s house. Oblomov is impressed by a charming and sincere girl with a beautiful voice. She also showed interest in him. And Oblomov, noticing her, continues to think about Olga. It can be assumed that Ilya Ilyich is in love. He feels a desire to be liked, changes his life: “He is with Olga from morning to evening; he reads with her, sends flowers, walks along the lake, in the mountains...” His internal and external appearance changes, dreams and youthful aspirations flare up again. Alas! This did not last long. Habitual laziness returns to the hero again.

Why? Most likely, Olga Ilyinskaya’s feeling was not sincere and strong. And is this love on her part? After all, she looked at Oblomov as a friend who needed help and care. She rather tried to make him the embodiment of her own dream of an ideal person, encouraging him to action.

And our hero realized this when the first emotional outburst passed. He realizes that Olga “was ready to receive love, her heart was sensitively waiting for her, and he met by accident, got in by mistake...” Ilya Ilyich is sure that if someone else meets, more active, and Olga Ilyinskaya will renounce him and go after to others. He writes a farewell letter to his beloved and breaks off the relationship.

I think writing a letter is nothing more than a confirmation that Oblomov, despite his apparent laziness, is a sensitive and tactful person. He is able to understand the feelings of other people and understand them. And from this it follows that he is not as indifferent and lazy as he seems. But cowardice and self-doubt are characteristic of him. If Ilya Ilyich had been more decisive, he would have fought for the woman he loved. But he chose to refuse this, having decided in advance the outcome of the fight with an invented opponent.

Ilyinskaya failed to resurrect Ilya Oblomov precisely because of his character: soft, indecisive. On the one hand, fear, inaction and suspiciousness, lack of self-confidence prevented the hero from changing.

The romance with Ilyinskaya was doomed from the very beginning. Ilya Ilyich fell in love with her, but did she love him? They weren't right for each other. The rational and active Olga and the sybarite Oblomov could not be a family.

“An Ordinary Story” and “Oblomov”, the latter novel occupies a special place and is the most famous.

Briefly about the novel

Goncharov had the idea for a new work back in 1847, but the reader had to wait another 10 years for the appearance of this novel, which was published in its entirety in 1859 and brought the author enormous success. The peculiarity of this work is that Ivan Andreevich, for the first time in Russian literature, examined a person’s life from birth to death. The hero himself, his life is the main theme of the work, which is why it is named after his last name - “Oblomov”. It belongs to the category of “speaking”, since its bearer, “a decrepit fragment of childbirth,” reminds us of the famous hero of epics Ilya Muromets, who lay on the stove until he was 33 years old (when we meet Oblomov, he was also about 32-33 years old). However, the epic hero, after getting up from the stove, did many great things, and Ilya Ilyich remained lying on the sofa. Goncharov uses the repetition of the name and patronymic, as if emphasizing by this that life goes in an established circle, the son repeats the fate of his father.

Love in the novel "Oblomov", as in many other Russian novels, is one of the main themes. Here, as in many works, it is the spiritual development of the heroes. Let's analyze in detail Oblomov's love in the novel "Oblomov".

Love for Olga

Let's start our discussion with the relationship between Ilya Ilyich and Olga. Love in Oblomov’s life, a brief description of the relationship between the characters, which we present to you in this article, can be divided into two parts: Ilya Ilyich’s feelings for Olga Ilyinskaya and for Agafya Matveevna.

Olga was the main character's first lover. Feelings for Olga bring him happiness, revive him, at the same time making him suffer, since with the departure of love, Oblomov loses the desire to live.

A bright feeling for Olga comes to the hero suddenly and completely absorbs him. It ignites his passive soul, for which such strong shocks were new. Oblomov is used to burying all his feelings somewhere deep in the subconscious, and love awakens them, revives him to a new life.

Never thinking that he could fall in love with a girl like Olga, the hero with his romantic and bright soul passionately falls in love with her.

Is this real love

Olga manages to change Ilya Ilyich’s character - to knock boredom and laziness out of him. For the sake of his beloved, he is ready to change: give up an afternoon nap, lunch, read books. However, this does not mean that Ilya Ilyich really wanted this. The hero is characterized by Oblomovism, an integral part of him.

In a dream, as is known, desires and motives hidden in the subconscious are revealed. Turning to the chapter, we see what this hero really needs. His companion should be a quiet, homely girl, but not Olga, who strives for self-development and an active life. And Oblomov writes to her that I “love” her - not real, but future love. And indeed, Olga loves not the one who is in front of her, but the one he will become, having overcome his apathy and laziness. Noting, he warns Olga, writes that they need to break up and not meet again. However, as Ilya Ilyich predicted in his letter (“you will be annoyed and ashamed of your mistake”), the heroine cheated on Oblomov, falling in love with Andrei Stolz. Does this mean that her love was just an introduction to a future romance, an expectation of real happiness? After all, she is unselfish, pure, selfless. Olga believes that she really loves Oblomov.

Olga's Love

At first, this heroine, who does not enjoy much attention among gentlemen, seems to us like an adult child. However, it was she who was able to pull Oblomov out of the pool of his inaction, at least temporarily returning him to life. Stolz noticed her first. He joked, laughed, entertained the girl, recommended the right books, in general, did not let her get bored. He was really interested in her, but Andrei remained only a teacher and mentor. Oblomov was attracted to her by her voice and the fold above her forehead, in which, as he put it, “perseverance nests.” Olga loves in Ilya Ilyich the mind, although it is crushed by “all sorts of rubbish” and has fallen asleep in idleness, as well as a pure, faithful heart. Self-confident and bright, she dreamed that she would force the hero to read newspapers, books, tell the news, discover true life and not let him fall asleep again. Oblomov fell in love when Olga sang Casta Diva at his first reception with the Ilyinskys. A unique symbol of their love was the lilac branch mentioned several times on the pages of the novel, either on Olga’s embroidery during a meeting in the park, or abandoned by the heroine and picked up by Ilya Ilyich.

The end of the novel

But this love in Oblomov’s novel was frightening for him; Oblomovism turns out to be stronger than such high and sincere feelings. She is consumed by the desire to create and act - such an inappropriate image for Oblomov, and the lovers are forced to end the relationship without ceasing to love each other. The love of Olga and Oblomov was doomed from the very beginning. Olga Ilyinskaya and Ilya Ilyich understood family happiness, love, and the meaning of life differently. If for the hero the relationship between a man and a woman is a passion, a disease, then for Olga it is a duty. Oblomov loved her sincerely and deeply, gave her all of himself, idolized her. A consistent calculation was noticeable in the heroine’s feelings. She took Oblomov’s life into her own hands, having agreed with Stolz. Despite her youth, she managed to discern in him a kind soul, an open heart, and “dovelike tenderness.” At the same time, Olga liked the knowledge that she, an inexperienced young girl, would bring back to life a person like Oblomov. The gap between them is inevitable and natural: they are too dissimilar in nature. This Oblomov love story was thus completed. The thirst for a sleepy, serene state turned out to be more valuable than romantic happiness. Oblomov sees the ideal of existence as follows: “man sleeps serenely.”

New lover

With her departure, the main character still doesn’t find anything to do with what he has left and again lies idle all day long and sleeps on his favorite sofa in St. Petersburg, in the house of the owner Agafya Pshenitsyna. She attracted the hero with her full bare elbows, neck and thriftiness. The new beloved was hardworking, but not very smart (“she looked at him blankly and was silent”), but she was an excellent cook and kept order.

Novaya Oblomovka

Having gotten used to the measured and unhurried rhythm of life of this housewife, over time Ilya Ilyich will humble the impulses of his heart and begin again. All his desires, as before meeting Olga, will be limited to food, sleep, empty rare conversations with the businesslike Agafya Matveevna. The writer contrasts her with Olga: a faithful, kind wife, an excellent housewife, but she has no height of soul. Ilya Ilyich, plunging into the simple semi-rural life in the house of this mistress, seemed to have found himself in the old Oblomovka. Slowly and lazily dying in his soul, he falls in love with Pshenitsyna.

Lyubov Pshenitsyna

And what about Agafya Matveevna herself? Is this what her love is? No, she is loyal, selfless. In her feeling, the heroine is ready to drown, to give all the fruits of her labors, all her strength to Oblomov. For his sake, she sold some of her jewelry, gold chains and jewelry, when Tarantiev cunningly forced Ilya Ilyich to pay him a large sum of ten thousand monthly. One gets the impression that Agafya Matveevna’s entire previous life was spent waiting for the appearance of a person whom she could take care of like a son, whom she could love devotedly and selflessly. The main character of the work is exactly like this: he is soft, kind - this touches a woman’s heart, accustomed to the ignorance and rudeness of men; he is lazy - this allows him to be taken care of and looked after like a child.

Before Oblomov, Pshenitsyna did not live, but existed without thinking about anything. She was uneducated, even stupid. She was not interested in anything other than housekeeping. However, in this she achieved true perfection. Agafya was constantly on the move, realizing that there was always work. It contained the meaning and content of the heroine’s entire life. It was precisely this activity that Pshenitsyna owed to the fact that she captivated Ilya Ilyich. Gradually, after her lover settled in her house, significant changes occur in the nature of this woman. Lyubov Oblomov in the novel "Oblomov" contributes to the spiritual elevation of the heroine. Glimpses of thought, anxiety and, finally, love awaken within her. She expresses it in her own way, caring for Ilya during his illness, taking care of the table and clothes, praying for his health.

New feelings

This love in Oblomov’s life did not have the passion and sensuality that were present in his relationship with Olga. However, it was precisely these feelings that fully corresponded to Oblomovism. It was this heroine who repaired his favorite “oriental robe”, which Oblomov abandoned after falling in love with Olga.

If Ilyinskaya contributed to the spiritual development of Ilya Ilyich, then Pshenitsyna made his life calmer and more carefree, without informing him about his problems with money. He received care from her, but Olga wanted his development, wanted him to communicate with people, appear in society, understand politics and discuss the news. The hero could not, and did not want, to do everything that Olga wanted, and therefore gave up. And Agafya Matveevna created a new Oblomovka in St. Petersburg, caring for him and protecting him. Such love in Oblomov’s novel for Pshenitsyna completely satisfied his needs. Just like in Ilya Ilyich’s home, on the Vyborg side the sound of knives could be heard all the time.

Opinion of Andrey Stolts

To Andrei Stoltz, Oblomov’s friend, this love in Oblomov’s life is incomprehensible. He was an active person, the order of Oblomovka, her lazy home comfort, and even more so the woman coarsened in her environment, were alien to him. Olga Ilyinskaya is Stolz’s ideal, romantic, subtle, wise. There is not a shadow of coquetry in her. Andrey offers Olga his hand and heart - and she agrees. His feelings were disinterested and pure; he did not seek any benefit, despite the fact that he was a restless “businessman”.

Ilya Ilyich about the life of Stolz

In turn, Ilya Ilyich does not understand the life of Andrei Stolts. The title character of the work continues the gallery of “extra people” opened by M.Yu. Lermontov and A.S. Pushkin. He avoids secular society, does not serve, and leads an aimless life. Ilya Ilyich does not see any meaning in vigorous activity, since he does not consider it a true manifestation of the essence of man. He did not want a bureaucratic career, mired in paperwork, and denied the high society, where everything is false, learned by heart, hypocritical, there is neither free thought nor sincere feelings.

Marriage of Stolz and Olga

While the relationship between Oblomov and Pshenitsyna is close to life and natural, it should be noted that the marriage of Stolz and Olga is utopian. In this sense, Oblomov turns out to be, oddly enough, closer to reality than such a seemingly obvious realist Stolz. Andrey lives in Crimea with his beloved; in their house there is a place for both things necessary for work and romantic trinkets. Even in love, they are surrounded by a perfect balance: the passion subsided after marriage, but did not fade away.

Olga's inner world

However, Stolz has no idea what riches Olga’s sublime soul conceals. She outgrew it spiritually, because she did not stubbornly strive for one specific goal, but saw different paths and chose independently which one to follow. Having chosen Stolz, she wanted to find an equal husband or even a life partner who was trying to subjugate her with his power. At first, Ilyinskaya really finds happiness in his face, but as they get to know each other better, she begins to realize that there is nothing special in such a life, that she is exactly the same as everyone else. Stolz lives exclusively by reason, not interested in anything other than business.

A trace in Olga's soul

The love of Olga and Oblomov left a huge mark in the heart of the heroine. She sought to love and understand Oblomov’s life, since for her life is love, and love is duty, but she failed to do this. After marriage, Ilyinskaya feels in her life some features of Oblomov’s former idyll, and this observation alarms the heroine; she does not want to live like that. However, the love of Stolz and Olga is the feelings of two developing people who help each other in everything, and they must certainly find a way out in order to continue searching for their own path.

Ilya Ilyich

In order to characterize the main character as a whole, as well as the love in Oblomov’s life, different quotes from the text can be given. The following one is especially interesting: “What a fuss is there! And outside everything is so quiet and peaceful!” Andrey and Olga believe that if you lie calmly on the sofa and don’t run like mad through life, then you are certainly lazy and don’t think about anything. However, such battles took place in Oblomov’s soul that Ilyinskaya could not imagine. He thought about such complex questions, his thoughts went so far that Stolz would have gone mad. Ilya didn’t need a wife who throws hysterics and doesn’t know what she wants. In the depths of his soul, he was looking for a companion whom not only Ilya Ilyich himself would love, but who, for her part, accepted him as he was, without trying to change him. This is the ideal love in Oblomov’s life.

So it turns out that the hero loved Olga sincerely, in a way that no one else loved and could love, and she wanted to heal him, and then, when he was on the same “level” with her, to love him. And Ilyinskaya paid dearly for this when Oblomov died, she realized that she loved him exactly as he was, with all his obvious shortcomings.

The role of love in the life of a hero

The role of love in Oblomov’s life, therefore, was very great. She, according to the author, is the most important driving force, without which neither the spiritual development of people nor their happiness is possible. As I.A. believed Goncharov, love in Oblomov’s life was an important stage in his internal development, which is why it is given so much space in the development of the novel.

Olga Sergeevna Ilyinskaya is from a series of female portraits by Goncharov, a bright and memorable character. By bringing Olga closer to Oblomov, Goncharov set himself two tasks, each of which is important in itself. Firstly, the author in his work sought to show the sensations that the presence of a young, pretty woman awakens. Secondly, he wanted to present in as complete an outline as possible the female personality herself, capable of the moral re-creation of a man

Fallen, exhausted, but still retaining many human feelings.

Olga’s beneficial influence soon affected Oblomov: on the very first day of their acquaintance, Oblomov hated both the terrible disorder that reigned in his room and the sleepy lying on the sofa on which he clothed himself. Little by little, delving into the new life indicated by Olga, Oblomov submitted to his completely beloved woman, who recognized in him a pure heart, a clear, albeit inactive mind, and who sought to awaken his spiritual strength. He began not only to re-read books that had previously been lying around without any attention, but also to briefly convey their contents to the inquisitive Olga.

How did Olga manage to carry out such a revolution in Oblomov? To answer this question, you need to turn to Olga’s characteristics.

What kind of person was Olga Ilyinskaya? First of all, it is necessary to note the independence of her nature and the originality of her mind, which were a consequence of the fact that, having lost her parents early, she followed her own firm path. On this basis, Olga’s inquisitiveness developed, which amazed those people with whom her fate encountered. Seized by a burning need to know as much as possible, Olga realizes the superficiality of her education and speaks bitterly of the fact that women are not given an education. In these words of hers one can already feel a woman of a new time, striving to be equal to men in terms of education.

The ideological nature makes Olga similar to Turgenev’s female characters. Life for Olga is an obligation and a duty. On the basis of such an attitude towards life, her love for Oblomov grew, whom, not without the influence of Stoltz, she set out to save from the prospect of mentally sinking and plunging into the mire of a short-lived existence. Her break with Oblomov is also ideological, which she decided to do only when she was convinced that Oblomov could never be revived. In the same way, the dissatisfaction that at times gripped Olga’s soul after she got married flows from the same bright source: it is nothing more than a longing for an ideological cause that the prudent and judicious Stolz could not give her.

But disappointment will never lead Olga to laziness and apathy. For this she has a strong enough will. Olga is characterized by determination, which allows her to disregard any obstacles in order to revive her loved one to a new life. And the same willpower came to her aid when she saw that she could not revive Oblomov. She decided to break up with Oblomov and dealt with her heart, no matter how dearly it cost her, no matter how difficult it was to tear love out of her heart.

As mentioned earlier, Olga is a woman of new times. Goncharov quite clearly expressed the need for this type of woman that existed at that time.

Outline of the article “Characteristics of Olga Ilyinskaya”

Main part. Olga's character
a) Mind:
- independence,
- thoughtfulness,
- curiosity,
- ideological,
- a sublime outlook on life.

b) Heart:
- love for Oblomov,
- breaking up with him,
- dissatisfaction,
- disappointment.

c) Will:
- determination,
- hardness.

Conclusion. Olga is like a type of new woman.

Epigraph for the lesson: Sadness and joy sound like the same melody.

A. Blok

The purpose of the lesson.

1. Follow how the author reveals the characters' characters in love, how he shows changes in their behavior and worldview.
2. We will pay attention to chapters from part 2 of the novel, taking for discussion the following episodes or fragments of text:

Portrait of Olga Ilyinskaya – part 2, chapter 5

Confession of Oblomov - part 2, chapter 5.6

Changes in Oblomov under the influence of Olga - part 2, chapters 9, 11

Oblomov's letter to Olga - - part 2, chapter 10

Oblomov's proposal – part 2, chapter 12

1. Develop the ability to think, reason, express your opinion, analyze the text.
2. Develop research skills related to independent observations of the text and formulation of conclusions on a given topic.
3. To cultivate a caring attitude towards literary images, a correct attitude towards the position of the author of a classic work.

In the last lesson we talked to you about Oblomov and Stolz. The hero calls on his friend for help: “Don’t scold me, Andrei, but rather really help me!.. I know everything, I understand everything, but I have no strength or will. Give me your will and mind and lead me wherever you want. Maybe I’ll follow you, but I won’t budge alone...”

One person cannot give his will to another. The will can be reborn when a person has a purpose in life.

Will Oblomov have such a goal?

(The woman he loves becomes the goal of life for Oblomov. This is Olga Ilyinskaya.

In Olga’s first introduction, the reader immediately catches some similarities with Pushkin’s Tatyana Larina.

What exactly? Let's turn to the text.

1. Portrait of Olga Ilyinskaya – part 2, chapter 5.

Similarities with T. Larina:

- “No affectation, no coquetry, no lies, no tinsel, no intent...”

- “Olga in the strict sense was not a beauty, i.e. there was no whiteness in her, no bright coloring of her cheeks and lips, and her eyes did not burn with rays of inner fire; no coral on the lips..."

- “smart and lively gentlemen walked around her; the quiet ones, on the contrary, considered her too sophisticated”...

Olga is an exception in her environment, an original, deep personality. She, like the heroine of the novel “Eugene Onegin,” is not successful in society, puzzling and frightening ball regulars with her unusualness.

- What is the source of the rapprochement between Olga and Oblomov? What do they have in common?

Naturalness, loneliness among secular people, lack of pretense, secularism were inherent in both of them.

- How did love begin?(Teacher's message, observations from Chapter 7)

Alina followed through the text how Ivan Goncharov, being a true psychologist, reveals the mental state of his heroes.

Let's turn to the final part of Chapter 5. The teacher reads.

After Oblomov’s accidental confession, both understand the need for an explanation and go towards each other, experiencing strong emotional excitement. Olga, of course, hopes that the hero will repeat his words about love, but remembers that she herself must be strict and observe all decency. Oblomov is afraid of meeting Olga, realizing that he will need to take a decisive action: either confirm his confession, or take back his careless word, but he is not ready for either one or the other. Having gone to the park and knowing that he would meet Olga there, he did not make any decision.

I am reading fragments from chapter 6 (part 2).

Episode analysis.

1. The word “love” is not spoken, why is this scene called a confession?? Where do we guess that it is said? (it’s inside Oblomov, he just couldn’t voice it)
2. How are Olga and Oblomov different in this scene?(Oblomov lives with his heart, Olga with his mind. And therefore the hero’s speech is full of enthusiastic or distressed exclamations, remarks filled with feeling and reflection. There are frequent ellipses in remarks and internal monologues. He is not confident in himself, does not know what to expect from Olga in the next minute Olga is all movement and action. She either asks or encourages action. She persistently seeks new recognition, waits impatiently, energetically demands. And Oblomov again speaks to her about love, vaguely, slowly: “I am not ashamed of my word”; “My shame has gone”; “there is the same excitement, the same feeling... forgive me.”
3. Goncharov builds the scene of explanation like a dramatic action, which has its own beginning, culmination, and denouement.
4. Name these elements of composition in this scene.(The beginning- Oblomov’s words that his first confession was accidental, “only because of the music”... Olga is deeply saddened by this apology. She straightens up, drops the flowers, her eyes dim... She did not expect this from Oblomov. Climax– Oblomov speaks again about his love. “I’m not ashamed of my words... It seems to me in it...”, “The same excitement..., the same feeling..., forgive me, forgive me - by God, I can’t control myself”... Denouement– the heroine’s call: “Only forward...”)

In this last phrase from Olga one can hear a warning to the hero in the future to be more careful in his speeches. And I still think that these words are symbolic, they contain a call to Oblomov, express the heroine’s life philosophy, her constant rapid movement forward, which even Stolz will have difficulty keeping up with. The symbolism of the words is confirmed by the characters’ gestures: “She instantly fluttered through the glass door, and he remained rooted to the spot.” The fate of their love depends on whether Oblomov can follow Olga’s call: “Forward!”

A romance unfolds, stormy and extremely spiritual, it is not without reason that its constant accompaniment is Olga’s singing, Oblomov’s admiration for her beauty, nature in its summer charm...

Instead of the “everyday life” of a person, so characteristic of part 1 of the novel, “spiritualization” takes place. The style of the novel changes.

How touching and sweet the hero in love is in his clumsiness. His pure soul and heart, full of kindness, opened up to Olga and captivated her, (“Oblomov is simpler than Stolz and kinder than him”).

Olga begins to realize the rarity of the merits of her chosen one. But Oblomov does not believe his luck. He constantly suffers and doubts.

- What does Oblomov doubt? Look at chap. 7

"To love me, funny..."

“What am I? Oblomov - nothing more. But Stolz is a different matter”...

There is not a drop of pretense in these arguments... He is sincere. There is no complacency in him.

- And Olga? Is she self-righteous? What drives her behavior?

(Message, based on observations in Chap. 6,8,9,11)

Vika made observations on the text of several chapters. We see that the heroine considered her goal to be to revive Oblomov. She was extremely satisfied with the very possibility of the “experiment”, with the fact that “all this miracle will be done by her, so timid, silent, to whom no one has listened until now.”

And Oblomov? Without any resistance, he happily submits to Olga’s will.

- What was Oblomov’s life like, all focused on love? (Chapter 9)

- How did Oblomov change under the influence of Olga? (Chapter 11)

(The children made these observations at home and therefore express themselves without preparation)

The life of Ilya Ilyich duplicated the life of Olga and nothing more.

“...I’ve already read several books...”

But it was precisely in this duplication of someone else’s life that the reason for Oblomov’s “half-rebirth” lay hidden. It seems to him that his life is full. But the author makes it clear that the hero has risen only to that “starting position” from which real life can begin.

“He has caught up with life, i.e. I learned again everything that I had fallen behind for a long time...” (chapter 11)

He learned only what revolved in the circle of “daily conversations in Olga’s house, what was read in the newspapers he received.” “Everything else was drowned in the sphere of pure love.” (chapter 11)

“This again was not that real life, which is the movement itself. It’s half asleep again, and Oblomov...fell asleep in his sweet slumber...and again he dreamed of Oblomovka.” (chapter 11)

Besides everything, he needs constant injections of confidence in Olga’s feelings.

“...I can’t help but doubt... with you I am sure of everything... you are not there - such a painful game of doubt begins...”

And so he writes a letter to Olga.

Reading Oblomov’s letter to Olga Ilyinskaya. ( I read in fragments) (Chapter 10)

Conversation after reading.

- Why does Oblomov write a letter to Olga?

- What did Olga guess in Oblomov’s soul after reading his letter?

Oblomov writes a letter with the unconscious goal of experiencing love. Olga understood this. Having read Oblomov’s letter, she saw in him a bright soul, tenderness, a clear conscience, the absence of any selfishness, fear for the happiness of his beloved. All this amazed Olga.

And the heroes are again embraced by the poetry of love.

Finally, Oblomov decides to propose to Olga.

Cast reading of the episode “Oblomov’s Proposal.” (Chapter 12)

- Find the connection between this episode and the epigraph of our lesson.

Oblomov dreamed of “bashful consent, of tears” and was disappointed with the calmness of his chosen one.

Through the mouth of Stolz in the novel “Oblomov,” Goncharov said that “love moves the world with the power of an Archimedean lever.” Under the influence of love, a person can be internally transformed and find a purpose in life. He draws energy from love. This is its joyful side, its beneficial influence.

E. Krasnoshchekova:

“From the very beginning, Oblomov’s love carried within itself a contradiction that predetermined both its strength and its inferiority. This is the love of a romantic dreamer, Pushkin's Lensky; she is sublime, enthusiastic, ideal...

Such love is fueled by the dream of happiness, its expectation. Olga is the ideal for Oblomov. But the ideal is only a dream for him. Olga is loved by him like a dream. He is quite happy with the anticipation of happiness.

Attempts to realize a dream for such lovers often entail the danger of losing it altogether. Collision with everyday life is contraindicated for romantic love, but it is inevitable in any attempt to turn the dream of happiness into reality.

Olga, by her own will involving Oblomov in action, tempts their love and creates an environment that is unnatural for it. Therefore, their romance is fraught with an element of destruction from the very beginning.”

That is why the words of A. Blok are appropriate for today’s lesson: “Sadness and joy sound like the same melody.” Especially in love, sadness and joy, like two sisters, walk side by side, hand in hand, shoulder to shoulder.

The third part of the novel is about the trials of love. But we will talk about them in the next lessons.

Download:

Preview:

To use presentation previews, create a Google account and log in to it: https://accounts.google.com

Slide captions:

Love theme in the novel by I. A. Oblomov"

Sadness and joy sound like the same melody. A. Blok

“Olga in the strict sense was not a beauty... but if she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat tall stature; the size of the head corresponded to the oval and size of the face; all this, in turn, was in harmony with the shoulders, the shoulders with the figure... The nose formed a slightly noticeably convex, graceful line; the lips are thin and mostly compressed: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the vigilant, always cheerful, never-missing gaze of dark, gray-blue eyes. Olga Ilyinskaya

The eyebrows gave special beauty to the eyes: they were not arched, they did not round the eyes with two thin strings plucked with a finger - no, they were two light brown, fluffy, almost straight stripes, which rarely lay symmetrically: one was a line higher than the other, hence above the eyebrow there was a small fold in which something seemed to say, as if a thought rested there. Olga walked with her head tilted slightly forward, resting so slenderly and nobly on her thin, proud neck; she moved her whole body evenly, walking lightly, almost imperceptibly..."

There is “no affectation, no coquetry, no lies, no tinsel.” “If she were turned into a statue, she would be a statue of grace and harmony.” She was not a beauty, but she was transformed while singing. There is “no affectation, no coquetry, no lies, no tinsel.” “If she were turned into a statue, she would be a statue of grace and harmony.” She was not a beauty, but she was transformed while singing.

“...I’ve already read several books...” But it was precisely in this duplication of someone else’s life that the reason for Oblomov’s “half-rebirth” lay hidden. It seems to him that his life is full. But the author makes it clear that the hero has risen only to that “starting position” from which real life can begin. “He has caught up with life, i.e. I learned again everything that I had fallen behind for a long time...” He learned only what revolved in the circle of “daily conversations in Olga’s house, what was read in the newspapers he received.” “Everything else was drowned in the sphere of pure love.”

“This again was not that real life, which is the movement itself. It’s half asleep again, and Oblomov...fell asleep in his sweet slumber...and again he dreamed of Oblomovka.” Besides everything, he needs constant injections of confidence in Olga’s feelings. “...I can’t help but doubt... with you I am sure of everything... you are not there - such a painful game of doubt begins...”

Oblomov dreamed of “bashful consent, of tears” and was disappointed with the calmness of his chosen one. Through the mouth of Stolz in the novel “Oblomov,” Goncharov said that “love moves the world with the power of an Archimedean lever.” Under the influence of love, a person can be internally transformed and find a purpose in life. He draws energy from love. This is its joyful side, its beneficial influence.

Before the “accidental” confession, Oblomov is light, always cheerful, lively, “partly mocking,” open, trusting, simple-minded, insecure, “dependent” on Stolz. After the confession, she is thoughtful, restrained, persistent, firm, confident, calculating, reserved, fearful, “ on the same level” with Stolz. Ilyinskaya

From the very beginning, Oblomov’s love carried within itself a contradiction that predetermined both its strength and its inferiority. This is the love of a romantic dreamer, Pushkin's Lensky; she is sublime, enthusiastic, ideal... Such love is fueled by the dream of happiness, its expectation. Olga is the ideal for Oblomov. But the ideal is only a dream for him. Olga is loved by him like a dream. He is quite happy with the anticipation of happiness. Attempts to realize a dream for such lovers often entail the danger of losing it altogether. Collision with everyday life is contraindicated for romantic love, but it is inevitable in any attempt to turn the dream of happiness into reality.

Olga, by her own will involving Oblomov in action, tempts their love and creates an environment that is unnatural for it. Therefore, their romance is fraught with an element of destruction from the very beginning.” That is why the words of A. Blok are appropriate for today’s lesson: “Sadness and joy sound like the same melody.” Especially in love, sadness and joy, like two sisters, walk side by side, hand in hand, shoulder to shoulder.

All essays on literature for grade 10 Team of authors

24. Olga Ilyinskaya, and her role in the life of Oblomov (based on the novel by I. A. Goncharov “Oblomov”)

The image of Oblomov in Russian literature closes the series of “superfluous” people. An inactive contemplator, incapable of active action, at first glance really seems incapable of a great and bright feeling, but is this really so? There is no place for global and cardinal changes in the life of Ilya Ilyich Oblomov. Olga Ilyinskaya, an extraordinary and beautiful woman, strong and strong-willed nature, undoubtedly attracts the attention of men. For Ilya Ilyich, an indecisive and timid person, Olga becomes an object of worship, but since fate brings together dissimilar people, time puts everything in its place. The nature of things is such that these people are simply unable to exist together. They say that opposites attract, and there is some truth in this saying. But, as a rule, they forget to add that for coexistence it is not enough to simply love each other. True love implies condescension, respect and tolerance for each other's small weaknesses, and not at all the desire to remake the other person to fit your mold. Olga Ilyinskaya fell in love with her dream, not a real person. Oblomov was Galatea for her, a man for whom she was to become Pygmalion, creator and creator.

Oblomov himself is an already established personality, integral in his own way and completely self-sufficient. Yes, Olga attracted his attention with her brightness, unusualness, education, and liveliness. For him she was a gust of fresh wind in a stuffy room. But Olga could not love Oblomov for who he is, which ultimately led to a sad breakup.

Before Olga appeared, Oblomov lived his measured and calm life. He had a certain stability, a kind of patriarchy, which he was not going to change for anything. Olga set herself the goal of waking Ilya Ilyich from the hibernation in which, in her opinion, he was. This often happens in life - friends and parents, overwhelmed by the best aspirations, believe that they know what is necessary for their friend or child. But, unfortunately, they are not always right. The same thing happened with Oblomov - Olga and Andrei, being fully confident that “it will be better this way,” do not try to understand what motives drive their friend, but simply want to reshape him in their own way. They don't understand how they can live in such inaction. I think that Ilya Ilyich himself does not fully understand the reasons for his behavior, which at first glance is passive and apathetic, but in reality turns out to be a deep subconscious protest against the world of commercialism and philistinism. Oblomov contrasts soulless activity with spirituality and humanity, precisely those qualities that today can safely be considered “extra” character traits that complicate life.

The bet with Stolz spurs Olga on; she tries with all her might to impose her system of values ​​on Oblomov, which for the most part represent material comfort and “education.” All this implies the so-called life of the mind, but not the life of the soul. Olga fell in love with herself as a “creator” in Oblomov, because it is always pleasant to look at the result of her labors and see in him a continuation of herself, and most likely did not even notice the tender, touching, deep and sincere love of Ilya Ilyich, which, with minimal tact and respect, may , and could transform it. The persistent pressure on Oblomov, to which Olga subjected the unfortunate man, and the resulting feeling of unaccountable resistance forced Oblomov to almost flee.

Truly, love is a great creative force, but this is true only if love is a sincere and pure feeling, and not an attempt to educate. It is not Olga’s fault that she was unable to change Oblomov as much as she would have liked. She is very different from him in many ways, because she is a person of her era, keeps up with the times, and the times are such that spiritual values ​​have become “shallow” and have increasingly begun to intersect with material interests.